Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong Plate

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv

After Rembrandt Harmenszoon Van Rijn (1606-1669). The Presentation In The Temple: oblong print. Hand pulled copper plate etching on laid paper after the original by a master etcher. c. 1880 (This prin

REMBRANDT VAN RIJN (DUTCH 1606-1669), ETCHING, PLATE SIZE: H 5 1/4", W 3 3/8", "THREE HEADS OF WOMEN, ONE ASLEEP":Date that this impression was pulled is unknown; iii/iii; paper size: 5 3/8" x 3 5/8";

REMBRANDT VAN RIJN The Presentation in the Temple: Oblong Print. Etching on thin, cream laid paper, circa 1640. 215x292 mm; 8½x11½ inches, narrow margins. Biörklund's third state (of 3)

Rembrandt van Rijn (1606-1669)Pharisees in the Temple (Jews in the Synagogue)Etching and drypoint, 1648, but a later impression of New Hollstein's final state (of nine), on cream laid paper without wa

Rembrandt van Rijn (1606-1669), "The Crucifixion: Small Plate", etching on laid paper, plate from c.1635, print by Michel Bernard after 1846 from his "Recueil de Quatre-Vingt-Cinq Estampes Originales"

Rembrandt van Rijn (Dutch, 1606-1669). "RL 1631" on plate. Paper label verso "Artist's Mother with her Etching". In wide gold frame with shadowbox matting. unframed ( height: 6 inch, width: 4 inch) fr

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (Dutch, 1606–1669), "The Hog," etching, bears plate signature and date of original printing (1643), sheet: 5.75"h x 7.25"w, overall (with frame) 10.5"h x 11.75"w

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Rembrandt van Rijn (Dutch, 1606-1669), "Raising of Lazarus, The Larger Plate," etching, 1630 (20th century printing), printed by Marjorie Van Dyke, from the "Millennium" edition of 2500, overall (with

After Rembrandt van rijn. (1606-1669). Study of a Lion. Antique Copper Plate Heliogravure on watermarked dutch laid paper, after the original drawing and executed by a master engraver. 1880. Excellent

After Rembrandt van Rijn (Dutch, 1606-1669) "The Mill" etching, signed in plate lower right, inscribed in pencil "Hand Printed" lower left and "The Mill by Rembrandt" lower right, housed under glass i

After Rembrandt van Rijn (Dutch, 1606–1669), "Clement de Jonghe, Printseller," etching, plate signed lower right, sheet: 8.25"h x 6.25"w, overall (with frame): 14.75"h x 12.25"w

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of New Hollstein's sixth state (of six), on cream laid pape

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra

etching and drypoint; signed in plate; Condition: slight mat burn; not examined out of frame; 6 x 4 1/4 inches image

A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

Etching on laid paper, 19th c. printing from original plate. "Jean Lutma, Goldsmith" (Bartsch 276) Measures: 19.5 x 14.6 cm plate. Provenance: Alfred and Maria Tarski, Berkeley, California; then by fa

etching on laid paper; unsigned Plate: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm.), Sheet: 9 3/4 x 5 3/4 in. (24.8 x 14.6 cm.)