Musee Francais C1805 LG Print. La Christ a la Colonne after Le Sueur

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 24 x 16

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 24 x 16

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 24 x 16

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 24 x 16

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 24 x 16

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 18.5 x

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 24 x 16

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 24 x 16

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 24 x 16

Large Folio Copper Plate Published 1803-09, Paris for "Le Musee Francais, Recueil Complet Des Tableaux?" Compiled by Simon C?lestin Croze-Magnan. Illustrated after the Old Masters. Paper Size: 24 x 16

"La Benediction de Jacob" Large Folio Stipple Engraving Published 1803-09, Paris for "Le Musée Français" Engraved Claessiens after Jacob Coning, with Le Fort being the intermediary draughtsman. Pape

Willy Ronis (1910-2009) Les Amoureux de la Colonne, Bastille, 1957 Gelatin silver print, printed 2000, signed in ink in the margin; initialed, dated in ink, titled, dated in pencil and copyright credi

LE CORBUSIER (Swiss/French 1887-1965) A PRINT PORTFOLIO, "La Mer Est Toujours Presente," 1962, the complete portfolio with text and 10 lithographs, numbered "68," in pencil on the justification page,

IN ARGENTO PARZIALMENTE DORATO, VIENNA, 1829 ai lati le colonne Jakin e Bo'az sormontate dal leone di Giuda a reggere la Corona della Legge, in mezzo le Tavole dei Dieci Comandamenti; difetti Alt. cm

A monumental pair of Charles Schneider French cameo glass vases. They are acid etched signed Le Verre Francais. Each measures 25" tall x 8.5" wide. Provenance: From a private family estate. They was r

Signed "la Verre Francais", circa 1925-1927. Condition: (Mint). Dimensions: 14" x 6 - 1/8" x 6 - 1/8".

Julio le Parc (Argentinian, b. 1928) La Longue Marche (four prints), 1974-1975 lithographs each signed and numbered out of 200 in pencil Largest: 26 x 29 1/2 inches.

ROBERT DOISNEAU Le Ruban de la Mariee, Saint Sauvant, Poitou, c. 1951. 7.8x7.1" gelatin silver print mounted on 9x7.1" paper. Printed c. 1960s. Notations on recto: Salon stamp, artist stamp, inscripti

Masque de la côte Ouest, 1986. Sérigraphie couleurs réalisée pour le musée Lenox. Edition à 36 exemplaires. 91,5 x 91,5 cm. Signé et numéroté par l'artiste

TRAVAIL FRANÇAIS ANNÉES 1910 PEIGNE ÉCAILLE ET DIAMANTS Le peigne est contenu dans un étui en écaille blonde. La prise et les ornements sont à décor de rinceaux pav&

Paul Jacoulet (French, 1902-1960) "Le Chant des Fileuses Mongolie", "L'Etoile de Cobi Mongole", "La Confidente", and "Hong Kong" four color woodblock prints pencil-signed lower left or upper right and

navy blue finish, chrome and stainless steel; 65 inches wide; 31 inches deep; 38 1/4 inches high

J [ean] D[ubuffet], signed in graphite & dated [19] 76 screen print [25/50], "Course la Galope". [Provenance: Makler Gallery, Philadelphia; exhibition label verso, Collection of Evelyn Alloy, Philadel

Pablo Picasso Signed Lithograph "La Casserole Émaillée", No. 89/150 1 sheet, measuring 18.25" x 14.25", No place [Paris], dated March 21, 1950. A lithograph print of "La Casserole Émail