Paintings, William Matthew Hale

(lot of 2) William Matthew Hale (British, 1849 - 1929), Fishermen at Sea During a Storm, oils on board, one with signature lower left, overall (each/with frame): 22.5"h x 14.5"w

Copeland Tile: William Yale, late 19th century, Painting on Ceramic Copeland Tile, High Mountain Village Scene, 12 x 20 inches sight

Attributed to William Matthew Prior (American, 1806-1873), "Portrait of Mary Jane Thompson (1787-1862), Poughkeepsie, NY," oil on canvas, titled on stretcher bar verso, bears artist name verso, overal

Six (6) 17th/18th Century Religious books. 1st item: Contemplations Moral and Divine: In Two Parts by Sir Matthew Hale, 1705. Printed for William Shrowsberry, Ducklane. Dan. Midwinter and Tho. Leigh,

Sir Matthew Hale "Contemplations, Moral And Divine" (D. Brown, London 1711); rebound in antique cloth boards. Hale was an influential English barrister, judge and lawyer. As a judge, he was noted for

DESCRIPTION: George Washington's tomb at Mt. Vernon in the morning. Oil on canvas, lined. One of at least 13 similar paintings made of this scene by William Prior, some from differing angles and at di

(lot of 2) Framed oil on canvas board paintings, Fred McCall (20th/ 21st c.), including: (1) "Little Miss Fairfield," after the original by William Matthew Prior (Massachusetts, Maine, 1806-1873), (1)

Oil on board Folk Art portrait of a child, attributed to Sturtevant J. Hamblin (American, 1835-1855) or William Matthew Prior (American, 1806-1873), with no visible signature, in a gilt-edged frame. [

Folk Art-style oil on panel portrait of a young woman, circa 1840, by William Matthew Prior (American, 1806-1873). [Art: 14" H x 10" W; Frame: 16 1/2" H x 13" W].

William Matthew Prior (Mass./ME. 1806-1872), reverse painting of George Washington. 21" x 17".

William Matthew Prior Massachusetts, Maine,1806-1873 Depicts Lucy Colfax Prince, wife of Edward St. John Neally of Bath, Maine, dressed in black with a lace collar. Neally attended Bowdoin before leav

Circa 1850, reverse painting on glass of portrait of Martha Washington attributed to William Matthew Prior (American 1806-1873), 21 1/2 x 17 1/2 inches in lemon gold frame: 25 1/2 x 21 3/4 inches

After Matthew William Peters (1742 - 1814) "Lady Compton". Gilt framed oil on canvas portrait of a woman. Unsigned Age, imperfections. STERLING ASSOCIATES STRIVES TO PROVIDE ACCURATE, OBJECTIVE, & FAI

Artists signature on bottom left corner, In the style of William Robinson Leigh, Original painting created in 1907, Frame measures 15 x 17 inches, Painting measures 10 x 12 inches.

Frederick Ballard Williams (American, 1871-1956). This painting features five women dancing in a clearing in what appears to be a garden on a large estate. The woman in the center of the scene is show

framed. Paint on canvas. Titled Matthew 5 Mt. of Beatitudes. Signed lower right, 23" x 29"

(2) 19th Century Reverse Paintings on Glass, St Mark and St Matthew, each measures 13-3/4" x 9-3/4" sight, 17-1/2" x 13-1/2" overall, St Mark broken at lower left corner and other areas of loss

Hale Allen, (American, b 1962), PA artist, painting of the Del Air Pennsylvania Railroad bridge across the Delaware river, oil on canvas, signed lower right, 28" x 30", framed 29" x 31", very good con

Frame measures 29.75 x 36 inches. Painting measures 24 x 30 inches. There is some chipping on the frame.

Matthew Kousal (Canadian, 1902-1990) landscape painting, oil on canvas, signed "M.F. Kousal", 16" x 28", framed 23-1/2" x 35-1/2", very good condition

William J. Webb (British, fl. 1853-1878.) Christ weeping over Jerusalem. Ink wash painting on card, 7" x 4.5", signed lower right. Captioned in manuscript to back, quoting Matthew 23:37, "O Jerusalem

WILLIAM MATTHEW PRIOR (MA/ME, 1806-1873) SCHOOL - Pair of Portraits of Middle Aged Couple, oil on paperboard, unsigned, the subjects are probably from Bath, Maine; he with beard, she with hair in ring

William Matthew Prior - Portrait of a Lady. Oil on paper board. Period paint-decorated frame. Maine, circa 1835. Condition: Original condition. Inspected under UV light. No restoration noted. Frame is

Portrait of a Prosperous Businessman, circa 1845, depicted as having a 'fringe' beard, looking intently at the viewer, in black suit with black cravat, pleated shirt front. He holds a small red book a