JOHN HENDERSON, DUNFERMLINE. AN UNUSUAL LATE REGENCY SCOTTISH SKELETONISED ROSEWOOD BRACKET CLOCK

D. & W. MORICE, CORNHILL, LONDON. A LATE REGENCY BRASS INLAID ROSEWOOD DOUBLE FUSEE BRACKET CLOCK the stepped chamfered top with gilt pineapple finial above a brass inlaid case with brass canted corne

WILLIAM HISLOP, LONDON. A LATE REGENCY BRASS INLAID ROSEWOOD DOUBLE FUSEE BRACKET CLOCK the case with arched carved top enclosing a 8" painted convex dial with Roman numerals fronting an eight-day dou

Late 18th/early 19th century Dial signed: John Taylor / London The ebonized bell top case with a glazed hinged door enclosing a face hand-painted with figures and mountainous landscapes, the brass dia

Suite of Six Late Regency Rosewood Side Chairs second quarter 19th century, each with a scrolling crest above a rail featuring brass-inlaid combatant griffins amidst scrolling patterns, over a shaped

English Rosewood Bracket Clock, c. 1840, backplate signed "J.T. BELL/London", bail handle, engine-turned dial, striking gong movement, h. 7 in., w. 5 in., d. 4 3/4 in.

A two part late Regency rosewood and mahogany collectors cabinet formerly housing a coin collection. The top having two swing doors and a central removable door with lock opening to five drawers. The

A FINE EARLY 19TH CENTURY CHINESE CARVED ROSEWOOD BRACKET CLOCK Attributed to Wong Yih Shing, of small proportions, carved with extensive foliage and floral applied roundels. 28 cm x 18 cm.

Philadelphia 8 day, 1/4 hour striking, pinwheel escapement 17 1/4" high, 11 1/2" wide circa 1820-1830

A FINE LATE REGENCY FIGURED ROSEWOOD LIBRARY TABLE IN THE MANNER OF GILLOWS the moulded edge top with rounded corners enclosing a finely inlaid brass border above a pair of frieze drawers reversed by

Y SCOTTISH REGENCY ROSEWOOD CENTRE TABLE, ATTRIBUTED TO WILLIAM TROTTER EARLY 19TH CENTURY the circular top above a bead moulded frieze, raised on four scrolled supports with flower head terminals, on

English Triple Fusee Bracket Clocklate 19th centuryebonized wood case with bronze flame finials, filigree mounts, hinged handles and Corinthian columns, engraved brass 8-day triple fusee movement with

English Triple Fusee Bracket Clocklate 19th centuryoak case with Corinthian columns and broken arch pediment top, brass 8-day quarter striking three train fusee movement with Cambridge chimes on 8 nes

A fine late 18th century ebonised bracket clock with deadbeat escapement and associated bracket Vulliamy, London, no. 311 The ribbed handle set on a shallow caddy over a well moulded cornice and tall

A late 19th century rosewood Mantel Clock with pull quarter repeat signed Vulliamy, London the case topped by a large rectangular bevelled glass inspection panel and cornice edges over bevelled glass

A late 19th century Lenzkirch Digital Bracket clock, retailed by "G. Landmann & Co., Frankfurt a M (am Main)". The digital or "flip" clock was conceived by the Austrian inventor and engineer Josef Pal

A late 19th century Gothic Revival Bracket clock with the original bracket, retailed by Camerer, Cuss & Co., London (original paper label on seatboard). 8-day triple train fusee movement with quarter

18th C. Georgian Bracket Clock: Description: A Late 18th Century clock featuring a brass engraved dial signed "Christ[opher] Moon, London", with a double fusee clockworks, engrav

Regency Style Gilt Bronze Mounted Boulle Marquetry Bracket Clock with wall mount bracket shelf, 19th century. Bronze figure of Father Time above a segmented enamel dial. Signed Balthazar a Paris. Outs

A GEORGE III BRASS MOUNTED MAHOGANY BRACKET CLOCK, BY LANGFORD OF SOUTHAMPTON, LATE 18TH CENTURY, the arched rectangular case with molded trim and surmounted by a brass bale handle, within sides of pi

The two-train 8-day movement with silvered dial, matte center, date and pendulum aperture, the arch signed William Stapleton London. 6 1/2 inch dial. 14 1/2 x 11 x 6 1/2 inches

Cado Rosewood Wall Unit includes 5 boxes (16.5x31.5x15), 17 shelves, 8 back panels, 34 rosewood brackets. (4 of 8 panels shown in photo).

A SUPERB REGENCY ROSEWOOD, BRASS MARQUETRY AND GILT METAL MOUNTED SIDE CABINET, IN THE MANNER OF JOHN MCLEAN Early 19th century, circa 1815 The raised superstructure surmounted by a pair of finials an

JOHN TAYLOR, LONDON. A GEORGE III TRIPLE FUSEE VERGE BRACKET CLOCK MOVEMENT IN LATER CASE, the mahogany case with arched top and glazed door enclosing a 7" arched brass dial with gilt spandrels and si

The rectangular top with drop leaves and central panel sliding open to a leather-lined backgammon board and reversing to an inlaid chessboard, the stepped frieze with two mahogany-lined drawers oppose