Martin Lewis (American, 1881-1962) The Lunch Counter Drypoint in brown, 1927, on laid paper, sig...

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

Lewis, Martin (American, 1882-1962). "Self-Portrait with Etching Equipment." c.1953. Roulette and drypoint printed in brown ink on wove paper. Edition of 25 to 50. Plate: 5 3/8" × 8 3/8" Framed: 15 1

Lot 16 Martin Lewis Australian/American (1881-1962) Hi-Li Tournament (1937) drypoint pencil signed lower right plate: 8 3/8 x 13 1/4 inches Provenance: Property from the Estate of Eleanor Jacobs The O

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Martin Lewis (1881-1962) R.F.D. (McCarron 106), 1933 Drypoint and sand ground etching on laid paper, signed in pencil, from the total edition of 148, with margins. 9 7/8 x 11 3/4in (25 x 30cm) sheet 1

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

(American, 1881-1962)Politics (Mc. 118), 1936, trial proof no. 6 of 11 artist's proofs from a total edition of 27, signed lower left in pencil "Martin Lewis" and in plate lower left, inscribed in penc

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

American, ca. 1816, brown ink on laid paper, a faithful representation of all 56 Declaration of Independence signers on signature panel, subsequently used as model for Tyler's popular broadside, this

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

Gustave Baumann (American, 1881-1971) Road to Town, 1917 color woodcut on cream Zanders Bergisch Gladbach laid paper signed, titled and numbered in lower margin signed with artist's chop mark edition

Gustave Baumann (American, 1881-1971) Cottonwoods, 1931 color woodcut on Zanders laid paper signed and titled in graphite and with the artist's Hand-in-Heart watermark lower margin; inscribed 17-120 l

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

Ludwig Bemelmans (American, 1898–1962) Au Vieux Paris Signed 'Bemelmans bottom right; also located 'Rue de Buci Paris' and numbered '155' bottom left, mixed media on paper laid down to board39

ASHER BROWN DURAND(American, 1796-1886)Mountain Landscapeoil on paper laid on boardsigned A.B. Durand lower right12 x 20 in., frame: 15 3/4 x 23 3/4 Provenance: A New England Estat

Pablo Picasso (1881-1973)Femme au fauteuil II: Dora Maar - 1939- 1942Sugar-lift aquatint, scraper, burin and drypoint on ivory Montval laid paper with Vollard watermarkUnsigned33.8 × 44.6 cm (S)

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

WILLIAM T. WILEY (1937 - 2021, AMERICAN) Untitled, (Two Paintings). i) Mixed media on paper laid to board, 1962. 348x280 mm; 13¾x11 inches. Signed, Wm. T. Wiley, and dated, 1962, lower right. ii)

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x187 mm; 10½x7½ inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York

δ Pablo Picasso (1881-1973)Homme Devoilant une Femme (Bloch 138; Baer 203)Drypoint with burr, 1931, from the edition of 260, with the H.M. Petiet blindstamp recto, on Montval laid paper with the