THREE WOODED LANDSCAPES BY ROBERT BOLLING BRANDEGEE (1849 - 1922).

Connecticut/New York, oils on canvas. Autumn landscape, unsigned, glued to board with overhang, 12.75"h. 20.5"w., unframed. Stand of trees, unsigned, glued to board., 13.75"h. 20.75"w., framed. Study

Connecticut/New York, oils on canvas. Country scene with hills initialed "RBB" lower right, rebacked on canvas with new stretcher, 12"h. 19"w., unframed. Lake scene signed lower right with "__ Lake",

Connecticut/New York. Oils on canvas. Autumn landscape initialed "RB" lower right, rebacked on canvas with new stretcher, 13.5"h. 16"w., unframed. Harvest scene, unsigned, rebacked on canvas with new

Connecticut/ New York, 1849 - 1922. Oil on artist board, unsigned. Study of pine trees and field. 12.5"H. 18.5"w., framed, 13.25"h. 19.25"w.

Connecticut/ New York, 1849 - 1922. Oil over pencil on artist board, unsigned. Cypress trees. 13"h. 19.75"w., framed, 14.75"h. 21.25"w.

Connecticut/New York (1849-1922). Oil on canvas, initialed and dated on the back "RBB 1916". Three quarter portrait of Lincoln with his hand on an African American child. Surface stains and small spla

Connecticut/New York (1849-1922). Oil on canvas, initialed "RB" lower left. "Spring, White Flowering Tree" from "The Farmington Years". Exhibition label for the New Britain Museum of American Art, New

Connecticut/ New York, 1849 - 1922. Watercolor on paper, unsigned. Brown butterfly. Framed, 13.5"h. 11.5"w.

Connecticut/ New York, 1849 - 1922. Oil on canvas, signed and dated "R.B. Brandegee 1892" with presentation by artist "Portrait of Mr. Edward Norton. Presented to Miss Sarah Porter, Farmington, 1894".

Connecticut/ New York, 1849 - 1922. Watercolor on paper, unsigned. Purple grapes. Framed, 8.25"h. 8.5"w.

American (Connecticut / New York), late 19th - early 20th Century. Oil on canvas, unsigned. Wooded path with silhouettes of couple in foreground. 28"h. 22.75"w.

American (Connecticut / New York), late 19th - early 20th Century. Oil on canvas, unsigned. Study of cattle in a pasture. Rebacked on canvas. Unframed, 12"h. 19"w.

American (Connecticut / New York), 19th - 20th Century. Oil on artist board, unsigned. Shades of blue and grey. Stains. 12.75"h. 19.75"w., framed, 15.75"w. 22.5"w.

Robert Bolling Brandegee (1848 - 1922). Oil on canvas mounted on board, 12 x 19 inches, in a period frame.

Robert Herrmann (Ohio, 1922-1996) oil on canvas precisionist architectural landscape painting titled "Other Seattle Buildings" depicting a cityscape against a light blue sky. Three labels with artist

Wooded Landscape, oil on board, 8 x 11 1/2 in (20.3 x 29.2 cm), framed 12 x 15 in (30.5 x 38.1 cm), signed lower right, notation verso with title and date

ROBERT HENRI (AMERICAN 1865-1929), OIL ON ARTIST PANEL, WOODED LANDSCAPE, SIGNED. 11 1/4 X 13 3/4"; FRAMED 18 1/2 X 20 3/4" (HEYDENRYK)

Julian (Robert Julian) Onderdonk (1882 - 1922) Julian (Robert Julian) Onderdonk was active/lived in Texas, New York. Julian Onderdonk is known for floral landscape-bluebonnets, genre and seascape pain

Julian (Robert Julian) Onderdonk (1882 - 1922) was active/lived in Texas, New York.  Julian Onderdonk is known for Floral landscape-bluebonnets, genre and seascape painting. Noon Field Medium: Oil o

Julian (Robert Julian) Onderdonk (Am. 1882 - 1922) singed lower right. Frame size: 19 1/2" high, 15 1/2" wide. Frame wear and losses.

BUTLER, Robert, (American, 1943-2014): Florida Highwaymen Three Turkeys in a Florida Landscape, Oil/Canvas, 24" x 36", signed lower right and dated '79, framed, 27.5" x 40".

Firmin Massot (Geneva 1766-1849) Portrait of a lady, said to be Madame Anne Jean De La Guillaumie, three-quarter-length, seated before a park landscape oil on canvas, unlined 55.6 x 47.3cm (21 7/8 x 1

Scenic Vellum plaque decorated in 1922 by Fred Rothenbusch, who depicted a country lane passing by a wooded area as evening approaches. Impressed on back with the Rookwood symbol and the date and bear

H:130cm,W:45cm