SOICHI BANDO (JAPANESE 1927-), ETCHING AND AQUATINT,

SOICHI BANDO (JAPANESE 1927-), ETCHING AND AQUATINT, UNTITLED, SIGNED, A/P #5/5, 1966. PLATE 14 X 9 7/8"; FRAMED AND GLAZED-23 X 17 1/4"

TREES, 1967, color etching, from the numbered edition 30, image 10 x 14”, sheet 12 ½ x 19 ½”, soft creases and pale discoloration in margins, otherwise in good condition.

LOST DOLL, 1968, color etching, signed in pencil, from the numbered edition 30, image 14 x 10”, sheet 19 ½ x 12”, some pale discoloration and roughness in margins, otherwise in good condition.

UNTITLED, aquatint etching with currency collage on Japan paper, signed and numbered 66/90 in pencil, plate 6 ½ x 11”, sheet 15 ¼ x 22 ½”.

Sergio Gonzalez Tornero (Chilean, b. 1927) etching & aquatint titled 'Fish'. Pencil signed lower right and numbered 63/150 lower left. Measures 30" (76cm) x 22" (56cm).

(Japan 1933-2019), “Kyoto No. 18, Toji Temple”, image 8 x 6.5 inches, pencil signed and dated 1997 lower right, numbered 56/150, framed, 14 x 12 inches.

DESCRIPTION: Alex Katz (American, b. 1927) Etching and aquatint in colors on Rives BFK paper. Titled: "Man with Pipe" pencil signed and editioned: "Alex Katz, 51/185" mounted in natural wood frame. CI

Taví­k František Šimon (Czech, 1877-1942) 'New York from Brooklyn Bridge (Novak 460)', 1927 Etching and aquatint on paper Signed in pencil T.F. Šimon, lower right Initialed and dated in the plate

Louis Icart (French 1888-1950) "Thais," 1927, etching and aquatint with hand coloring, signed in pencil lower right, numbered lower left, with windmill blindstamp, copyrighted in the plate, matted and

Louis Icart (French 1888-1950) "Mealtime," 1927, etching and aquatint on paper, signed in pencil lower right, numbered 32, lowewr left, with windmill blindstamp, copyrighted and dated in the plate, ma

Louis Icart (French, 1888-1950) "Girl with Dogs", 1927 etching with aquatint pencil-signed lower right and "Copyright 1927 by Les Graveurs Modernes, 194 Rue de Rivoli, Paris" print in plate upper left

Louis Icart (French 1888-1950) "Venus," 1927, etching and aquatint, signed in pencil lower right, numbered 328/500 lower left, with windmill blindstamp, matted and framed. Dimensions: 13.5 x 19 in. im

Paul Signac (French, 1863-1935), "Le Pont des Arts avec Remourquers," circa 1927, etching and aquatint printed on wove paper, signed in plate lower left, overall (unframed): 8.75"h x 11"w

Kralik, Hanns (German, 1900-1971), Feierabend [Quitting Time], 1927, etching and aquatint on paper, signed, titled and dated in pencil at bottom, impression 8.25 x 6.5 inches, matted but not framed. K

Grossman, Elias (Russian/American 1898-1947), Temple of Castor & Pollux, 1927, etching and aquatint, 12.25 x 7.25 inches, pencil signed, and signed in the plate, 21 x 17 inches framed.

YANNICK BALLIF (1927-2009), ETCHING & AQUATINT, 1975, H 5 3/4", W 8", UNTITLED:Dated 1975, #26/50; pencil signed; framed; Arnold Klein Gallery, Royal Oak label on verso. For a high resolution photo

Louis Icart(1888-1950)"Sleeping Beauty," 1927Etching, drypoint, and aquatint in colors on paperSigned in pencil in the lower margin, at right: Louis Icart; inscribed "SW," possibly

"Thais," 1927 Hand colored etching/aquatint on paper, Les Graveurs Modernes, Paris, pub. No. 130, signed in pencil lower right, numbered in pencil lower left, and with the artist's windmill blindsta

"Thais," 1927 Hand colored etching/aquatint on paper, Les Graveurs Modernes, Paris, pub. No. 130, signed in pencil lower right, numbered in pencil lower left, and with the artist's windmill blindsta

Makoto Ouchi's 'Satsuki' is a captivating contemporary Japanese aquatint etching that showcases the artist's mastery of the medium. Signed in pencil in the lower right corner and numbered in the title

Shoichi Hasegawa (Japanese, 1929-). Etching with aquatint, abstract, Ete a Paris II. Signed, titled and numbered Epreuve d'artiste in pencil in English and Japanese in the lower margin, and signed in

VITREURS (F.213), from the Hom’mere III series, 1976-77, color aquatint etching on Japan paper, signed and numbered 12/100, printed and published by Georges Visat, image 19 ½ x 14 ¾&#8

ARC OBSCUR DES HEUVES 5 P.M. (F.110), 1964, color aquatint etching on Japan paper, signed in pencil, from the numbered edition 125, image 19 x 26 ¾”, full margins, some creases and soft handling cr

SPARTICO (Bizzarria) (G.A.184), 1975, color aquatint etching on Japan paper, signed in pencil, Roman numbered L/L (50/50), image 14 1/4 x 19 1/2", sheet 19 1/2 x 26", printed by Crommelynch and publis