Portrait of a Union officer (possibly Fitz John Po

Ten CDVs of Union Officers and Men Plus Two Gem Tintypesmostly identified, the CDVs as follows: Union officer studio portrait signed "Apelheimer" on back; Corporal John W. Hill, 2nd Mass Cavalry; 2nd

PORTER, Fitz John (1822-1901) was a career United States Army officer and a Union general during the American Civil War. He is most known for his performance at the Second Battle of Bull Run and his s

A group of 5 albumen CDVs of Union generals, including: Full-length studio portrait of John W. Geary seated in uniform with officer's tasseled sash and sheathed sword. Period inscription to verso read

LARGE MILITARY STYLE PORTRAIT PAINTING, POSSIBLY JOHN CARBONE: Attributed to John Collingham Moore (English, 1829-1880), Oil/Canvas, 50" x 40", framed, 57.5" x 48".

Civil War era oil on canvas oval portrait depicting of a union officer wearing a gold embroidered red cap. Signed and inscribed at lower right in French "A. Vion / a son ami E. Achus / N.Y. 1864." Dim

Five American Civil War envelopes. One addressed by Union General Fitz John Poter to his wife in N.Y.

Heading: (Civil War) Author: Title: Large portrait of a Union officer, his dog resting at his feet Place Published: No place Publisher: Date Published: [c.1860s] Description:

Portrait of military officer, possibly German or British. Approx. 12" H x 7 1/2" W. (5182 & 5183)

American School19th centuryPortrait of a military officer, possibly William Sewellpastel on paper27 x 21 1/2in (68 x 54cm)

19th century oil on canvas, depicting portrait of European military officer, possibly English, wearing badge possibly Order of the Garter. Image: 9" H x 6.875" W; frame: 13" H x 10.875" W x 1" D. Craq

A proud portrait of a Union line officer, who sat for this large format tintype during his service. His identity is not yet known but we can see that he was what appears to be a Lieutenant based on hi

[ENGLAND] John Plampin (1727?-1805) British Naval officer; father of Robert Plampin the more noted naval officer. John Plampin's portrait was painted by Thomas Gainsborough circa 1752, and hangs in th

Oval Portraits of Two European Military Officers 1800’s. These are two miniature oval portraits of European military officers, possibly English, but we are not sure what country they hail from.

Intriguing sixth plate tintype of a bearded Union cavalry officer armed with a cavalry saber. The handsome subject gazes directly into the camera's lens and projects an air of confidence.  &

[EARLY PHOTOGRAPHY]. Three-quarter plate daguerreotype portrait of a Scottish junior officer, possibly from the 92nd Gordon Highlanders. Ca 1850. 4 15/16 x 6 in. daguerreotype portrait of a British ju

Circle of Enoch Seeman (Danzig circa 1694-1745 London) Portrait of a Gentleman, Possibly Sir John Molesworth of Pencarrow Oil on canvas 76 x 63.5cm (29 15/16 x 25in). For further information on this l

Antique oil portrait on board; of a man, possibly John Frederick Grüning; label to verso reading, John Frederick Grüning / Song of Audrias Grüning / Born 1786 died 1865 ; 27 1/4" x

1st item: Miniature portrait of a bearded gentleman, possibly by John Wood Dodge, Tennessee, appears to be a photograph on paper, tinted with watercolor, in an oval gold brooch frame with beaded decor

5 printed CDVs of Union Generals: Maj. Gen. Thomas, Gen. Fitz John Porter, Maj. Gen. McClellan, Maj. Gen. Hooker, and Kilpatrick, 4"T x 2.5"W

Irving Penn, Vogue portrait photograph, Irving Penn (American, 1917-2009), possibly John Belushi, original vintage gelatin silver photograph for Vogue Magazine, studio and Conde Nast copyright stamps

An unusual gilt metal portrait silhouette of an 18th century gentleman (possibly John Wesley, the founder of the Methodists) in cravat and robes executed in high relief, within an oval mahogany frame,

Albumen ¾ studio portrait of General Alexander Hays. Washington, D.C.: Mathew Brady, n.d. Brady's imprints to mount recto and verso. Inscription to verso identifies the subject. WITH Albumen &#19

American School, "Portrait of a Man with Glasses in his Hand," 19th c., possibly John Genin (1830-1895, New Orleans), oval oil on canvas, unframed, H.- 36 in., W.- 28 in.

Civil War image collectors will immediately recognize the scarcity of this photograph, which depicts a very candid scene of what appear to be four Union officers reviewing some kind of paperwork in an