Rembrandt von Rijn "The Circumcision in the Stable"

This is a bundled assortment of 2 Lithographs by Van Rijn Rembrandt. Each piece is described as follows: van Rijn Rembrandt - Circumcision (In a Stable) - 1968 Offset Lithograph 9.75" x 8" Unsigned Of

Rembrandt van Rijn 'The Circumcision' 1630, B48 RARE AMAND-DURAND SIGNED PRINTING! This small antique etching was created by Amand Durand in 1880, on the reverse it has his vintage red stamp which giv

Pair Of Metropolitan Etching Prints, lot includes one Print with writing on it "landscape with three trees, 1643. Rembrandt Harmensz van von Rijn. Dutch 1606–1669. Etching, drypoint and burin, 21.2

Rembrandt Van Rign (1606-1669), etching, "The Circumcision in the Stable", signed and dated in plate, having A. Artaria Collectors stamp on verso, sight size: 3 5/8" x 5 1/2".

REMBRANDT HARMENSZOON VAN RIJN (Dutch 1606-1669) A PORTFOLIO OF PRINTS, "Rembrandt Radierungen: Eine Auswahl Von Hundert Der Wertvollsten Radierungen Des Meister," the title translates to "Rembrandt E

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DIE GROSSE KREUZABNAHME Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 54 x 41,5 cm, DM 52,5 x 41 cm (R.

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DER ENGEL VOR DER FAMILIE DES TOBIAS VERSCHWINDEND Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 14 x 18

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Van Rijn, Rembrandt Harmenszoon (1606-1669) Self portrait in a cap and scarf with the face dark Description: Etching on paper, signed and dated on lower left Rembrandt f. 1633 Dimension (PO): 5 1/8" x

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o