Kosuke Kimura (b. 1936) Japanese

MEMORY, color screenprint, signed in pencil, from the numbered edition 60, image 12 x 18 ½”, sheet 15 x 22”, a few printer’s ink speckles in margins, otherwise in good condition.

Kosuke Kimura (Japanese 1936- )- ''Poetry of Ibaraki City''- etching in colors, signed and titled in pencil, very good condition. 9 1/2 x 12 1/4''

(lot of 3) Kimura Kotsuke (Japanese, b. 1936), two prints of noh mask, one red and the other black, latter numbered 28/60, tilted and signed ; together with a framed art of a male dancer in tradition

Shady Village, 1974 Etching on paper under glass Edition 18/100, signed and dated lower right: T. Ryohei Plate: 11.5" Hx 9.25" W

Ruined Farm House, 1973 Etching and aquatint on paper under glass Edition 4/100, signed and dated lower right: T. Ryohei Plate: 9.75" H x 21.5" W Literature: Tanaka, pl. 115.

Persimmon trees and Rooftops, 1977 (two works) Each: Etching on paper under glass The first: Edition 3/100; The second: Edition 1/100; Each: Signed and dated lower right: T. Ryohei Plate of larger:

WOMAN AT BALCONY, AIDS Series, 1988, etching on chin colle, image 7 x 4 ½”, sheet 15 x 10 ½”, frame 21 x 16 ½” with Plexiglas. Provenance: Pasquale Iannetti Art

View of a village, 1985 Etching on paper under glass Edition 79/120, signed and dated lower right: T. Ryohei Plate: 11.5" H x 11.5" W

NO. 3, 1974, color woodblock print, signed in pencil, from the numbered edition 40, image 20 ¼ x 20 ½”, sheet 23 ¾ x 24 ¼”, in good condition.

EVENING PAPERS, 1965, color woodblock print, signed in pencil, from the numbered edition 20, image 33 ½ x 23”, sheet 40 ¼ x 26”, the margins are toned and brittle from age, image in good conditi

FAN DESIGN, UME HAYASHI, 1978, color woodblock print, signed in pencil, from the numbered edition 50, image 10 ½ x 21”, sheet 12 ½ x 24”, hinges on verso, soft handling creases in the margins, o

TITLED, color woodblock print, signed in pencil, from the numbered edition 20, image 20 ¼ x 18”, sheet 22 ¾ x 20”, toning in margins, otherwise in good condition.

FAN DESIGN, FUYU NUKUSHI, 1978, color woodblock print, signed in pencil, from the numbered edition 50, image 10 ½ x 21”, sheet 12 ½ x 24”, hinges on verso, soft handling creases in the margins,

BIRD, color etching, signed in pencil, from the numbered edition of 100, image 4 ¾ x 4”, sheet 9 ¼ x 6 ¼”, in good condition.

ASTEROID, 1970, color screenprint, signed in pencil, from the numbered edition 120, sheet 18 ½ x 26 ¾”, in good condition.

Three Japanese screen prints by Tsutomu Toguchi (b.1936, Japan); each depicting colorful abstract forms, pencil signed, number and seal mark in lower right corner; 10 1/2" x 9 1/2" &#4

Three Japanese screen prints by Tsutomu Toguchi (b.1936, Japan); each depicting colorful abstract forms, pencil signed, number and seal mark in lower right corner; 10 1/2" x 9 1/2" &#4

Three Japanese screen prints by Tsutomu Toguchi (b.1936, Japan); each depicting colorful abstract forms, pencil signed, number and seal mark in lower right corner; 10 1/2" x 9 1/2" &#4

Masami Teraoka (Japan, B. 1936) "31 Flavors Invading Japan: French Vanilla", 1978, Stamped, Artist/Trial Proof III. Screenprint in colors, on Roll Rives paper, the full sheet, 11.5" ÌÑ 55". Provenan

Statue of Liberty. Edidtioned 42/80, titled, signed and dated '80 in lower margin. Dimensions: (Frame) H 24.25" x W 18.25" ; (Sight) H 18.25" x W 12.75" Condition: Not examined out of frame. Paper and

Pencil signed etching dated 1963 titled a freight car 10/110. Dimensions: (Frame) H 15" x W 20", (Sight) H 7" x W 12" Condition: Light age toning and slipped in frame.

Reiji Kimura (Japanese, b. 1926) "#263," mixed media on canvas, abstract with monochrome and textured finish including collage elements, signed and numbered on reverse: "#263 Reiji Kimura," signed on

Masami Teraoka (Japanese, b. 1936), "31 Flavors Invading Japan: Today's Special - Ready to Lick," 1985, woodblock print in colors, pencil signed and numbered 235/500 lower back of print, sheet: 11"h x

Yasuhisa Kohyama (Japanese b.1936) Large abstract wood ash fired ceramic form, inspired by Japanese Shigaraki ware, of globular organic form with organic fired surface and tones dependent on the place