JAS Monks - After Storm - Etching (1850-1917)

Color triptych woodblock on paper. 28 1/2 x 14 1/4 inches (irregular.) Provenance: Provenance: From the personal portfolio of J.A.S. Monks (American painter, 1850 - 1917) and to the present consignor,

Color woodblock of two attached sheets. 19 1/2 x 14 inches (irregular.) Provenance: Provenance: From the personal portfolio of J.A.S. Monks (American painter, 1850 - 1917) and to the present consignor

Woodblock. 14" x 29". Provenance: The collection of J.A.S. Monks (American painter, 1850 - 1917) who acquired the print around the Edo period and thence by descent to the present consignor, his great-

'Harbor Scene.' Signed lower left and dated 1888. Provenance: From the collection of J.A.S. Monks (American painter, 1850 - 1917) and to the present consignor, his great-grandson Note: www.Peakhousehe

"Flooded Meadows." Watercolor on paper. 1888. Signed and dated lower left. Titled on verso in pencil and priced. 12 x 18 inches. Provenance: From the personal portfolio of J.A.S. Monks (American paint

John Austin Monks (American 1850-1917)- ''Rams Head''- etching, c. 1895, signed in pencil, staining in the margins and with in image. 15 x 12 11/16''

John Austin Sands Monks (American, 1850-1917) oil on canvas, Sheep on the shoreline, signed lower left J.A.S. Monks, canvas 18 x 26 inches

John Austin Sands Monks (American, 1850-1917) Lambs and Ewes in the Fold oil on canvas signed lower left JAS Monks 26 x 42 inches. Provenance: Mission Gallery, San Diego, California. Property from the

John Monks (American, 1850 - 1917): Sheep Etching. Etching on rice paper. Signed and dated (1886) in plate. John Monks was a painter and etcher of landscapes and animals, with sheep considered to be a

the first: sheep grazing and resting by J. A. S. Monks (American, 1850-1917), 1887, pencil signed lower left, printed copyright information lower center, printed remarque in margin, matted and framed;

John Austin Sands Monks Massachusetts, Illinois,1850-1917 Depicts a flock of sheep in a fenced in field bathed in early morning light. Monks studied etching and painting under George Nelson Cass and G

Ink wash on paper laid down on board. Signed bottom center. Note: Monks did several etchings of Ram's including, "The Old Ram" in the 1880's. This painting is likely from this period and was a prepara

John Austin Sands Monks (American, 1850-1917): Twilight, 1883. Etching, signature lower right, framed. 11.25 x 7.75 inches sight, 20.5 x 17.75 inches framed. Private Collection, New England

"Sheep Near Coast." Watercolor signed bottom left; together with an etching signed in the plate. 9 1/2 x 14 1/4 ; 18 1/8 x 22 1/8" (watercolor).

Two works of illustration art (retained by the artist in his personal collection and thence by descent). Gouache and ink wash on artist board (signed and dated 1886); and ink on illustration board. 9

'Ocean View.' Pastel. 9 5/8 x 14 inches. Note: Monks had a residence in Jamestown (Conanicut Island) Rhode Island and this is likely a scene from the Southern part of the Island where Monks along with

'Southern American Street Scene and African American Life.' Oil on artist board. 11 3/4 x 13 5/16 inches. This black and white and sepia toned painting is from Monk's personal portfolio. It was likely

'Impressionist River and Landscape.' Watercolor. 9 x 12". Dedicated and signed bottom right. An unusual example of American Impressionism is in the artist's oeuvre and bears a resemblance to Inness's

'American Homestead Scene.' Ink wash on paper with annotated pencil studies on verso. This was likely intended for reproduction or illustration. The top of the painting is annotated "#9." The verso pe

JOHN AUSTIN SANDS MONKSMassachusetts/Illinois, 1850-1917Landscape with sheep. Signed lower left “J.A. Monks”.Oil on canvas, 18” x 26”. Framed 26.5” x 34”.

John Austin Monks Massachusetts, Illinois,1850-1917 Depicts a herd of sheep resting in a dark barn alongside chickens eating from a toppled over bucket housed in a finely carved Motyka frame. Monks st

Lewis Henry Meakin (American, 1850-1917), 1886, etching on paper depicting the dome of the Salute as seen from the canal, dated and titled in plate l.l., signed in pencil l.l., remarque l.r., 12" x 17

Cityscape signed twice in print and signed in pencil lower right, sight8 x 4", matted & framed, 13 3/4 x 9 1/4". Lewis Henry Meakin (1850-1917) American Impressionist, taught Cincinnati Art Academy, p

'Cliffs with Seagulls.' Watercolor laid on board. 7 5/8 x 10 3/8 inches. Provenance: From the collection of J.A.S. Monks and to the present consignor, his great-grandson.