Melissa Ann Lambert (20 th /21 st Century) California

TRISKELION; UNTITLED, two color pigment prints on Epson Ultra-Premium Luster paper, the first signed, titled and numbered 1/6 in pencil on mat, sights 12 ¼ x 12 ¼” & 12 ½ x

LUMINIFEROUS; UNTITLED (2), 2008, three color pigment prints on Epson Ultra-Premium Luster paper, each signed, dated, titled and numbered in pencil on mat, each from editions of 6, sights average 12 &

FLOODLIGHT, 2006; SLIPPING, 2007, two color pigment prints on Epson Ultra-Premium Luster paper, each signed, dated, titled and numbered in pencil on mat, both from an edition of 6, sights 12 ¼

MAX AMERICA, 2015, acrylic painting and mixed media on canvas and American flag retired from the American Legion, signed and dated lower right, titled top left edge, inscribed on verso, 59 x 71", with

GREEN COLUMN, enamel painted steel sculpture, a signature not found, 85” tall. From the Collection of Laura Lee Stearns, Los Angeles.

NEVER GIVE UP (SNOOPY), 2022, acrylic painting over color print, signed lower center, 33 x 21”, frame 37 ¾ x 25 ¾” with Plexiglas.

MICKEY MOUSE, hand-painted mixed media 3-D polymorph, signed lower right side, 12 x 15 ½ x 1”, frame 19 ½ x 23 x 2” with Plexiglas.

ONE CUBITS III, welded aluminum sculpture, signed lower right, approximately 24” height 63” length and 25” deep. From the Ellie Gorman Estate.

I LOVE NEW YORK, hand-painted mixed media 3-D polymorph, signed lower right side, 12 x 23 ½ 1”, frame 19 ½ x 31 ½ x 2” with Plexiglas.

IT’S ALL GOOD (MICKEY), 2021, acrylic painting over color print, signed lower right, 34 ½ x 23”, frame with Plexiglas 39 ½ x 27 ¾” with Plexiglas.

GUITAR WITH SKULLS, acrylic painting on electric guitar wrapped with skull tack paper, signed lower left in silver ink, mounted in frame 49 x 23 x 2 ¼” overall, hangs vertical or horizont

PACIFIC DESIGN CENTER, LOS ANGELES; 5455 WILSHIRE BOULEVARD, two acrylic paintings on canvas, each 29 ¼ x 29 ¼” framed. (2)

MARILYN CHANEL No. 5, hand-painted mixed media 3-D polymorph, signed lower right side, 12 x 14 x 1”, frame 19 ½ x 21 ½ x 2” with Plexiglas.

THREE MEN AT BEACH, 1986, oil painting on canvas, signed and dated on verso, 48 x 72”.

DOLLAR BILLS, spray paint over color print, signed in ink lower right, frame 26 x 37 ½” with Plexiglas.

NUCLEAR FAMILY, oil painting on canvas, signed lower left, 54 x 68”.

Joel Philip Myers PERFUME, 1978, clear iridescent blown glass body with fused color overlay, signed and dated at base, 5” including stopper; Together with Lisa Zerkowitz PERFUME green opaque gla

MONA LISA, 2022, mixed media with spray paint and collage on paper, signed lower right, 34 x 25”, frame 35 ¾ x 27” with plexiglass, with artist’s certificate on verso on frame.

MAN AT COUNTER, 1987, oil painting on panel, signed and dated lower left, 42 x 48”.

MONA LISA, acrylic painting over color print, signed lower right, frame 37 ½ x 26” with Plexiglas.

THE WINNER, 2008, acrylic painting on canvas, signed and dated and titled on verso, 48 x 60”.

HOMAGE TO JAGGER, unique hand-painted 3-D polymorph, signed lower right side, 12 x 20 x 1”, frame 19 ½ x 27 ½ x 1 ¾” with plexiglass, with artist’s certificate on ve

MOON CACTUS, 2000, acrylic painting on wood sculpture, a signature not found, label underneath, 30 x 14 x 6”.

SPIRALING CONCENTRIC CIRCLE, acrylic painting on canvas, signed on verso, 24 x 24”.