MARIE CASSAVETTI (Greek Born 1843) Bronze .

“L'Amour Irrésistible". Large bronze. Signed on base and with foundry mark. - Dimensions: 36" h.

Cassavetti, Marie (British 1843-1914) Bronze "L'Amour Irresistible" Sculpture, Cupid with arrow figure on a green marble base with title plaque. Signed on base of sculpture. The arm shows old repair 3

Giorgos George Stathopoulos, Greek, born 1944, gilt bronze sculpture depicting a pair of pigeons. The sculpture is adorned with engraved detailed patterns. Mounted on a rectangular shaped stand. Signe

Marie Huxford Luce (American, born 1843), 19th century oil on canvas depicting a bright floral arrangement of yellow flowers, signed l.l., 16" x 21" canvas.

Emma Marie Cadwalader-Guild (1843 - 1911): Endymion, Bronze ca. 1900; mounted on translucent onyx. Together with an image of another version in marble, location unknown, and some research info. Light

Marie Barbera, Italian/American (Born 1936). Known for figural bronze sculptures of Native Americans. Seated woman with basket in her lap, mounted on triangular bases of marble on wood. 'Basket Weaver

H: 5.5" W: 7.8" Shipping in USA $ 45 Rosa Bonheur, born Marie-Rosalie Bonheur, was a French artist, mostly a painter of animals but also a sculptor, in a realist style

A finely cast Bronze bust of a Nobel Prize winner Madame Curie by a French Artist. A very striking example of bronze work with a wonderful expressive face. Marie Skłodowska Curie, born Maria Salo

Marie Barbera (AMERICAN / CALIFORNIA, Born 1936) limited edition large cold painted bronze sculpture depicting a Native American Indian warrior. Signed "M. BARBERA" and numbered 23/30 to bronze base.

A finely cast Bronze bust of a Nobel Prize winner Madame Curie by a French Artist. A very striking example of bronze work with a wonderful expressive face. Marie Skłodowska Curie, born Maria Salom

Rare Philip And Kelvin Laverne ( American new York 1907-1987 and Born 1937- ) Enamel on Bronze Scenes from Greek Mythology by Philip & Kelvin LaVerne Dimensions 43.5" L 12.5" H American Mid Century Mo

(Born 1911 American) Head wearing laurel wreath, bronze sculpture, approximate height 14 1/2".

A choice Greek bronze helmet of Corinthian type , c. 6th Century BC, of domed form, constructed from a single heavy sheet of hammered bronze with flaring neck-guards, the cheek-guards pointed at their

Greece, Classical period, ca. mid 5th century BCE. An elegant, large, hammered bronze hydria, with cast handles, rim, and foot. The handles are smooth, rather than fluted as many examples are, and giv

Magna Graecia, Adriatic Sea region, ca. 5th to 4th century BCE. A striking Chalcidian helmet comprised of hammered bronze, so named as this helmet form was initially depicted on pottery believed to de

Ca. 500-300 BC.An impressive bronze helmet featuring a domed crown with a prominent front medial ridge. The helmet's design includes a contoured double curve above the brow, seamlessly transitioning i

Ca. 500-300 BC. A superb Chalcidian helmet. The bowl is forged in one piece, featuring high-arched eyebrows with an ear drop-shaped nose guard and a flaring neck-guard. The raised curves demarcating t

A Greek Bronze Horse   Geometric Period, Circa 8th Century B.C. Height 2 1/2 inches. Provenance: Private Collection, New York, 1970s.

Ancient Greece, Classical Period, ca. 5th century BCE. A stunning bronze ewer shaped from repeatedly-hammered sheets of bronze with the rim and handle formed via the lost wax (cire perdue) process. Th

Greek or Corinthian patinated bronze war helmet, on a black steel stand. Helmet: 9" H; on stand: 18.5" H.

Ancient Greece, Hellenistic Period, ca. 5th to 4th century BCE. A beautiful bronze cheek piece from a Chalcidian helmet, depicting Nike, the winged goddess of victory, speed, and strength, in repousse

Greece, probably Hellenstic period, ca. 323 to 31 BCE. This is a larger-than-life-sized foot from a statue, complete with the lead weights inside its hollow feet, using for stabilization of the statue

Greece, 6th to 5th century BCE. A striking cast bronze object in the form of a griffin head clutching a thick bronze ring in his beak. The ring swings freely and could have acted as a door knocker or

The domed helmet with a pair of raised double parallel ridges, each with smaller ridges at the outer edge, with a central frontal tang and loop at the back for attachment of a crest, with an everted r