Schloss's English Bijou Almanac for 1840.

Framed English 1840 Needlework Pictorial Sampler. Signed "Sarah Billam, Sheffield AD 1840". 25-1/2" x 20-1/2" overall.

The British Telescope: Being an Ephemeris of the Celestial Motions, with an Almanack for the year of our Lord 1734…, by Edmund Weaver, printed at London by A. Parker, 1734. Complete, w/ tax stamp. V

1734 English Almanac entitled "Apollo Anglicanus: The English Apollo..", by Richard Saunder and printed at London by A. Wilde, 1734. Title and Calendar in red and black, tax stamp on title, complete.

Speculum Anni: or an Almanack for the year 1734..,by Henry Season and printed at London by A. Parker. Tax stamp on title, 48 pages complete including calendar. Disbound, Very Good condition, measures

Almanac entitled “Parker’s Ephemeris For the Year of Our Lord 1734. Printed at London for the Company of Stationers. Tax stamp on title. Calendar, chronology, planetary charts, and Latitudes. Comp

English Almanac entitled "Vox Stellarum: or A Loyal Almanack for the Year of Humane Redemption 1734..", by Francis Moore, and printed at London by Thomas Wood, 1734. Tax stamp on title, calendar and T

Almanac "Merlinus Liberatus: Being an Almanack for the Year of our Redemption 1734…", by John Partridge, printed at London by R. Phillips. In red and black, complete. Disbound. Measures 3.75 x 6". P

1734 English Almanac of J. Gadbury, Student in Physick and Astrology, printed by Katherine Wilmer, London. Tax stamp on title leaf, complete including calendar in red and black and symbolic "Governmen

1) Rider’s British Merlin for the Year 1788. London: Company of Stationers, 1788. And 2) The Court and City Register… Annual Calendar for the Year 1791. London: Jolliffe, 1791. Each bound

the movement is English, 1840-1860, indistinctive hallmarks, probably Budapest, 1858, key included

Antique, attributed to William Lucas (English, 1840-1895) Oil Painting. Frame size: 43" x 35" Painting size: 27.5" x 35"

Heywood Hardy (English, 1840-1933) The Call of the Spring oil on canvas signed Heywood Hardy (lower left) 56 3/8 x 46 1/4 inches. Property from the Estate of Howard G. Kornacki, Evanston, Illinois Not

Edwin Thomas Roberts (English, 1840-1917), Sailor's Farewelloil on canvas, signed at lower left, presented in a reeded gilt frame. Stretcher 28 x 21 1/2 in. Frame dimensions 30 1/4 x 24 1/4 in. Edwin

Benjamin Walton & Co. (English, 1840-1880s), 19th century. Gothic-form black japanned papier-mache tray, decorated with gilded chinoiserie scrolled florals and ho-ho birds. Stamped marks to the back.

E.V. Rippingille (English 1840-1909) Portrait Scene Oil on board. Housed in a giltwood frame Provenance The Tolley Galleria Dimensions: Painting: 8" x 7" Frame: 16" x 14"

Two board top with molded border, two smaller drawers over two long drawers with appropriate place brasses and original keyhole fittings. Chest rest on ogee bracket feet. English 1840-1860. 37 1/2w x

Sir James Dromgole Linton. (English, 1840-1916). The Declaration of War. Antique Heliogravure on wove paper after the original by Master Engraver Dujardin. 1893. Signed in the Plate. Excellent. Image

Thomas Noel Smith (English, 1840-1900) A Farm in Autumn watercolor 5 x 9 1/2 inches. Property from the Collection of F. Alan Cummings, Tallahassee, Florida Provenance: Phillips & Dean, Tallahassee, Fl

Frederick Walker. (English, 1840-1875). Geese. Antique heliogravure on wove paper after the original by a Master Engraver. 1877. Signed in the Plate, lower right. Excellent. Image Size 6 x 8 7/8 inche

Marcus Stone. (English, 1840-1921). Edward II and Piers Gaveston. Antique steel engraving on wove paper after the original painting by master engraver James Stephenson (English, 1808-1886). 1875. Sign

Marcus Stone. (English, 1840-1921). Edward II and Piers Gaveston. Antique steel engraving on wove paper after the original painting by master engraver James Stephenson (English, 1808-1886). 1875. Sign

After Marcus Clayton Stone (English, 1840-1921), early 20th century engraving depicting a young woman on a garden bench looking directly out at the viewer, a young man at her side, 10 1/2" x 23" sight

after Sydney R. Wombill (English, Late 19th/Early 20th century), Miss Glendynehand-colored engraving, published 1886, engraved by Edwin Henry Hunt (English, 1840-1925), presented in a burlwood frame w

After Marcus Clayton Stone (English, 1840-1921), 1900, etched by George Woolliscroft-Rhead (English, 1855-1920), depicting a young woman gazing absent-mindedly at the viewer, published by H. Virtue &