Louis Conrad Rosenberg Drypoint, Temple of Minerva

Louis Conrad Rosenberg (American, 1890-1983) Temple of Minerva Medica, 1927, drypoint on paper, signed in pencil, lower right, matted and framed. Dimensions: 9 x 13 in. plate size 18 x 24 in. as frame

Louis Conrad Rosenberg (American 1890-1983)- ''Street of Southwest Wing Tower''; ''Ontario Street #2''; ''Cut South of Central Avenue''; and ''New Track Level South of Huron Road''- 4 drypoint, 1929,

Louis Conrad Rosenberg (American 1890-1983)- ''Demolition of Power Plant''; ''Kinsman Street Temporary Bridge''; ''Station and Prospect Avenue''; and ''Terminal Tower Site''- 4 drypoint, 1929, all sig

Louis Conrad ROSENBERG (American, 1890-1983): "La Badia, Florence". Drypoint on laid paper with a large unidentified crest watermark, 1926. Catalogue: Reid 39. Signed in pencil. Plate size: 6 1/2 x 8

Louis Conrad Rosenberg (1890-1983) Grande Port St. Malo The drypoint etching from an edition of only 21 prints is signed by the artist in pencil below the image lower right. Image measures 6.75 x 6.75

Louis Conrad Rosenberg (American, 1890-1983), (3) etchings on paper, inc "Aya Sophia, Constantinople", "The Fountain of Aya Sophia", and "Aya Sophia", all pencil signed, largest 11-13/16" x 8-5/16" pl

Louis Conrad Rosenberg (American, 1890-1983), (3) etchings on paper, inc "Piazza de Spagna, Rome", "Ponte Fabricio" and "Via del Pianto, Rome", all pencil signed, largest 7-5/16" x 9-7/8" pl, 8-1/2" x

Louis Conrad Rosenberg (American 1890-1983) A Moorish Archway, Toledo, etching, signed in pencil, lower right, matted and framed in plexiglass and lightweight metal frame. Dimensions: 5.75 x 3.75 in.

Louis Conrad Rosenberg (American, 1890-1983), (2) etchings on paper, inc "House of Phaman" and "Acropolis, Athens", both pencil signed, largest 6-7/8" x 10" pl, 10-3/4" x 13-7/8" sheet, excellent cond

Louis Conrad Rosenberg (American, 1890-1983), (2) etchings on paper, inc "Nuremberg Market Place" and "West Doorway- St. Marks", both pencil signed, largest 9-7/8" x 6-7/8" pl, 11-3/4" x 8" sheet, exc

Louis Rosenberg "Aya Sophia No.2" drypoint, 1927, edition of 150, 12-in. x 8.5-in, MCM 58. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via ema

Louis Conrad Rosenberg (1890-1983)- French Scene  & Building of the Terminal Tower    Ralph Seymour Fletcher (1876-1966)- The Shack, Carmel & Old

FOUR PATRIOTIC ETCHINGSIncluding Harold Kerr Eby (Canadian, 1889-1946) Stemming the Retreat at Monmouth; Louis Conrad Rosenberg (1890-1983) Farming at Mount Vernon; Sears Gallagher (American, 1869-195

1) Louis Conrad Rosenberg; COTTAGES FARMHOUSES AND OTHER MINOR BUILDINGS IN ENGLAND OF THE 16TH 17TH AND 18TH CENTURIES (1923) cloth, d.j., the jacket soiled; 2) William Helburn; ARCHITECTURAL DETAILS

Louis Conrad Rosenburg, Princeton. An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology. He the

A Group of Three Etchings by Various Artists, 19th/20th Century, Including pieces by Maurice Victor Achener (titled 'Isola di Piscalos', signed and numbered 4/30) and Louis Conrad Rosenberg (titled 'A

Louis C. Rosenberg (American 1890-1983) Hospital, Santa Cruz Barcelona, 1926, drypoint on paper, signed in pencil lower right margin, matted and framed. Dimensions: 6 1/2" x 8 1/4" plate siz

Louis C. Rosenberg (American 1890-1983)- ''Ontario Street, Lower Track Level Grading''; ''Tower Entrance'' and ''Terminal Tower From Wheeling Station''- 3 drypoints, 1928-30, all signed in pencil, edi

Rosenberg, Louis Conrad (American 1890-1983), New Track Level South of Huron Road, Cleveland Ohio, 1929, etching, 7.5 x 11.3 inches, pencil signed lower right margin, framed measuring 17 x 21 inches

Louis C. Rosenberg (American 1890-1983)- ''Terminal Tower Suite''- set of 22 drypoint etchings from the Cleveland Series, 1928-32, all signed in pencil, 6 have mat burn, otherwise all in very good con

Louis C. Rosenberg (American 1890-1983) Via Appia, The Appian Way, Rome, drypoint etching, signed in pencil lower right margin and titled Via Appia in lower right within plate, matted and framed. Di

1928. Pencil signed lower right, artist's blind stamp lower left and numbered L/16 lower left. Copyright 1928 by L. Icart Paris. Louis Icart (French, 1888-1950). From a Teaneck, NJ home. - Dimensions:

Artist: Louis Icart Title: Temple de l'Amour a Versailles Dimensions: 11in. by 6.5in. Edition: Rare one-of-a-kind painting Medium: Original oil on board Condition:<

An original drypoint etching by Louis Icart entitled Perfect Harmony (Accord Parfait). 25"h x 29"w