Muramasa Kudo (b. 1948) Japanese

THE GREAT TREE, folding metal screen, cut and painted metal elements brazen together, a signature not found, 79” tall, 85 ½” flat width, in comfortable folded position approximately

SUNFLOWERS, 1989, color screenprint with hot foil stamping, signed and numbered 188/250 in pencil, published by Chalk Vermillion with blind stamp lower left, artist’s copyright stamp on verso,

WICKER BASKET, 1989, color screenprint, signed and numbered in pencil 174/250, artist’s copyright stamp on verso, sheet 33 ¼ x 22 ¼”.

LILIES IN STREAM, 1989, color screenprint with hot foil stamping, signed and numbered 111/125 Roman numerals in pencil, printed by Chromacomp Inc. New York and published by Chalk Vermillion with blind

OCEAN BREEZE, 1989, color screenprint with embossing hot foiling stamping, signed and numbered 248/250 in pencil, printed by Chromacomp Inc. New York and published by Chalk Vermillion with blind stamp

Kudo Muramasa WOMAN IN A KIMONO, color print with screenprint and silver foil, signed and numbered AP (artist’s proof) 15/25, sheet 28 ½ x 48”; Robert Hoppe PARAMOUNT PICTURES, 198

Color serigraph,edition: 25/295 signed lower right Dimensions: Frame H 44.5" x W 24.5", sight H 39.5" x W 24.5" Condition: good Provenance: With booklet and COA

Muramasa Kudo (JAPANESE / AMERICAN / CALIFORNIA, born 1948) printer's proof color lithograph depicting an Asian girl pouring a bowl of liquid titled "Pink Love Potion". Pencil signed to lower rightand

Muramasa Kudo (b. 1948) Signed Artist Proof Lithograph. Muramasa Kudo (Born 1948) is active/lives in California / Japan. Muramasa Kudo is known for Painting, calligraphy. Muramasa Kudo, a Japanese pai

AIR SHOW, color screenprint, signed and numbered 22/275 in pencil, published by Martin Lawrence Galleries with blind stamp lower left, image 32 ½ x 23 ½”, full margins, frame 44 &f

SUNDAY SUNDAE, color screenprint, signed and numbered 225/275 in pencil, published by Martin Lawrence Galleries with blind stamp lower left, image 30 x 24”, full margins, discardable frame 41 &f

ROBBERS, 1982, color screenprint, signed and numbered 200/275 in pencil, published by Martin Lawrence Limited Editions, with their and printer’s blind stamps lower left, image 24 ¼ x 24

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered 136/295 in pencil, published by Martin Lawrence Editions with blind stamp lower left, image 19 ¾ x 29 &frac34

CAT BURGLAR, 1989, polychrome patina bronze, signed and dated, numbered 5/375, published by Martin Lawrence, with their stamp by the signature, mounted to a marble base, overall 17 x 15 x 8 ”, in go

THE WRIGHT BROTHERS, 1980, color screenprint, signed and numbered 22/300 in pencil, published by Martin Lawrence Limited Editions, image 26 ¾ x 36”, full margins, frame 39 ¾ x 48 &

Title: RAY MORIMURA (B. - 1948) - JAPANESE GARDEN PORTLAND, SPRING Date: 2014 Medium: WOODBLOCK PRINT Print Size: THE PRINT IMAGE MEASURES 11 3/4 X 17 1/2 INCHES PLUS MARGINS Edition:LIMITED EDITION:

Artist/Title: Ray Morimura (B. - 1948) : Kamakura Hikigawa Date: 2000 Medium:Woodblock Print Size: The print image measures 11 3/4 X 17 1/2 inches plus margins Edition: Limited Edition #39/50 Reserve:

MISS PARIS, color screenprint, signed and numbered 275/300 in pencil, image 27 ½ x 22”, sheet 35 x 29”, in Plexiglas frame 41 x 35”

DANSE; EARTHLY PARADISE IN ROME; PARIS ORCHESTRA; HONG KONG NIGHT, four color screenprints, three with hot foil stamping, each signed in pencil, images 26 1/2 x 26", 27 x 21" and two 28 x 22"; All wit

EARTHLY PARADISE IN ROME; FOGGY PARK; DIAMOND; FOGGY DAY OF MONTMARTRE, four color screenprints, each signed in pencil, images 27 x 21", 24 1/4 x 24", 20 1/2 x 26" & 23 x 23 3/4"; All with the artist�

IKAROGA; SNOW FIRE II; BAKERY; SAN FRANCISCO, four color screenprints, each signed in pencil, images 22 x 27 3/4", 25 x 25", 22 x 28" & 23 1/2 x 30", three with the artist’s and studio blind stamps,

FOGGY NIGHT SEINE RIVE; GRAND PRIX; WEDDING RINGS; CHILDREN’S CONCERT, four color screenprints, each signed in pencil, images 26 1/4 x 25", 22 1/4 x 28 1/4", 22 x 28" & 23 x 26", All with the artist

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered H.C. (hors commerce) 19/75 in pencil, aside from the numbered edition of 295, published by Martin Lawrence Editions

L’EXPRESS, circa 1977, color screenprint, signed and numbered XXX/C (30/150 Roman numeral) in pencil, pre-Martin Lawrence edition, image 25 ½ x 21 ¼”, full margins, frame 34