Norio Azuma. (Japanese 1928-2004) "Blooming Hill" 31/50. Signed lower right. Associated American

Norio Azuma. (Japanese 1928-2004) "Blooming Hill" 31/50. Signed lower right. Associated American Artists label on reverse. Serigraph print linen panels on canvas. Framed Image size 10 x 12.75, overall

Norio Azuma, (2) serigraphs, Norio Azuma (Japanese, 1928-2004), "Blooming Hill", serigraph on canvas, signed, titled and numbered (28/50) lower margin, framed under glass, 14"h x 16.5"w (canvas), 14.7

Norio AzumaJapanese/American, 1928-2004ThroneSerigraph on canvas, signed lower right, edition 2/10Rectangular composition in bright mauve, goldenrod, red and blue, framed and notated to verso.Plate:

Norio Azuma (Japanese-American, 1928-2004) Three Works. Color serigraphs 'In Yellow #2', 'Red Room', and 'Image-G'. Each pencil signed lower right, titled, and numbered from editions of 85 or 100 Larg

DESCRIPTION: Norio Azuma (Japanese/American, 1928-2004) Silkscreen on canvas painting depicting abstract geometric imagery, signed lower right: "Norio Azuma" titled: "Interior" numbered "40/80" stampe

Norio Azuma (Japanese-American, 1928-2004) Interior. Color serigraph on canvas, signed in ink lower right, titled, and numbered 47/80 21.75" x 22" Frame: 22.75" x 23"

Norio Azuma (Japanese-American, 1928-2004) Impression-Red. Color serigraph on canvas, signed in ink lower right, titled, and numbered 32/50 40" x 35" Frame: 41" x 36"

Norio Azuma (Japanese-American, 1928-2004) Two Works. Color serigraphs on canvas 'Interior' and 'Waterfront'. Each signed in ink lower right, titled, and numbered 72/80 and 25/50. Provenance: Fairweat

Norio Azuma (Japanese, 1928-2004) Blooming Hill screenprint on canvas signed, titled, and inscribed Artist's Proof in ink 10 x 12 3/4 inches. Property from a Private Collection, Chicago, Illinois

Lot 12 Norio Azuma Japanese (1928-2004) Calm serigraph in colors signed lower right, artist proof plate: 10 x 12 1/2 inches frame dimensions: 19 1/4 x 21 3/8 x 1 1/4 inches, wood frame with glazing Pr

Norio Azuma (American, 1928-2004) "Image in Gray" Acrylic on canvas Signed lower right "Norio Azuma" Approx. 43.875" x 51"

Norio Azuma, American/Japanese 1928-2004. Signed LR, titled and edition numbered (7/20) LL. Thin wood frame with silver gilt top profile. Dimensions: 53" x 46 framed 54 x 47 (WIFO192)(JP)

Norio Azuma (Japanese, 1928-2004), "Impression Red", serigraph on canvas, 40"h x 35"w (sight) Provenance: Associated American Artists, NY; Property From a Major Corporate Collection, NY

Norio Azuma (Japanese 1928-2004), "Sea Coast", acrylic on canvas, signed, titled and numbered "AP" at lower margin, framed. Approx. Overall h. 19", w. 21.5". Canvas h. 17.875", w. 20.5".

Prints as follows: 1) Norio Azuma (Japanese/American 1928-2004) "Image in Existance", color serigraph, signed and marked as edition 18/75.Dimensions: Framed H32" x W 27", sight H 29" x W 23" 2) Norio

Norio Azuma (American, 1928-2004) "Sea Coast," Acrylic on canvas Signed, titled, and numbered on lower edge of canvas "A/P", "Sea Coast", "Norio Azuma" 18.875" x 21.625" (framed)

Helen Frankenthaler (American, 1928-2011). A limited edition silkscreen print on paper. Titled "The Grey Firework". An abstract work in a soft palette. Silkscreen signed lower right. Hand signed with

Andy Warhol (1928-1987) Iconic American Pop Artist. Circa 1970's "Mick Jagger". Original screenprint in colors. Hand signed in graphite by both Andy Warhol lower right & Mick Jagger lower left, dated

Thomas Hart Benton (American, 1889-1975) Huck Finn, 1936 Lithograph on paper 16-1/4 x 21-1/2 inches (41.3 x 54.6 cm) (image) Signed in pencil lower right Published by Associated American Artists, New

THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8x13¼ inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb,

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

GRANT WOOD March. Lithograph, 1939. 228x302 mm; 9x11⅞ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impression

THOMAS HART BENTON Wreck of the Ol'97. Lithograph, 1944. 263x382 mm; 10 x15 inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A b