Martin Lewis (American, 1881-1962) Cathedral Steps Drypoint, 1931, on laid paper, signed in penc...

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

Martin Lewis (Australian/American, 1881-1962) Angry Man, 1935 drypoint signed in pencil lower right margin inscribed Trial Proof in pencil lower left margin Rives blindstamp upper left margin inscribe

Lot 16 Martin Lewis Australian/American (1881-1962) Hi-Li Tournament (1937) drypoint pencil signed lower right plate: 8 3/8 x 13 1/4 inches Provenance: Property from the Estate of Eleanor Jacobs The O

Martin Lewis (1881-1962) R.F.D. (McCarron 106), 1933 Drypoint and sand ground etching on laid paper, signed in pencil, from the total edition of 148, with margins. 9 7/8 x 11 3/4in (25 x 30cm) sheet 1

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Martin Lewis (1881-1962) Clearing Rain, Evening, Japan (McCarron 59), 1927 Drypoint, on laid watermarked paper, signed in pencil and annotated 'imp', from the edition of 72, with margins slightly unev

Martin Lewis (American 1881-1962)- ''The Return'' (Mc Carron 45)- drypoint and sandground, 1925, signed in pencil, edition of 36, slight mat burn. 7 3/4 x 9 7/8''

CATHEDRAL STEPS (M.93), 1931, drypoint, signed in pencil, from an edition of 42, plate 10 ½ x 16 7/8”, sheet 13 ½ x 20”, frame 19 x 24 ¾” with glass. Retains McN

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Gustave Baumann (American, 1881-1971) Cottonwoods, 1931 color woodcut on Zanders laid paper signed and titled in graphite and with the artist's Hand-in-Heart watermark lower margin; inscribed 17-120 l

(American, 1881-1962)Politics (Mc. 118), 1936, trial proof no. 6 of 11 artist's proofs from a total edition of 27, signed lower left in pencil "Martin Lewis" and in plate lower left, inscribed in penc

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

Gustave Baumann (American, 1881-1971) Road to Town, 1917 color woodcut on cream Zanders Bergisch Gladbach laid paper signed, titled and numbered in lower margin signed with artist's chop mark edition

Martin Lewis (1881-1962 New York) "Building A Babylon (Tudor City, New York)" Etching, 1929. Edition of 100. Pencil signed and inscribed "IMP." at bottom right. Impression measures 13x8". Overall fram

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

Ludwig Bemelmans (American, 1898–1962) Au Vieux Paris Signed 'Bemelmans bottom right; also located 'Rue de Buci Paris' and numbered '155' bottom left, mixed media on paper laid down to board39

δ Pablo Picasso (1881-1973)Homme Devoilant une Femme (Bloch 138; Baer 203)Drypoint with burr, 1931, from the edition of 260, with the H.M. Petiet blindstamp recto, on Montval laid paper with the

WILLIAM T. WILEY (1937 - 2021, AMERICAN) Untitled, (Two Paintings). i) Mixed media on paper laid to board, 1962. 348x280 mm; 13¾x11 inches. Signed, Wm. T. Wiley, and dated, 1962, lower right. ii)

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x187 mm; 10½x7½ inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York