Marcelo Bonevardi (1929-94) "Amulet"1966 M/M

Marcelo Bonevardi (Argentinian, 1929-1994) "Amulet" 1966 MIxed media and painting with wood and canvas. Inscribe on Verso: "Bonevardi "Amulet" '66 20"X12" from the Schulhof Collection

Marcelo Bonevardi (Argentina, 1929 - 1994) pencil signed print. Signed "Bonevardi - 83" lower right. Stated "P.P." Printers Proof lower left. Measures 29.75" x 22" sheet size. Unframed, loose and not

Marcelo Bonevardi Plaque 1969mixed media on wood relief 11.25 h x 10.125 w x 2.125 d in (29 x 26 x 5 cm) Signed, titled and dated to verso 'Bonevardi 69 Plaque'. Provenance:

Marcelo Bonevardi Box with Objects 1969mixed media on wood relief 11.25 h x 10.25 w x 1.25 d in (29 x 26 x 3 cm) Signed, titled and dated to verso 'July 12-69 Bonevardi 69 Box with Objects'.

Unmounted Diamond The round brilliant-cut diamond measures 8.01 - 8.09 x 4.94 mm and weigh

1.02 ct Diamond Shape: Round brilliant-cut Measurements: 6.49 - 6.57 x 3.94 mm Color: E Clarity: VVS1 Report: GIA # 2020120 
 &New

The translucent bangle bracelet of bright orangy-red tone. Accompanied with GIA jade report No.6223535957 stating the bangle has no indications of impregnation. Approx. 65.10 x 7.94 mm Provenance: Pro

Grand Cross Set, instituted in 1808. Sash Badge, 59 mm, Silver, maker's mark "Arthus Bertrand", centre medallion enameled, original suspension ring and long complete sash. Breast Star, 94 mm, Silver,

Cartier Belt, c. 1970 Jacqueline Onassis (1929-94) wore a version of this belt on many occasions, including in 1969 when she is photographed with Mona Von Bismark.   Gold-tone sterling belt with

3rd Class, 1st Grade, 2nd Type Badge of the Order in Silver, 101 x 94 mm, with smooth, pointed rays, the centre set with a translucent, blue cabochon, within raised inscriptions, pale blue enameled de

18 kt. Yellow Gold and Diamond Ring, center cathedral prong set round brilliant cut diamond, wt. exact 0.97 ct., 6.27-5.97 x 3.94 mm, I color, SI-2 clarity; shoulders with 6 flush set round brilliant

Mixed media construction by Marcelo Bonevardi.20" x 29" in a frame 25" x 34".------------------------------------------------------------------------------------------------------------------(From Wik

Approximate Dimensions: 20.25 in (unclasped length) x 15.63 mm (Largest Bead Diameter) x 9.94 mm (largest bead thickness) x 5.86 mm (smallest bead diameter) x 4.08 mm (smallest bead thickness) x 52.6

ANTON SCHUTZ Plaza Lights. Aquatint, circa 1929. 352x255 mm; 9x14 inches, full margins. Signed in pencil, lower right. A very good, luminous impression of this extremely scarce print.Born in Germany,

CHARLES WHITE (1918 - 1979) Exodus II. Color lithograph on Rives BFK paper, 1966. 1054x749 mm; 41½x29 inches. Signed, titled, dated and numbered 43/50 in pencil, lower edge. Printed by Gemini G.E

WILLIAM ZORACH Landscape with a Field of Flowers and a Distant Line of Trees. Watercolor and pencil on paper mounted on card stock, 1929. 390x570 mm; 15½x22½ inches. Signed and dated in ink,

WILLIAM SCOTT Odeon Suite No. 1. Color lithograph on Rives BFK, 1966. 500x625 mm; 19¾x24¾ inches, full margins. Artist's proof, aside from the edition of 75, Signed, dated and inscribed "ap"

PAUL CÉZANNE (AFTER) Les Jouers des Cartes. Color aquatint, 1929. 485x600 mm; 19x23 inches, full margins. Artist's proof, aside from the edition of 200. Signed by Villon in pencil, lower right. E

ROBERT MOTHERWELL Untitled. Color lithograph on buff Arches Cover, 1966. 502x362 mm; 19¾x14¼ inches, full margins. Initialed and numbered 72/100 in pencil, lower margin. Printed and publishe

HUGHIE LEE-SMITH (1915 - 1999) Man, Facing Left. Oil monotype on wove paper, 1966. 367x235 mm; 13x9 inches. Signed and dated in pencil, lower right. Provenance: the collection of the artist; estate of

ANDY WARHOL Campbell's Soup Can on a Shopping Bag. Color screenprint on a wove paper shopping bag, 1966. 420x240 mm; 16 x9 inches. Published by the Institute of Contemporary Art, Boston. Feldman 4A.

MAX ERNST Elfo 3º. Yellow and green molded glass, 1966. 160 mm; 6½ inches (diameter, irregular edges). Artist's incised signature, titled, date and numbered 20/300, verso. Published by Fucin

EDUARDO CHILLIDA Continuation III. Aquatint on Rives BFK, 1966. 178x241 mm; 7x9½ inches, full margins. Signed and numbered 4/50 in pencil, lower margin. Published by Maeght, Paris. A very good im

PHILIP GUSTON August. Screenprint on Plexiglas, 1966. 762x1015 mm; 30x40 inches (sheet), full margins. Signed and numbered 12/125 in ink and incised, lower margin. Printed by Knickerbocker Machine & F