In the Manner of William James Blacklock (British,

In the Manner of William James Blacklock (British, 1815-1858) A Pair of Landscapes. Each an oil on board, bearing signature lower center Each: 14" x 12" Frames: 18" x 16"

William James Müller (British, 1812-1845) Carpet bazaar, Cairo signed and dated 'W. Muller 1843' (lower left) oil on board 60.5 x 43cm (23 3/4 x 17in). Footnotes: A very similar composi

William James M&#252;ller (British, 1812-1845) Mandraki harbour, Rhodes signed 'WJMuller' (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in). unframed Footnotes: Provenance</

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

Pastel in the manner of William James Glackens

WILLIAM JAMES MULLER, (BRITISH, 1812-45), OIL ON CANVAS, H 32", W 53", "AFTERNOON IN LYCIA" Signed and dated 1843 lower left. identification tag with title is on the gilt frame (frame size: 37" x 59")

Signed and dated 1910 lower right. Excellent condition in a giltwood gesso frame. Sight size is approx. 19 1/2" x 15 1/2". William Kay Blacklock, (British, 1872-1924) studied at the Royal College of A

2 British watercolors and 1 French print- 1 & 2). Attrib. William James Muller (British 1812-1845)- ''Jebel Mousa Summit of Mount Sinai'' & ''Memnonium''- 2 watercolors on paper. 11 1/2 x 16 1/2'' tog

"A Mountain Torrent", a mountain landscape with figures, depicting a bridge over a rough river, by William James Muller (British, 1812-1845). Bears Malcolm Innes Gallery label. Provenance: Christie's

Attributed to William James Hubard (British/American, 1807–1862) 19th Century Silhouette 1820-1840. Gold highlights, birdseye maple frame. Framed 7 x 6 Hubard Gallery label on reverse. (CHECK??

Framed oil on canvas board painting, Hunting Scene, signed lower left W. Manners (William Manners, British, 1860-1930), dated 1889, retaining Haynes Fine Art of Broadway, Worcestershire, United Kingdo

Manner of William Beechey, R.A. (British, 1753-1839) "Portrait of a Boy in a White Collar", ca. 1900 oil on canvas unsigned. Framed and with artist plaque. 30-1/2" x 25-1/4", framed 38" x 33-1/2" Prov

[ARCHITECTURE]. PAIN, William and James. Pain&#8217;s British Palladio: or, The Builder&#8217;s General Assistant&#8230; London: Printed for I. and J. Taylor, 1797. Tall folio. (Title&#8211;page and f

A pair of unusual English carved and gilt gesso owl wall brackets probably early 19th century, perhaps in the manner of William Kent (British, 1685-1748) the gadrooned circular plateau tops supported

A set of 12 Royal Crown Derby Hand Painted Nautical Plates by listed artist W E J (William Edward James) Dean, British, ?-1956, in the Vine Emerald pattern with gold trim. {KLEA6029/12} (TC ) Dimensio

DESCRIPTION: Titled: "Ralph Lambton And His Hounds" The back contains a sticker " Ralph Lambton And His Hounds by James Ward reproduction artist Therese Jordan"Â CIRCA: 20th DIMENSIONS: H:34 W: 24

A James William Stamper (British, 1873-1947) still life oil on canvas painting depicting various fruit and vegetables with a cognac bottle. Signed in the lower right corner. Presented in a wooden fram

Manner of Benjamin Williams Leader (1831-1876) British. "The Salmon Leap, Capel Curig", A Rocky River Landscape, with Fishermen in the foreground, Oil on Canvas, bears a Signature, and Inscribed on a

Manner of Joseph Mallord William Turner (British, 19th Century). Unsigned, titled and dated Jan. 20th 1830 l.r. Sepia ink and wash on paper, overall with light toning, mat burn along the margins with

William Derby (British, 1786-1847) James Scarlett, Esq., M.P signed and dated 'W.Derby/Pinx/1826' (lower left) and inscribed 'J Scarlett Esq/MP' (on papers centre left); further inscribed with sitters

Lucien Whiting Powell (American, 1846-1930), "Classical Landscape with Ruins, Figures and Pond", oil on canvas, after James Mallord William Turner (British, 1775-1851), signed and inscribed "After J.M

William Strang (British, 1859-1921), "James Craig Annan," 1916, drypoint etching, pencil signed lower right, titled lower left, plate initialed and dated lower left, state II/II from an edition of 40,

Two early 19th century Bronze portrait plaques. Depicting the 18th century British Political foes Charles James Fox and William Pitt. Some minor damage to frame. Framed together in an Ebonized paper m

Michael James Smith (British, b 1976) English landscape painting "A Fine Day in Prospect", oil on canvas, signed "Michael James Smith", 24" x 30-1/2", framed 30-1/4" x 36-3/4", excellent condition, sm