Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second Plate [Fifth state]

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh') (Pieter Haaringh)Etching with drypoint, 1655, but a later impression from the cut plate, New Hollstein's fifth state (of 5), on thick cr

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (Netherlands, 1606–1669) . Christ Healing the Sick, Etching. B74; Second State, trimmed to plate; Tear on top edge and folds on sheet reparied on verso. 11 3/8" x 15 3/4".

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv

DESCRIPTION: Rembrandt Van Rijn (Netherlands, 1606 - 1669). Etching. Beggar Man and Beggar Woman Conversing, 1630. Bartsch 164 second state. Lettered in plate lower left with artist's monogram. In sim

Rembrandt van Rijn (1606-1669)The Ringball Player ('The Golf Player')Etching, 1654, but a later impression of the the second state (of two), printing with plate tone on cream laid paper without waterm

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

van Rijn, Rembrandt Harmensz (1606-1669). "Three Oriental Figures" (Jacob and Laban?) 1641. Etching with drypoint. New Hollstein's second (final) state. Harris 118. Plate: 5 3/4" x 4 1/2" Visible Imag

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Rembrandt van Rijn (1606-1669), "Descent from the Cross", marked 1633, etching, framed frame: 34.5 x 28.5" We happily provide seamless shipping services on everything we sell. Please email us at shi

After REMBRANDT VAN RIJN (Dutch 1606-1669) "The Descent from the Cross, 1633" Etching (posthumous print). Sight: 20 x 15 5/8 inches; Frame: 40 1/2 x 35 3/4 inches. Annotated beneath image.

After Rembrandt van Rijn (Dutch, 1606-1669) The Descent from the Cross. Heliogravure by Armand Durand, a 20th Century impression. Together with a reproduction of a Rubens drawing Heliogravure: 22" x 1

Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good but later impression of New Hollstein's second state (of two), on cream laid paper

Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wove paper without watermark, platemark 91 x 83 mm (3 5/8 x

Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, plate

Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later well inked impression of New Hollstein's fifth state (of five) on thick cream laid paper without watermark, pl

** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark

HAND PULLED ORIGINAL ETCHING. FRAMED IN A GORGEOUS CARVED SILVER WOOD FRAME WITH A DOUBLE MAT. Rembrandt (1606-1669). In this monumental Rembrandt The Descent from the Cross: Second Plate, 1633, Rembr

After Rembrandt van Rijn (Dutch, 1606-1669), "The Flight to Egypt", numbered "9", possibly second state (of 2), inscribed "Rembrandt", lower edge, 3.5"l x 2.5"w (image), velvet matting with hardwood f

DESCRIPTION: "Raising Of Lazarus". (Rembrandt Van Rijn 1606-1669). Etching on Arches laid paper. Signed in the plate. The tenth state (Bjorkland and Nowell-Eusticke). From Millennium limited edition.

REMBRANDT VAN RIJNThe Netherlands, 1606-1669“Three Heads of Women, One Asleep”, 1637. Usticke's first state (of three), New Hollstein’s second state (of three), printed after the fir

REMBRANDT VAN RIJN (Dutch 1606-1669) "Jan Uytenbogaert (The Gold Weigher), 1639" Drypoint etching on paper. Plate: 9.75 x 8 inches Signed & dated lower left in plate "Rembrandt, 1639" II State. Annota