LOUIS FELIX DE LARUE (1720/31-1765/77) attributed

"Ceremony" pen and ink wash on laid paper. 3 3/4 x 12 5/8 inches. framed. 11 1/2 x 14 1/4 inches (overall)

(French, 1720-1765) Les trois graces; ink on paper, inscribed indistinctly and dated "1750" lower left, pen and ink and ink wash on laid paper with partial watermark (crown), sheet 8-3/4 x 6-3/4 in,;

The Drunken Silenus" Made on paper. Gallery label: H. Shickman Gallery, NYC. 5.5" X 8.25" (15" X 17") (From an East Hampton Estate)"

Boucher (nach), FrancoisDrei Putti mit Adler. Gestochen von Louis Félix de La Rue. Paris, Huquier, um 1745-1765. Kupferstich und Radierung auf Papier. Sichtmaße 27 x 22 cm. Dekorativ unter P

Attributed to Louis de Carmontelle (French, 1717–1806) and probably 18th Century French; Sanguine Crayon Drawing, Man & Woman in Pavillion-Garden with Dog; French-matted and gold leaf framed. Height

FELIX WEHLS DE WELDON (AUSTRIAN-AMERICAN, 1907-2003), ATTRIBUTED, ORIGINAL PAINTED PLASTER MAQUETTE BUST OF PRESIDENT GEORGE WASHINGTON (1732-1799), unsigned. Third quarter 20th century. 21 1/2"

FELIX WEHLS DE WELDON (AUSTRIAN-AMERICAN, 1907-2003), ATTRIBUTED, ORIGINAL PLASTER MAQUETTE FRAGMENT BUST OF UNITED STATES SPEAKER OF THE HOUSE SAM RAYBURN (1882-1961), unsigned. Circa 1960. 10&q

FELIX WEHLS DE WELDON (AUSTRIAN-AMERICAN, 1907-2003), ATTRIBUTED, ORIGINAL GEORGE WASHINGTON SCULPTURE MOLD, bust-length depiction. Third quarter 20th century. Approximately 24" H.Catalogue Note:

FELIX WEHLS DE WELDON (AUSTRIAN-AMERICAN, 1907-2003), ATTRIBUTED, ORIGINAL COLOSSUS SCULPTURE MOLD, after the Colossus of Rhodes. Third quarter 20th century. Approximately 26" HOA.Catalogue

French Bronze Louis XVI Style Cartel Mantle Clock, 19th c., by Vincenti & Cie., time and strike, with a musical putto surmount over an enamel dial with Roman numerals, painted "Delarue Ft. de Bronzes,

Attributed to Eugene Louis Boudin Plage de Berck Inscribed Berck/E. Boudin (ll) Watercolor and pencil on paper 7 x 4 3/4 inches (17.8 x 12.1 cm) C Estate of Dr. Robert A. Silver

Abraham-Louis-Rodolphe Ducros (1748-1810) ? Attributed, Chateau de Chillon, water colour with black chalk and black ink on paper, in passepartout, framed under glass, 46 x 60 cm

LEPÈRE, AUGUSTE-LOUIS, attributed to. Notre Dame de Paris. Watercolor sketch of Notre Dame cathedral from the south west with workmen along the Seine in the foreground. 8¾x12 inches sheet si

A SET OF SIX LOUIS XIV PAINTED SILK WALL PANELS Circa 1700, manufacture attributed to Royale de Gobelins Framed. height overall 65 5/8in (166.6cm); width of each 25 3/8in (64.4cm) Footnotes: The image

Very fine Louis XVI style gilt bronze mounted Regulateur de Parquet clock by Franz Hermle, 20th century, after the model attributed to Jean-Henri Riesener (French, 1734-1806), the whole with faux tort

Attributed to Jean Louis Ernest Meissonier (1815-1891): Le Peintre Van de Velde Oil on canvas, signed with initial 'M' lower right, with the Vente Meissonier wax seal on the stretcher, lined. 9 1/2 x

Attributed to Louis-René Boquet (French, 1717-1814), "Costume de Ballet, La Bergère", ink and watercolor on laid paper, unsigned, 9 3/4 in. x 7 1/8 in., framed. Provenance: Georges Haumont,

Attributed to Louis-René Boquet (French, 1717-1814), "Costume de Ballet", ink and watercolor on laid paper, unsigned, sight 9 5/8 in. x 7 in., framed. Provenance: Georges Haumont, Curator Le Mus&

Attributed to Louis-René Boquet (French, 1717-1814), "Costume de Ballet", ink and watercolor on laid paper, unsigned, handwritten label inscribed with artist on backing board, sight 9 5/8 in. x 7

Attributed to Felix Bracquemond photogravure "Le Haut D'un Battant De Port" on paper, no signature observed, label on verso, framed, under glass, 14"h x 9.5"w (sight) 22"h x 17"w

Felix Ziem (attrib), oil on canvas, Attributed to Felix Francois Philibert Georges Ziem (French, 1821-1911), Vista De Venecia, bears signature "Ziem" lower left, gallery label on verso stretcher, 21.5

French Art Nouveau walnut salon settee/ sofa, attributed to Louis Majorelle (French, 1859-1926), c.1900s, frame with carved foliate crest, seat and back upholstered in floral brocade fabric, carved ar

(pair) French Art Nouveau walnut armchairs, attributed to Louis Majorelle (French, 1859-1926), c.1900s, whiplash line frame, carved ivy leaf crest, upholstered back and seat, rising on curved legs, we

(lot of 3) French Art Nouveau walnut side chairs, attributed to Louis Majorelle (French, 1859-1926), c.1900s, whiplash line frame, carved ivy leaf crest, upholstered back and seat, rising on curved le