Sold2024Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/VRembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/V Sturdy, medium-weight cream laid paper. 1/16" margins all around. No visible watermark. The Tip ofSee Sold Price
Sold2023REMBRANDT VAN RIJN, Christ and the Woman of Samaria: An Arched Print.Etching and drypoint. New Hollstein's fourth's state (of 5), with a trace of the delicate horizontal line across the spire upper right. 1657 125x160 mm; 5x6 1/4 inches, narrow margins. Bartsch 70; NewSee Sold Price
Sold2019Rembrandt van Rijn (After) - Christ and the Woman ofArtist: Rembrandt van Rijn Title: Christ and the Woman of Samaria (Arched Print) Year: 1880 Dimensions: 5in. by 6.5in. Edition: From the rare limited edition MediumSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Christ and the Woman of Samaria among RuinsRembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermarkSee Sold Price
Sold2024'Christ and the Woman of Samaria Among Ruins' Etching after Rembrandt van RijnContinental, 17th century (c.1634). A partially dry point etched scene on lined paper measuring about 4.75 x 4 inches. Overall good condition, no watermark or signature present. Possibly New HollsteiSee Sold Price
Sold2022Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ and the Woman of SamariaRembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ and the Woman of Samaria etching and drypoint 4 3/4 x 6 inches. Literature: Hind 294 Provenance: Merrill Chase GalleriesSee Sold Price
Sold2022REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook.REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook. Etching and drypoint, 1658. 162x81 mm; 6½x3¼ inches, small margins. Usticke's second state (of 2); New Hollstein's second state (of 2).See Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Christ Driving the Money Changers from the TempleRembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper withoutSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Woman Bathing her Feet at a BrookRembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,See Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Christ seated disputing with the doctorsRembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good but later impression of New Hollstein's second state (of two), on cream laid paperSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Pancake WomanRembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, plaSee Sold Price
Sold2022** Rembrandt van Rijn (1606-1669) Old Beggar Woman with a Gourd** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermarkSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Three Heads of Women, One AsleepRembrandt van Rijn (1606-1669)Three Heads of Women, One AsleepEtching, 1637, but a later impression of New Hollstein's third state (of three) on thick cream laid paper without watermark, platemark 142See Sold Price
Sold2022** Rembrandt van Rijn (1606-1669) Beggar man and beggar woman conversing** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scratSee Sold Price
Sold2023REMBRANDT VAN RIJN, The Adoration of the Shepherds: A Night Piece.Etching and drypoint. New Hollstein's ninth state (of 11). 1657 152x197 mm; 6x7 3/4 inches, narrow margins. Bartsch 46; New Hollstein 300.See Sold Price
Sold2022REMBRANDT VAN RIJN (The Netherlands, 1606-1669), “Three Heads of Women, One Asleep”,REMBRANDT VAN RIJNThe Netherlands, 1606-1669“Three Heads of Women, One Asleep”, 1637. Usticke's first state (of three), New Hollstein’s second state (of three), printed after the firSee Sold Price
Sold2022** Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second Plate** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy woveSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Raising of Lazarus: The Larger PlateRembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on laiSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Raising of Lazarus: Small PlateRembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate anSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the TempleRembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wiSee Sold Price
Sold2022REMBRANDT VAN RIJN The Agony in the Garden.REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before theSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Angel Appearing to the ShepherdsRembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out watSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Self-Portrait in a Flat Cap and Embroidered DressRembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, oSee Sold Price
Sold2022** Rembrandt van Rijn (1606-1669) Self-Portrait in a Cap and Scarf with the Face Dark** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermarSee Sold Price
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