PIETRO VANNI Viterbo, 1845 - Rome, 1905 - Male

PIETRO VANNIViterbo, 1845 - Rome, 1905 Male portrait, 1895 Oil on canvas, 83 x 47 cm Signed and dated lower right: P. Vanni, 1895 Fair condition, small lack of colorsFrame, passepartout, without glass

Pietro Sassi (Italian, 1834-1905), oil on board, "Ancien porte du château de Olevano Romen", signed and dated 1902 on verso, titled on verso and Exposition Rome 1902, 12" x 15-3/4" board, 18-1/4" x 2

The map shows part of the west coast of Italy between Rome and Orbetello. Civitavecchia is shown in the centre of the coast. Other tows marked include Viterbo, Valentano, Montefiascone, Civita Castell

New York Coin Silver Repousse Water Pitcher, John L. Westervelt, Newburgh, NY, act. 1845-1905, ret. Wendell & Feltman, Albany, NY, act. 1860-1864, vase form with tooled borders, scroll handle and flor

Olio su tela, cm 84x62. Firmati in basso a destra G.della Rocca. Entro cornice coeva. | Pair of interiors with portraits of noblewomen. Oil on canvas, 84x62 cm. Signed lower right G.della Rocca. Withi

JOHN JAMES LAFOREST AUDUBON (French/American 1785-1851) A HAND COLORED LITHOGRAPH, "Canis Lupus. Linn, Var Rufus. Red Texan Wolf. Male.," 1845-1848, a stone lithograph with applied watercolor on unwat

PIETRO BARUCCI (ITALIAN, 1845-1917), OIL ON CANVAS, H 22", W 37":Signed at the lower left in red, also marked "Roma" in red. For a high resolution photo CLICK HERE

Pietro Barucci (Italian 1845-1917), Fiesta Time, Oil On Canvas. Signed P. Barucci Roma. 37.0H x 25.0W x 2.5D in. Sight 31.0H x 19.0W in. All Measurements are Approximate.

(American, 1816-1872)Italian Costumed Figures, a Pair of Paintings; Standing Female Figure, 1846, signed and inscribed lower right "Cervaro/ ROME 1846/J.F.K."; Seated Male Figure with a Staff, 1846, i

Karl Kaufmann (1843-1905), View of Rome, oil/ canvas, signed with pseudonyms bottom right ‘Carlo’ or remnant of "Charles Marchand", 20.5" x 31", very good condition. Frame size: 28.5" x 3

Vatican, Rome. 'Piazza di San Pietro', 28X24 cm, signed, titled and label affixed to the reverse.

Pietro Antonio de Pietri (Premia 1663-1716 Rome) Pope Paul III visiting the studio of Michelangelo to see the statue of Moses oil on canvas laid down on panel 28.8 x 23.7cm (11 5/16 x 9 5/16in). Footn

An 18 Karat Yellow Gold and Diamond Asian Male Figural Ring, Carlo, Aimetti, Pietro Olo, in a highly sculpted design, the eyes containing two round brilliant cut diamonds weighing approximately 0.01 c

16 volumes of faux-book boxes, each fitted with plaster casts, the inside covers with written list of contents Rome, early 19th century

4 Poufs for the Marlborough Gallery in Rome, 1950s Base in wood, leather, each h. 38 x 60 x 60 cm. Provenance: Marlborough Gallery Rome, private collection In 1952 Carla Panicali and Bruno Herlitzka d

Rome, Imperial Period, ca. 1st to 3rd century CE. A remarkable cast bronze oil lamp with a bifurcated handle depicting a male head, most likely a god, presenting handsome features framed by a neatly c

A marble male profile. . Cm 44,00 x 44,00 x 8,50. Signed and dated "Rome 1873"Born in Manchester in 1813, Holme Cardwell had the opportunity to attend the Royal Academy School in London in 1834 on the

Pietro Chiesa, 'Luminator' floor light, 1933, H. 190 cm, Ø 32 cm. Made by Fontana Arte, Milan. Brass tube, brass sheet, painted white., D'Allessandro/Falconi, Luci e trasparenze, Rome 2006, p.

Male portrait bust. Bronze. Cm 29,00 x 46,00. Marble base. Signed on the back. Dimensions with base: h 64 cm.After having studied at the Accademia di San Luca in Rome, Tamagnini founded the art house

Pietro Scoppetta (Italian, 1863-1920). An antique oil painting on canvas. A figural landscape depicting male and female figures in early 19th Century Revolutionary France costume, reveling in a garden

Two 18th C. etchings from Giovanni Battista Piranesi’s (1720–1778), “Vedute di Roma (Views of Rome),” including “Veduta interna della Basilica di S. Pietro in Vaticano (I

(Italian, 1845-1917) Sheep, Goat and Chickens in a Farmyard, signed lower left "P. Barucci 1883", oil on canvas, 15-3/4 x 20 in.; original fine 19th century gilt wood and composition frame with label

Rome, Bernabò and Lazzarini, 1742. In 2 . Chalcographic coat of arms of the city of Viterbo on the title page, 25 plates out of text engraved in copper by Sintes and Frezza based on a design by Giu

EDMOND-JEAN DE PURY 1845 Neuchâtel - 1911 Lausanne Still life with bust and ceramics Oil on canvas. 100 x 78 cm. Signed, dated and indicated lower left 'E de Pury Rome - 1872'. Rest., part. outbr