James Hayllar, RBA (British, 1829-1920) Sunset near Bournemouth

James Hayllar, RBA (British, 1829-1920) Sunset near Bournemouth signed and dated 'J.Hayllar/Oct 1899' (lower right) oil on card laid to board 20.6 x 29.5cm (8 1/8 x 11 5/8in). Footnotes:

James Hayllar, RBA (British, 1829-1920) A wandering minstrel in a quiet square signed with monogram and dated '18HJ58' (lower right), titled, signed, and inscribed with artist's address (on a label at

James Hayllar, RBA (British, 1829-1920) The welcoming party signed 'J. Hayllar' (lower left) oil on canvas 50.8 x 74cm (76.5 x 29 1/8in).

James Hayllar (British, 1829-1920) Oil on Canvas 1879, signed and dated lower right, depicting male and female figures in a forest including an architectural structure visible in the background betwee

1885 JAMES HAYLLAR PAINTING BRITISH 1829-1920 Signed "J" in an "H", in the middle of "1885" to lower left. Viewable area measure 13" (33cm) high x 9" (22.9cm) wide. Frame measures 23 3/4" (60.3cm) hig

James Hayllar (1829-1920) British, a female figure hanging clothes by a stone cottage with ducks resting on a riverbank, oil on canvas, signed, 30" x 50", (76x127cm).

Alfred de Bréanski, RBA (British, 1852-1928) Sunset over the loch signed 'Alfred.de Bréanski' (lower right) oil on canvas 30.5 x 45.7cm (12 x 18in).

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

Lot 237 Herbert James Draper British (1864-1920) A Young Boy, Seated by a Fountain oil on canvas 38 x 27 inches frame dimensions: 44 x 33 x 1 3/4 inches, wood frame Provenance: Property from the Colle

James Dickson Innes (British, 1887-1914) Canigou from Collioure, Sunset watercolour and pencil on paper 24.5 x 34.5cm (9 5/8 x 13 9/16in). Painted circa 1912 Footnotes: Provenance<

JAMES FAIRMAN (BRITISH/AMERICAN, 1826-1904) HUDSON RIVER LUMINIST PAINTING, oil on panel, expansive view of the river at sunset, various vessels plying the waters, including an unusual paddlewheeler,

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin

Canadian (Ontario), circa 1920. Oil on board in a Hackman frame. Inscribed on verso. Colorful sunset, with trees and the bay. 7.25"h. 10.75"w. (sight). Frame, 18.5"h. 19"w.

Thomas and William Daniell (British, 18th-19th Century) Two Hand-Colored Aquatints. 'A Baolee Near the Old City of Delhi' 1802, and 'The Entrance to Kailasa' engraved by Thomas Daniell after James wal

The impressionistic landscapes of Carl Brennir (1850-1920), are immediately recognizable. As a young man he studied art at both the Academy of Lancaster as well as the British Institute in London. He

Jessica Hayllar (British, 1858-1940) When first we met signed and dated 'Jessica Hayllar/1892' (lower right) oil on canvas 43 x 64cm (16 7/8 x 25 3/16in). Footnotes: Provenance Pr

Edward Seago, RWS, RBA (British, 1910-1974) On The Beach, Waxham Norfolk signed 'Edward Seago' (lower left), bears title (on the reverse) oil on board 28 x 40.5cm (11 x 15 15/16in). Footnotes:

Edward Seago, RWS, RBA (British, 1910-1974) After storm, Conflans signed 'Edward Seago' (lower left), bears title (on the reverse) oil on board 36 x 51.5cm (14 1/4 x 20 1/4in). Footnotes:

John Sargent Noble, RBA (British, 1848-1896) The game bag signed 'J.S Noble' (lower left) oil on panel 38.1 x 26cm (15 x 10 1/4in). Footnotes: Provenance Anon. sale, Sotheby's, G

Charles Sillem Lidderdale, RBA (British, 1831-1895) Sunday morning signed with monogram (lower left) oil on canvas laid to board 82.6 x 59.4cm (32 1/2 x 23 3/8in). Footnotes: Provenance<

HENRY GILLARD GLINDONI, R.B.A. (British 1852-1913) A PAINTING, "Waking Up A Dozing Youth," oil on canvas, dated "1907" and signed L/L. 43 1/2 x 33 1/2"

Alan Davie C.B.E., H.R.S.W., R.A. (British, 1920-2014) Upsurge No.3 dated '20 8 52' (upper left); signed, inscribed, and dated again 'Alan Davie/Aug 52/SPEED SPACE' (verso) oil on board 122.2 x 101.6

Edwin Long (British, 1829-1891) Study for Ruth Gathering Wheat oil on canvas monogrammed EL (lower left) 52 x 42 inches. The authenticity of this lot has kindly been confirmed by Mark Bills, Director

Patrick Heron (British, 1920-1999) Six in Vermillion with Green in Yellow; Six in Vermillion with Violet in Red; and Six in Vermillion with Red in Red (a group of three prints), 1970 color screenprint