Mary Cornish. "The Ancient (Maribou Stork)," oil

(American, 20th century). Oil on canvas on board, 2007, signed, 16 x 20 in., framed. Provenance: Collection of the Joyce E. Drewanz Trust, Churchville, MD. Acquired from the Leigh Yawkey Woodson Museu

Tony Giles (1925-1994), Cornish School, Oil on board, Cerne Abbas, A view of the ancient naked male figure sculpted into the chalk hillside in Dorset. Signed and dated 22 June (19)92 lower right. Appr

DESCRIPTION: An antique oil on wooden panel Russian icon. Features a rendering of the Virgen Mary at a table, flanked by seated angels. Finished with ancient structures along the back, gilded paint, a

18th C. Mexico, Adoration of the Virgin Mary, with Latin inscription, oil on canvas sight: 53 x 41 in.,frame: 66 x 54 in. Provenance: Property from a San Antonio, Texas gentleman Shipping available

Colonial School. Cuzco. Peru. 18th century. "Assumption of Mary" Oil and brocateado (designs overlaid in gold leaf to represent brocade) on copper. 32,5 x 24 cm.

Clementine Hunter (American/Louisiana, 1886-1988), "Jesus, Joseph and Mary", oil on board, monogrammed lower right, 10 in. x 12 1/4 in., framed, overall, 12 in. x 14 1/2 in. x 7/8 in. Provenance: The

Northern European School (possibly 15th century), The Virgin Mary, oil on panel, unsigned, gallery label (Q.S. Gouldfar, Collector's Curios, London, UK) affixed verso, panel: 10.25"h x 8.5"w, overall

FLEMISH SCHOOL, LATE 16th / EARLY 17th CENTURY Christ in the house of Martha and Mary Oil on panel, cm. 74x104,5. Framed PROVENANCE: Private Collection, Rome

Colonial School. Peru. 16th – 17th century. Bernardo Bitti workshop (Camerino, Italy, 1548 - Lima, Peru, 1610) "Virgin Mary" Oil on canvas. 63 x 48 cm.

LUCA GIORDANO (Naples, 1634 - 1705). "Saint Mary Magdalene. Oil on canvas. Period frame. Size: 78 x 60,5 cm; 76,5 x 94,5 cm (frame). At the buyer's request, this lot can be enclosed with a copy of the

After Perugino (possibly 19th Century) St Mary Magdalene, oil on a cradled panel, 18" x 13", (46x33cm).

Ca. 300 BC - 400 AD. A large group of terracotta oil lamps of various types, including Greek, Roman, Islamic and Byzantine. The collection comes with a detailed book containg the paperwork for each on

Attributed to Mary Abbott, it does not have a COA. 49 x 38 inches. Medium: oil canvas. Provenance: private owner. Biography: 1921 - 2019. Mary Abbott was born in New York City, and her lineage traces

European artists starting from the 17th century were fascinated by the views of ancient ruins so there are many works of this style. Ruins became an artistic and philosophical metaphor for the passage

Italian school of the first half of the seventeenth century. School of "CORREGGIO" Antonio Allegri (Italy, 1494 - 1534). "Madonna and child with St. Jerome and Mary Magdalene". Oil on canvas. Re-tinte

Follower of Master of the Mansi Magdalene (Antwerp, active circa 1490-1530) Saint Mary Magdalene oil on panel 57.7 x 43.2cm (22 11/16 x 17in). Footnotes: The present work is based on the origina

After Sir Peter Lely, 18th/19th Century Lady Mary Pembroke oil on canvas 46 3/4 x 38 1/2 inches. Property from the Estate of John D. Fornengo, Chicago, Illinois

Rene Alvarado (b. 1972), interpretative Mary Magdalene, oil on canvas, framed frame: 33 x 52"; Provenance: A Fredericksburg, TX Estate Born in a small village in Mexico, Rene Alvarado, a painter of

Frederick Stuart Church (1842-1924) Original Oil Canvas Lady with Storks: Stunning oil painting by F.S. Church. Framed and measuring 30.5 x 18.5. Painting is behind glass, with age cracking but no rep

《 Jesus ， Mary and John 》 Oil on canvas （ Gabriel Guay ， 1848-1900 ， France)

European School oil on canvas painting depicting a family of stork birds perching in their nest, early 20th century, apparently unsigned, housed in a gilt wood frame with laurel leaf border. Image: 13

Oil on canvas, ship Mary Lord under sail, with information on reverse - Mary Lord of Port Ellsworth Maine, sailing into Camden Harbor, attributed to Solon Francis Montecello Badger. Image 21.5”

This bronze oil lamp filler exemplifies the utilitarian artistry of the late Roman-Byzantine period. Its form, with extended flanges and a robust handle, was designed for replenishing oil lamps, a dai

Attributed to Sturtevant Hamblin (Active 1825-1856). Portrait of Miss Mary Caroline Haines, oil on board within period grain painted frame. Waist length depiction, she is wearing a blue puffy sleeve d