MANNER JAMES DIGMAN WINGFIELD (British, 1800-1872)

James Holland, British (1800-1870) Oil on canvas "European Port". Signed lower right J. Holland. Minor edge losses and Craquelure. Measures 30" x 50", frame measures 41" x 61". Provenance: Collection

James Wallace, British, 1872-1911, Twilight Landscape with Figures, O/C signed Verso Christie's Auction label anlong with Art Resortation Company label Dimensions: 20 x 30, framed 31 x 41 (IWIL6548)(M

James Pyne, English pastoral engraving, James Pyne (British, 1800-1870), "Vale of Keswick", c. 1853, 15"h x 21.25"w (sight), 21"h x 27.25"w (frame size), matted and framed under glass Provenance: Prop

ARTIST: James Wilson Carmichael (British, 1800 - 1868) NAME: Seascape with Sail Ship MEDIUM: oil on canvas CONDITION: One tear 2 1/2" long. Some craquelure. Some small scattered inpaintings/touch ups.

James Baker Pyne (British, 1800-1870) On the Rhine at Oberwesel watercolor over pencil 15 1/4 x 23 inches. Property from the Collection of F. Alan Cummings, Tallahassee, Florida Provenance: Phillips &

In the Manner of William James Blacklock (British, 1815-1858) A Pair of Landscapes. Each an oil on board, bearing signature lower center Each: 14" x 12" Frames: 18" x 16"

DESCRIPTION: Titled: "Ralph Lambton And His Hounds" The back contains a sticker " Ralph Lambton And His Hounds by James Ward reproduction artist Therese Jordan"Â CIRCA: 20th DIMENSIONS: H:34 W: 24

1871-1872; oil on canvas; signed lower left, signed again, titled, and dated verso 35 1/4 x 59 1/2 in. (89.5 x 151.1 cm.), Frame: 41 1/4 x 65 1/2 in. (104.8 x 166.4 cm.) Provenance: Property from a La

Fifty-four (54) 19th century ceramic decorative items. 1st-49th items: Forty-nine (49) Manner of James Tassie (Scottish, 1735-1799) white plaster cameo molds depicting scenes from classical Greek or R

Fifty-four (54) 19th century ceramic decorative items. 1st-49th items: Forty-nine (49) Manner of James Tassie (Scottish, 1735-1799) white plaster cameo molds depicting scenes from classical Greek or R

James Gillray (British 1756-1815) "Devils-Angling For Lawyers," hand colored etching, published March 25, 1800,matted and framed. Dimensions: 9.5 x 15 in. image size, 18 x 21.5 in. Condition:

Sextant in Polychrome Painted Case, James M. Elford (British-American, c. 1772-1826), Charleston, South Carolina, c. 1800. Brass and inlaid ebony navigation instrument with several lenses and ground g

Drawing on paper 12 1/2 x 9 in, manner of Duncan James Corrowr Grant (21 January 1885 – 8 May 1978) was a British painter and designer of textiles, pottery, theatre sets and costumes. He was a

50 assorted original hand colored engravings from 1790’s to early 1800’s James Sowerby was a British naturalist and illustrator. He was born in London, where he studied art at the Royal Ac

50 assorted original hand colored engravings from 1790’s to early 1800’s James Sowerby was a British naturalist and illustrator. He was born in London, where he studied art at the Royal Ac

James Jervis Blomfield (1872-1951 Canada/Ill). A good outdoors landscape / waterfront mountain painting. The work appears to be a British Columbia setting. The painting is oil/board and is not framed.

A set of ten mid century modern beechwood dining chairs having fretwork back splat and leather upholstered seat in the manner of James Mont. Ht: 37.25" Wd: 18.5" Dpth: 21" Seat: 19.5"

A pair of mid century modern two door marble top commodes in the manner of James Mont floating on recessed bases circa 1960. Ht: 24" Width: 34" Depth: 19.5"

Sir William Nicholson (British, 1872-1949) Still Life: Emile's Things signed and dated 'Nicholson/1912' (on the lower left of the mirror) oil on canvas 92.2 x 71.4 cm. (36 1/4 x 28 1/8 in.) Footnotes:

Magnificent Olympic ocean liner painting by Charles E.Dixon(British 1872-1934), signed and dated 1910.(According to Ocean Liner historians)this a painting of the Olympic as it enters NY Harbor in 1910

John Wilson Carmichael (British, 1800-1868) Harbor Under a Looming Storm oil on canvas unsigned 23 1/2 x 35 1/2 inches. Property from a Private Collection, Palm Beach, Florida

(British, 1800-1880) The Love Letter, signed lower left "C. Lees 1856" with possible original label inscribed and signed by artist verso stretcher, oil on canvas, 36 x 28 in.; gilt wood and compositio

John Wilson Carmichael (British, 1800-1868), Maritime Sceneoil on canvas (lined), 1845, signed and dated at lower right, presented in a later gilt frame with linen liner. Stretcher size 16 x 23 in.; F

John Wilson Carmichael (British, 1800-1868), Maritime Sceneoil on canvas (lined), 1850, signed and dated at lower left, framed. Stretcher size 18 x 30 3/4 in.; Frame dimensions 30 x 42 1/2 in. From th