STEINBECK, JOHN. 1902-1968. To A God Unknown. New York: Robert O. Ballou, 1933.

STEINBECK, JOHN. 1902-1968. To a God Unknown. New York: Robert O. Ballou, 1933. 8vo. Publisher's green cloth, lettered in gilt to the spine, pictorial endpapers, original dust jacket, all designed by

STEINBECK, JOHN. 1902-1968. Cup of Gold. A Life of Henry Morgan, Buccaneer. New York: Robert M. McBride & Company, 1929. 8vo. Publisher's yellow cloth lettered in black, original pictorial dust jacke

STEINBECK, JOHN. 1902-1968. Tortilla Flat. New York: Covici-Friede, 1935. 8vo, illustrated by Ruth Gannett. Publisher's tan cloth stamped in blue, pictorial dust jacket, top edge blue. Dust jacket wit

STEINBECK, John (1902–1968). The Grapes of Wrath. New York: The Viking Press, [1939]. 8vo. Original publisher’s beige cloth stamped with line drawings in reddish–brown, a portion of

STEINBECK, JOHN. 1902-1968. The Pastures of Heaven. New York: Brewer, Warren & Putnam, 1932. 8vo. Original green cloth stamped in gilt, top edge stained black, other edges untrimmed, publisher's silve

STEINBECK, JOHN. 1902-1968. Saint Katy the Virgin. New York: Covici Friede, 1936. 12mo. Publisher's gilt cloth spine over decorated boards highlighted in gilt, spine printed in red, cellophane jacket.

STEINBECK, JOHN. 1902-1968. Of Mice and Men. A Play in 3 Acts. New York: Covici Friede, 1937. 8vo. Publisher's beige cloth printed in red and black, dust jacket printed in blue and grey, custom cloth

STEINBECK, JOHN. 1902-1968. 6 Autograph Letters Signed ('John Steinbeck,' 'John,' or 'JS'), 1 Typed Letter Signed ('John'), and a partial Autograph Letter Signed ('John') to Willard Bascom regarding P

Jan Matulka (1890-1972) Slovakian Village, Turi-Pole oil on canvas 23 7/8 x 29 5/8 in. (60.6 x 75.3 cm.) Painted in 1921. Footnotes: Provenance Estate of the artist. Robert Schoelkopf Gallery, New

Roberto Coin Gold and Diamond Necklace and Bracelet 18 kt., the woven ribbed necklace and bracelet centering panels and clasps of 158 white gold-set round diamonds ap. 2.80 cts., necklace clasp flanke

Roberto Matta (1911-2002), Composition, 1974, huile sur toile, 83x102 cm; Matta fuit la guerre et s’installe à New-York, lieu où émerge une nouvelle génération d’avant-gar

Circa 1902-1919; New York, NY Base spuriously signed: Tiffany Studios / New York / 28622 The pink and green leaded glass "Acorn" shade on a three-light patinated bronze Tiffany-style reproduction mu

Circa 1902-1919; New York, NY Shade signed: L.C.T.; Base signed: Tiffany Studios / New York / 416 The green damascene Favrile glass shade with tones of blue and green with gold iridescence on a pati

JOHN MARIN Downtown, New York. Pencil on cream wove paper, circa 1920. 305x228 mm; 12¼x9 inches. Signed in pencil, lower right recto.Provenance: Estate of Patrick Roberts, founder of the American

The East Hampton National Bank, East Hampton, New York, (#E7763), Lyons-Roberts, KL #1228, Fr #624. Fine-Very Fine condition.

''White, Gray, Color'', abstract, signed twice, titled and dated twice verso: Goodnough / 1980, acrylic and oil on canvas, 60'' H x 66'' W, est: $10,000/15,000 Provenance: Watson/de Nagy & Company, Ho

Puerto Rican, 1966 Oil on canvas Signed on the stretcher: Natkin 82" H x 82" W Provenance: Allan Stone Gallery, New York, NY Property of an Important New York Corporate Collection Exh

(Maryland/New York/England, 1820-1879) Important portrait of Confederate General Robert E. Lee. Excellently executed example which is signed at the middle left hand side and dated 1868. The piece has

East 100th Street, New York 1966 Vintage silver print, 24,2 x 18,8 cm Photographer's copyright agency stamp (with print date, 1968) and various handwritten notations in pencil on the reverse The buyer

It's Okay To Miss The Bed On The First Jump By John O'Hurley SIGNED First Edition published by Hudson Street Press, New York, 2006

John Little (New York 1907 - 1984) oil on canvas, KEARSAGE, canvas size 51-1/2 x 61-1/2 inches

After John Bachmann, New York lithograph, 1855, After John Bachmann (Swiss, 1814-1896), "The Empire City, Birdseye View of New-York and Environs.", print of A. Weingartner's lith., 25"h x 35"w (sight)

Steinway and Sons, New York, Model O baby grand piano, executed in 1914, serial number 166537, having a mahogany case and rising on square legs terminating on Marlborough feet, 5'10"; together with a

signed to dial 'John Wannamaker, New York' with moon phase and nine chimes 19 1/2 inches wide; 16 inches deep; 107 inches high