Moon 19th Century Lunar Stereocopic View

Stereoscopy is the production of the illusion of depth in a photograph, movie, or other two-dimensional image by the presentation of a slightly different image to each eye, which adds the first of the

Two stereoview cards, each with two mounted photographs of the full moon. C. 1890s. One by the Whiting View Company, Cincinnati, Ohio. 3 1/2" x 7".

THOMPSON, Richard A (19th Century). Moon light view of the action off Anton Lizardo, March 6th, 1860 / between the U.S. Vessels The Saratoga, Wave, and Indianola and the Mexican Steamers Gen. Miramon

"Moonlight on the Ruin: Daruma (Thirty-fourth View)" from "The100 Views of the Moon" series by Yoshitoshi (1839-1892). Signed and dated 1886. Three labels verso. Matted and framed under glass. Measure

"The Moon on Mushashi Plain" from "The 100 Views of the Moon" by Yoshitoshi (1839-1892), signed and dated 1891. Two labels verso, one from the Kabutoya Galleries of San Francisco. Matted and framed un

"Moon over Inabayama" from "100 Views of the Moon" by Yoshitoshi (1839-1892), signed and dated 1885. Label verso from the Kabutoya Galleries of San Francisco. Matted and framed under glass. Measures a

A vintage print of an Italian landscape on the cupboard. The picture depicts a romantic night scene with a 19th century setting, a Venetian waterfront villa illuminated by a full moon, several gondola

19th Century Oil on Canvas Seascape Painting. Depicting a moon-lit night, cottage, view of lake with sail boats. Signed lower right "J.B. Sword". (James Brade Sword, American, 1839-1915). Born in Phil

This book is a NASA release publication of Atlas & Gazetteer of the Near Side of the Moon. This book covers a brief history of the Lunar Nomenclature for the 17th, 18th, 19th & 20th century. I

Lot of twelve late 19th/early 20th century floral decorated teacups, China, each decorated with different floral representation of each lunar moon, with Qing Yongzheng mark on base, 2 1/4" h.

19th century oil on canvas painting of the Port of London, signed illegibly lower right. [Art: 19" H x 26" W; Frame: 23" H x 43" W]. Paint chipping to canvas.

Attributed to Frey. Unsigned. Well-executed oil sketch painting in a fine c. 1800 frame. With information labels and inscription on the back. Oil on canvas. Dimensions: (Frame) H 17" x W 21", (Paintin

Monumental 19th C. View of West Point, Manner of Victor De Grailly (1804 - 1889). Oil on canvas. Sight size: 30 x 43 inches. With sailling vessels throughout background near the coast. Figures in the

A Rare Early unsigned Folk Art View of the Buildings at the Summit of Mt. Washington, the typical winds represented by the clothing and hats of the two small girls between the two buildings with panor

Framed watercolor titled "View from the Deck of the Paraeus [sic] Steamer Boat, July 1873", depicting the Cathedral and Port Pera. Not signed. From the Estate of June Hirsch Jones. [Sight: 7" H x 15"

Possibly Gianbattista Bassi (Italian, 1785-1852). View of a Roman arch with later Renaissance style buildings. Signed lower right. Dimensions: (Frame) H 21" x W 26.5", (Canvas) H 13" x W 19" Condition

A. Dupre (French, 19th c.), View of the Venetian Lagoon with Gondola and Fishing Smacks, oil on canvas, signed lower right. 18" x 25 1/2"; frame: 27" x 35". Very good condition.

"View from the bottom of the New road to Puzzoli," gouache on paper, sight size with margins: 7 1/2 x 9 1/2 in., framed

St. Paul's Cathedral, Oil On Canvas, Signed Illegibly Lower Left. 22.5W x 18.3125H x 2.75D in. Sight 17.5W x 13.25H in. All Measurements are Approximate.

G. SCHULER Active 2nd half 19th C. View of a castle over small waters Oil on canvas. 46 x 67 cm (F. 59 x 81 cm). Signed lower left 'G. Schuler'. Part. min. soiled, min. restored. Frame. G. SCHULER Tä

Oil on canvas, laid down on board. Apparently unsigned. In reticulated frame. Dimensions: (Frame) H 6.25" x W 9.5", (Painting) H 3.75" x W 7" Condition: Dirty surface. A few rubs around the edges. Los

Vue de Philadelphia. A 19th c. French edition of a view of Philadelphia, appears to be a hand-colored aquatint. 9 x 13". Old frame, with title taped to the back. / A small Wiliam Birch engraving of "L

3 19th C Views of New York from Valentine's Manual. Professionally framed and matted. Showing View of New York in 1746, Junction of Canal & Walker, Coffee House Slip & New York Coffee House. Measures

19th Century View of Harper's Ferry, Virginia, from the Potomac Oil on canvas. 22 1/2 x 30 in. From an Upstate New York Museum.