J. SCHIRMER (1807-1863) attributed, Tree studies Alley with wagon, around 1850,

Pen & brown ink double-sided sketchbook drawing, tree study, attributed* to/in the manner of Vincent van Gogh (1853-1890). Verso is a landscape with haystack. Signed. 8 3/4 x 5 3/4 inches. Very good c

J.W. Vale (Early 20th Century), Oil on Canvas, Joan of Arc Clad in a White Robe Amid Clergy and Soldiers. Artist Influenced by the Pre-Raphaelite and Victorian Painting Popular Around 1850-1900. High

Sketchbook comprising six watercolors (one a double page), some with charcoal additions, sky and landscape studies, attributed to/in the manner of Edvard Munch (1863-1944). Signed. 6 x 9 1/2 inches. V

Exceptional black ink drawing over colored chalks, figure of a woman (possibly a study for Munch's "Madonna"), attributed* to Edvard Munch (1863-1944). Signed with the artist's initials. The reverse c

Brown ink on heavy wove paper, possibly an early unfinished study for "The Scream," attributed* to Edvard Munch (1863-1944). Signed and dated '92. 9 1/4 x 7 inches. Very good condition. Unframed for i

Attributed to John Henry Belter (1804-1863), New York, ca. 1850-1860. Carved and Laminated. 46"h For a similar example, see Neal Auction Company, New Orleans, LA, September 12, 2015, Lots 123-124

Attributed to John Henry Belter (1804-1863), New York, ca. 1850-1860, carved and laminated in the "Tuthill King" pattern. Armchair: 46"h x 26"w (over arms) Footstool: 14-1/2"h x 18-1/2"w x 18-1/2"d Th

DATED 1863 NEW YORK OR CONNECTICUT RIVER VALLEY LANDSCAPE WITH STREAM AT SUNSET. INITIALED "J.S.J" (ATTRIBUTED TO) JOHN JAMESON (1842-1864) IN ORIGINAL GILT FRAME 20 1/2" X 11" TERMS: THIS IS AN ON-SI

Thomas Gainsborough (English, 1727-1788) Attributed: Study for the Honourable Mrs. Graham,Oil on board, unsigned, framed. Perhaps one of Thomas Gainsborough's most intricate and recognizable compositi

Hugo Lonitz Majolica game tureen having deer atop cover opening to reveal liner (repaired), fox handles with ducks around tree trunk set on realistic base of sticks and ferns (minor chips and cracks).

This United States Fire Company, Ceremonial Parade Fire Hat Painted and pressed leather and felt. Philadelphia, circa 1850. Attributed to David Bustill Bowser (1820-1900), an African American freeman.

AN EXTREMELY RARE ‘CELESTIAL EYE’ REVERSE INTAGLIO AGATE SNUFF BOTTLE, 1750-1850 Attributed to the Cameo Ink-play Master, possibly Imperial, Official School China, 1750-1850 This bottle is the onl

1115. BOXED FAIRY TALE THEMED TREE STAND | Village build around tree stand with fairy tale scene in front of the houses, very charming, original cardboard box, includes three foot white feather tree.

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse*. Possible study for a painting of Westminster

Oil on canvas-backed on board painting depicting a rocky landscape with pine trees, attributed to Ivan Shishkin (Russian, 1832-1898). Dimensions: 16 x 12 in., (40.6 x 30.5 cm.)

Molded Copper and Zinc Horse Weathervane, attributed to J. Harris and Son, Boston, Massachusetts, late 19th century. Full body figure with soldered copper tail and mane, and cast zinc head and legs, v

Extremely Rare and Important Shenandoah Valley Multi-Glazed Redware Lamb Doorstop, attributed to J. Eberly & Co., Strasburg, VA, circa 1890, molded figure of a sleeping lamb with well-detailed fleece

Attributed to J. Harris & Co., Boston, Massachusetts, appears in their illustrated catalogue from 1878, no. 13. Depicted with empty bow raised but arrow in opposing hand. At the time, the 30-inch mode

An American Victorian Meeks-style parlor suiteMid-19th centuryAttributed to J.W. Meeks in the "Hawkins" pattern, each Rococo Revival-style carved and laminated rosewood with acanthine crest,

American Rococo Revival Laminated Rosewood Gentleman's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back

Ludwig Vierthaler, Munich. 'Crab' bowl, c1906. D. 31 cm. Made by J. Winhart, Munich (attributed). Brass, copper-plated, brown patina. Textured pattern and mother-of-pearl. Faint signature, inscribed:

IMPORTANT 17TH C. EUROPEAN OIL ON CANVAS HARBOUR SCENE PAINTING ATTRIBUTED TO J.B. WEENIX 1620-1662; 24.5"H X 36.75"W IMAGE, 31"H X 43.5"W OVERALL; CONDITION: LINED, CRAQUELURE, 4 TO 5 SMALL PIN HOLES

JESSIE WILLCOX SMITH (1863-1935) "Tasting." Study for the story in McClure's magazine, 1907 and as the frontispiece in "The Five Senses" by Angela M. Keyes (New York: Moffat, Yard and Company, 1911).

Oil on board Folk Art portrait of a child, attributed to Sturtevant J. Hamblin (American, 1835-1855) or William Matthew Prior (American, 1806-1873), with no visible signature, in a gilt-edged frame. [