Richard H. Colfax. Evidence Against the Views of the Abolitionists, Consisting of Physical and Moral

Brushed stainless; organic twisting form consisting of three stacked pointed elements H-4' 9"

Richard H. LeSesne Gold Tone Photograph "Moonlight on the Halifax" c1910. Signed. Excellent condition. 6.5"h x 4.5"w. Original frame 9.75"h x 7.75"w. Spend $5000 or more at this auction and all of you

An Historical and Moral View of the Origin and Progress of the French Revolution : and the effect it has produced in Europe by Mary Wollstonecraft. Printed for J. Johnson, London 1794. 1st Edition. Ve

Pair of Cloisonne Cranes, Asian, 20th C. (2 pcs.) {WK} (ALEXC6205/2) Measurements: 27 H Please view our Terminology page to learn how we define terms

Alexander Mark Rossi (British, 1840-1916), "The Private View," 1881, oil on linen, signed and dated lower right, presented in a period gesso and giltwood frame, H.- 21 in., W.- 32 3/4 in., Framed- H.-

Fuller, John.Views In Sussex, Consisting Of The Most Interesting Landscape And Marine Scenery In The Rape Of Hastings. London: John Murray and W. B. Cooke, 1819.Unique extra-illustrated copy.Large fol

Lloyd Sexton, Jr. (American, 1912-1990), view of Kakului, Maui, Hawaii, oil on canvas, signed, 16" h x 24" w (view), 35" h x 26" w (frame). Provenance: from the Santa Barbara, California and Madison,

Marc Chagall (Russian-French, 1887-1985), "The Magician of Paris," artist proof print, signed in pencil, 39" h x 26" w (view), 47" h x 33" w (frame). Provenance: from a Florida estate.

Ellsworth Kelly (American, 1923-), abstract color lithograph circa 1964-65, signed "Kelly" in pencil, editioned 67/75, 35" h x 23 1/2" w (view), 36" h x 24" w (frame). Provenance: from the Santa Barba

Harry Aiken Vincent (American, 1864–1931) Harbor View Signed 'H.R. Vincent' bottom left, oil on canvas30 x 36 in. (76.2 x 91.4cm) Provenance Private Collection, California. The

Japanese embroidery on silk, framed, 18 1/2" h x 13" w (view), 26" h x 20" w (frame).

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed in pencil, editioned 54/75, 35" h x 23 1/2" w (view), 36" h x 25" w (frame). Provenance: from the Santa Barbara, Cal

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed "Kelly" and editioned 62/75 in pencil, 35" h x 23 1/2" w (view), 36" h x 25" w (frame). Provenance: from the Santa B

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed "Kelly" and editioned 71/75 in pencil, 35" h x 23 1/2" w (view), 36" h x 25" w (frame). Provenance: from the Santa B

Ellsworth Kelly (American, 1923-), abstract, color lithograph circa 1964-65, signed "Kelly" and editioned 75/75 in pencil, 35" h x 23 1/2" w (view), 28" h x 40" w (frame). Provenance: from the Santa B

Robert Rauschenberg (American, 1925-2008), "Cardbirds II," collages on white board, 54 1/2" h x 33 1/2" w (view), 60" h x 40" w (frame). Provenance: from the Santa Barbara, California and Madison, Con

Antoine Blanchard (French, 1910-1988), Paris street scene, oil on canvas, signed lower right, 23 3/4" h x 20" w (view), 30" h x 26" w (frame). Provenance: From an Arizona estate.

Frank Stella (American, 1936-), grey and gold "V" Series lithograph print, signed in pencil "F. Stella 68," editioned 51/100, 16" h x 29" w (view), 20" h x 33" w (frame). Provenance: from the Santa Ba

Frank Stella (American, 1936-), green and grey "V" Series lithograph print, signed "F. Stella 68," editioned 51/100, 16" h x 22" w (view), 20" h x 26" w (frame). Provenance: from the Santa Barbara, Ca

Henri Manguin (French, 1874-1949), St. Tropez view, oil on panel, signed “Manguin” lower right, 7 1/4" h x 10 1/4” w (view), 12” h x 15” w (frame).Provenance: From a California estate.

Eugene Speicher (American, 1883-1962), rural landscape, oil on canvas, signed, in hand carved frame, 20" h x 16" w (view), 23" h x 27" w (frame). Provenance: From a Massachusetts estate.

Frank Stella (American, 1936-), orange and blue "V" Series lithograph print, signed in pencil "F. Stella 68," editioned 51/100, 16" h x 22" w (view), 20" h x 26" w (frame). Provenance: from the Santa

Late 19th century Italian micromosaic marble plaque, depicting a man playing violin, 14 1/2" h x 11 1/2" w (view), 16" h x 13" w (frame). Provenance: from a California collection.

Niek Van der Plas, beach scene, oil on board, signed lower right, 30" h x 40" w (view), 38" h x 47" w (frame).