ORPHEUS CHARMING THE ANIMALS…LEANDRO DA PONTE

XVII 17th century old master oil on canvas depicting the Stoning of Saint Stephen. This work, like one of Rembrandt's, is inspired by the martyrdom of Saint Stephen, as recounted in Acts 7. It demonst

olio su tela 81x116

olio su tela, W. 176 - H. 115 Cm

quattro dipinti, olio su tela, W. 112 - H. 69 Cm

coppia di dipinti, olio su tavoletta, W. 30,5 - H. 22,5 Cm

Follower of Francesco Giambattista da Ponte, called Francesco Bassano (Bassano 1549-1592 Venice) Summer; Autumn; and Winter three of a set, oil on panel 45.6 x 57.6cm (17 15/16 x 22 11/16in)., 46.2 x

(Bassano del Grappa, 1566 - 1621) Cena in Emmaus Olio su tela, cm 111X141 La Cena in Emmaus fu una delle composizioni più popolari ideate da Jacopo Bassano nel 1537. Da tale data numerose repliche fu

olio su tela, cm 130x90

After old master Jacopo da Ponte Bassano (Italian, 1515-1592) "Deposition of Christ" oil on board panel religious painting, housed in a gilt wood frame. Image: 28.5" H x 23.5" W; frame: 32.5" H x 27.5

After Jacopo da Ponte Bassano Animals Boarding Noah's ArkOil on canvas

Da Ponte (d.i. Emmanuele Conegliano), Lorenzo Memoiren von Lorenz da Ponte von Ceneda. Von ihm selbst in New-York herausgegeben. Aus dem Italienischen. 6 Tle. in 2 Bde. Stuttgart, Franckh, 1847. 1 Bl.

DESCRIPTION: A Paul Landowski gold patinated bronze bas-relief plaque signed Landowski. Depicts "Orpheus Charming the Animals". According to Greek myth, the poet Orpheus played the lyre with such magi

THE IDEAL CHRISTIAN MONARCH FOR JESUITS Da Ponte, Luigi.Idea del principe, e del maestrato cristiano opera del venerabil padre Luigi Da Ponte della Compagnia di Giesu' tradotta dal p. Cammillo Maria R

image area 14" X 20".

Studio of Pauwels Franck, called Paolo Fiammingo (Antwerp circa 1540-1596 Venice) Orpheus charming the animals oil on canvas 40.1 x 90.1cm (15 13/16 x 35 1/2in). Footnotes: A work of the same su

An ormolu and porphyry figure group, An ormolu and porphyry figure group, 19th century, French, depicting Orpheus charming the animals, the base with re-entrant corners and raised on scroll ormolu sup

Roman, Imperial Period, ca. 1st to 3rd century CE; Western Europe, ca. 19th to 20th century CE. A splendid, Roman chalcedony cameo of ovoid form, skillfully carved with an image of Orpheus charming th

Trattato dell'Arte della Pittura, Scoltura, et Architettura Milano, Paolo Gottardo Da Ponte & Pietro Tini, 1585. In 4°. Marca tipografica al frontespizio, ritratto dell'autore inciso in legno al fron

the first an oil on board of a young man inscribed on the verso "Presented to us as a portrait of Lorenzo da Ponte, probably one of his sons," framed (DOA 11.75 x 9.5 in.) (some minor craquelure); the

the first an oil on board of a young man inscribed on the verso "Presented to us as a portrait of Lorenzo da Ponte, probably one of his sons," framed (DOA 11.75 x 9.5 in.) (some minor craquelure); the

An antique lithograph on paper after Jacopo Bassano (Italian, 1510-1592), also known as Giacomo da Ponte, depicting Jesus Christ's crucifixion. It is facsimile signed and numbered "46" to the lower ri

Etching of Leandro Bassano showing Orpheus charming the animals, measures 8 1/4 inches x 12 inches.

Luigi Da Costa (19th C. Italian) "Ponte Vecchio Bridge" watercolor on paper, signed L. Da Costa, 13 1/2" x 20 1/4 sight, framed 26" x 32 1/4", very good condition

Theodor Charlemont (1859-1938) neoclassical-style bronze lamp modeled as Orpheus playing his harp and charming animals, on black marble base, stamped to sculpture and column. [37" H x 9" W x 12" D]. M