SALVATOR ROSA [AFTER] (Italian) Etching

Salvator Rosa (Italian, 1615-1673), etching on paper "A Soldier Seen from Behind, Cutting on a Stone", 5-5/8" x 3-5/8" pl, 10" x 6-5/8" sheet, very good condition

Salvator Rosa (Italian, 1615-1673). Etching on paper titled "Saint William of Maleval," depicting the saint with his hands tied to a tree, 1661. He is depicted doing penitence in a forested

Salvator Rosa, (4) etchings, Salvator Rosa (Italian, 1615-1673), Portraits, etching on paper, three with monogram "SR" inside plate, largest, 5.5"h x 3.75"w (sight), 10.25"h x 8.25"w (framed) Provenan

Salvator Rosa 1615-73 Etching On Laid Paper Signed In Plate. Frame measure 12.5" X 10.5", Actual Size 5.5" X 3.5"This, and many lots forthcoming, are from the estate of a true antiquity connoisseur in

Salvator Rosa (Italian, 1650-1673) "Crucifixion of Polycrates" etching and drypoint. [Image: 18 1/2" H x 29 1/4" W; Frame: 25 1/2" H x 36" W]. In good condition.

After: Salvator Rosa, Italian (1615 - 1673) "Figural Portraits" Pair of Etchings on Paper, Facsimile Signature in the Plate. Frame measures 18-3/4" x 14-1/2". Condition: Good condition. Estimate: $100

Etching with drypoint. "St. Albert, The Companion of St. William". Signed in plate lower left. From a Morris County, NJ collection. - Dimensions: Sight: 14" high x 9.25" wide

Salvator Rosa (Italian, 1615-1673)Warrior at repose, leaning on a long swordetching with dry point on laid paperEtching from Rosa's "Diverse Figures" series 1653-1658. Initialed in plate; wi

Salvator Rosa (Italian / Neapolitan, 1615-1673). "Apollo and the Cumaean Sibyl" etching and dry point on laid paper, 1661. Signed "ROSA" on base of lyre in lower right. An impressive etching on paper

Italy, 17th century. An etching on laid paper by Italian artist, Salvator Rosa (1615-1673). Overall good condition; cut from a larger folio page. Top right corner missing. Measures 10 x 14 inches.

Italy, 17th century. Three original small etchings on laid paper by Italian artist, Salvator Rosa (1615-1673). Overall good condition; cut from a larger folio page. Entire page measures 8 x 14.5. inc

(Italian, 1615-1673), etching and drypoint on paper, signed with cipher in the plate lower right. Trimmed and mounted in custom frame, not examined out of frame. Frame size: 11" high, 15" wide overall

Medium: etching. This impression on laid paper appears to have been printed ca. the late 18th or early 19th century, although the exact date of printing is unknown. The plate size is 5 3/4 x 3 3/4 inc

Medium: etching. This impression on laid paper appears to have been printed ca. the late 18th or early 19th century, although the exact date of printing is unknown. The plate size is 5 1/2 x 3 1/2 inc

Circle of Salvator Rosa (Italian, 1615-1673) Marina with Rock Arch Oil On Canvas Painting. The original of this painting by Rosa is located in the collection of Doria Pamphili Gallery in Rome, Italy.

Italian or Continental, 19th century. "Harbor Scene or Marina del Porto" oil on canvas after original by Salvator Rosa (Italian, 1615-1673) now in the collection of the Uffizi Gallery. Apparently unsi

Christian Wilhelm Ernst Dietrich (German, 1712-1774) and Salvator Rosa (Italian, 1615-1673) Study for Blinde am Abgrund and Study of a Man (two works) ink and wash first-listed example signed Dietrich

J. Remanjon (Continental, 19th century) after Salvator Rosa (Italian, 1615-1673). "Rocky Landscape with Hunter and Warriors" after the original in the collection of the Louvre, oil on canvas. Signed a

Famous artist Salvator Rosa (Italian, 1615-1673) portrait from a 19th century artist. Medium: Oil on board. Dimensions: 8.5 x 7 inches (unframed); 12.75 x 11.25 inches (framed).

"The Academy of Plato." 17th/18th century. Dimensions: (Frame) H 25" x W 19.5", (Sight) H 18" x W 10.75" Condition: Slight toning to paper.

Salvator Rosa (Italianate) 1615-1673, "River Gods" Etching, circa 1660/61. Artist's insignia signed in the plate lower right. Sight seen approx. 4" x 8.5".

Jacques Callot (French, 1592-1635) Cap. Bonbardon and Cap. Grillo, from the series Dances of Sfessania 1621 (Ballie di Sfessania); together with etching by Salvatore Rosa (Italian, 1650-1673), Grotesq

A pair of lava cameo earrings. Each designed as a triangular panel one carved to depict Salvator Rosa, the other depicting Domenichino, both Italian Baroque painters, these panels are suspended from a

V. Bianchini (Italian, 20th century) after Salvator Rosa 'Marina del Porto' Oil on Canvas Undated, signed en verso, a copy after the 17th century original depicting a h