Kerr Eby (American/Canadian 1889-1946), "Christ Gate, Canterbury", etching, street view of church

1781 Canterbury Gate Christ Church Etching "A perspective view of the new gate at Christ Church. Rooker. Approx 19" x 14 1/4" Overall good condition, some creasing along edge.

September 13, 1918, St. Mihiel. [The Great Black Cloud]. Kerr Eby (1889-1946). Etching. circa 1939. Kerr Eby was a Canadian illustrator best known for his renderings of soldiers in combat in the First

Barrage. Kerr Eby (1889-1946). Etching. circa 1919-1920. Kerr Eby was a Canadian illustrator best known for his renderings of soldiers in combat in the First and Second World Wars. He is held in a sim

Kerr Eby (1889-1946) Three pencil signed etchings including "The Lantern" edition of 100, "The Doryman", and "The Storm". Sizes from 24.25" x 18.25" to 18.75" x 16.75" w/ frames.

Kerr Eby (American 1889-1946)-''Mars His Idiot'' (Giardina 190)- etching, 1937, signed in pencil, edition of 100. 10 7/8 x 11 1/8''

LUCIEN ADRION (French, 1889-1953)Street View, Parisoil on canvassigned Adrion lower right18 1/4 x 21 3/4 in., frame: 21 3/8 x 24 5/8 in.

Alfred Heber Hutty (American, 1877-1954). Original watercolor and gouache painting on paper. A Charleston, South Carolina landscape street view of St Philip's Church. Artist signature lower right corn

Etching, aquatint, and sandpaper ground, known as The Great Black Cloud, depicting an army marching up an incline beneath a menacing dark sky, the soldiers proceed on foot and on horseback past muddy

Christopher Richard Wynne (C.R.W.) Nevinson (British, 1889-1946), lithograph on paper depicting a marching army, bayonets in the air, processing down a city street, signed in pencil l.r., 8 1/2" x 7"

Smith Bros. & Company, view overlooking Wall Street Ferry and Brooklyn as seen from Trinity Church, circa 1850, lithograph, frame size 37 x 52 inches, paper size 31 x 46 inches.

cupid x rose hand-signed l.r. 12 x 18 inches overall good condition, some marks along margins. From the estate and lifelong collection of William Garrett Hodges (1946-2014). Hodges was a Virginia-b

After Rembrandt, framed etching of a landscape with buildings and a windmill. Possibly British Museum sanctioned print of "View of Amsterdam from the Northwest" (Kadjik). [Art: 3 1/2" x 5"; Frame: 12"

Paul Nash (1889-1946) The Battle of Britain original poster printed for the National Gallery by Baynard 1940 - 76 x 102 cm

Abstracted street view. Oil on board. 1951. Canvas matte in brushed aluminum frame. Label verso: "Betty Parsons Gallery, NY" noting artist, title, and date. Dimensions: 19.8" H x 2

Park Street Church - Summer oil on canvas 20 x 26 inches. signed. framed 26 x 32 inches (overall) Condition: Good, lined, varnish discoloration

Victor De Grailly, New York- French, 1804 - 1889, View of the Hudson River Seen from Highland West, oil on canvas. PROVENANCE: Lot: 463 Sotheby's New York 01/19/2007 - 01/21/2007, Sales Price**: $30,0

James Ensor (Belgian, 1860-1949) La Kermesse Au Moulin, 1889 etching signed, dated and titled in pencil 5 1/4 x 6 3/4 inches. Literature: Delteil 72 Property from a Private Collection, Chicago, Illino

Signed impressionist landscape oil painting by Ante Kastelancic. Painting depicts houses and a street view. The piece is 28" x 36" framed.

Modernist painting of a street view by Robert de Niro Sr (1922-1993). Oil on canvas, circa 1967. Signed lower right, "De Niro '67". Displayed in its original gilded and painted modernist frame. Image

Martin Lewis etching Bedford Street Gang. Pencil signed and titled. Dry mounted, unframed; visible image 8 3/4" x14 1/4".

THE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

Alfred Hutty (American/New York/South Carolina, 1877-1954). "Street Vendor, Church and Tradd Streets, Charleston, South Carolina" -1947, watercolor. Signed and titled verso, also signed verso by Bessi

CHILDE HASSAM Washington's Birthday, Fifth Avenue and 23rd Street. Etching on antique cream laid ledger paper, 1916. 323x187 mm; 12¾x7 inches, full margins. Second state (of 2). Signed with the a

ATTRIBUTED TO GLENN HENSHAWNew York/Indiana/Maryland, 1880-1946European street scene. Unsigned. Inscribed verso "Henshaw".Oil on canvas, 25" x 34". Framed 32.25" x 41.25"