Rembrandt van Rijn - La Samaritaine Dite Aux Ruins

Rembrandt Van Rijn, said Rembrandt (After)La descente de croix aux flambeaux, c. 1870Heliogravure on Verge paper, after 1654 Rembrandt's etching (referenced in Bartsch #83 ; Claussin #87 ; Wilson #88

Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the final state (of six), on thick cream laid pa

Rembrandt Van Rijn Etching, "La Negress Couche, " 1658, etching, drypoint and engraving on laid paper, signed in the plate. Catalogue Raisonne: Bartsch 205. Matted and framed. Dimensions: 3.2

Rembrandt Van Rijn, said Rembrandt (After)La Medee, ou le Mariage de Jason et de Creuse, c. 1870Heliogravure on Verge paper, after 1648 Rembrandt's etching (referenced in Bartsch #116 ; Claussin #114

Beautiful Rembrandt Harmenszoon Van Rijn etching. "Autoritratto con la piuma nel berretto". Frame: 18 x 14 inches, 5.5 x 4.5 inches. Provenance: private owner. Biography: 1606 - 1669. Rembrandt was bo

Continental, 17th century (c.1634). A partially dry point etched scene on lined paper measuring about 4.75 x 4 inches. Overall good condition, no watermark or signature present. Possibly New Hollstei

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

European, 19th Century. Etching, matted and framed. View of farm and castle ruins. Signed and dated "1650" on lower right. 9.25"h. 7.5"w. (image). Frame, 13.25"h. 16.25"w.

"Christ and the Woman of Samaria Among Ruins" (B., Holl 71: H. 122). Signed in the plate upper right. Dated 16/34. From the Millennium Edition. Etching. Measuring 5" by 4". Framed under Plexiglas. (Co

Woman Cutting Her Mistress's Nails (La Coupeuse d'Ongles -or- Die Nagelschneiderin) etching on laid paper 4.75 x 3.5 in., sight notes from a prior appraisal: "Strong retouching on woman's

“Christ and the Woman of Samaria: Among Ruins”. B., Holl. 71; H. 122; BB 34’L. Signed and dated 1634 in the plate u/r. Etching on Ingres d’Arches off-white laid paper with watermark. From the

After Rembrandt van Rijn (Dutch, 1606-1669) Christ and the Woman of Samaria: Among Ruins. Etching, signed in the plate Sight: 4.75" x 4.75" Frame: 10.5" x 10"

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,