White Cut Overlay Kerosene Peg Lamps

Two (2). 1850-1860. Glass, brass. White cut to clear, brass collar, double-tubed fluid burner, push-up brass candlesticks. From the Valerie Lister Collection. 13 ½”H.

European. 1860-1880s. Glass, brass. Rose cut to white cut to clear. Brass connector. Mottled marble stem and base with colours of rose and white. Brass feet, white ball shade. #1 chimney signed "Royal

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. White cut

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, metal. White cut to clear

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass. White cut to colou

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

CUT OVERLAY TULIP KEROSENE STAND LAMP, white to translucent ruby pyriform font with additional stylized panel and punty cuttings, opaque black Baroque base with gilt decorated bands, brass connector,

CUT OVERLAY QUATREFOIL KEROSENE STAND LAMP, white cut to jade green pyriform font, starch blue Baroque base, brass connector, No. 2 fine line collar. Fitted with a period set-up comprising a

ASSORTED CUT OVERLAY GLASS KEROSENE STAND LAMPS, LOT OF TWO, comprising an English Dietz pink to white to colorless Punty and Panel, and a white to cranberry quatrefoil tall stand lamp with a transluc

CUT OVERLAY GEOMETRICAL KEROSENE STAND LAMP, ruby to clear pyriform font, double-bands in a grid pattern over small punties pattern, opaque white Baroque base with gilt decoration, brass connector, co

CUT OVERLAY FLORAL KEROSENE STAND LAMP, opaque white to colorless pyriform font, floral and punty decoration, starch blue Baroque base with gilt tracing, brass connector, No. 1 brass collar. Boston &

ASSORTED REPRODUCTION GLASS KEROSENE STAND LAMPS, LOT OF THREE, comprising two white cut to green overlay examples with marble bases and electric sockets, and a tulip-font example with blue base. 1920

CUT OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, white to ruby pyriform font, with gilt decoration highlights, translucent jade green Baroque base with gilt decoration bands, brass connector, No. 2 fi

Cut Overlay Moorish Windows Kerosene Pedestal Lamp. White to ruby pyriform font, brass stem and marble base. Attributed to Boston & Sandwich Glass Co. (and others), circa 1860-1880. 18"h. overall incl

CUT DOUBLE OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, opaque cobalt blue to opaque white to colorless pyriform font, ribbed, brass stem and double-step marble base with stamped brass ornamentation,

CUT-OVERLAY OVAL AND PUNTY GILT-DECORATED KEROSENE STAND LAMPS, PAIR, opaque white to colorless with a medial stenciled gilt Vintage decorated band, large pyriform font with an oval cut band betw

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, bright rose to white to colorless pyriform font, clusters of five punties alternating with V-grooves and over a band of panels, brass stem, doub

CUT DOUBLE-OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, rose to opaque white to colorless pyriform font with gilt scrolling decoration, two rows of punty cuts and a lower band of oval cuts, raised on a

ASSORTED PATTERN KEROSENE STAND LAMPS, LOT OF FOUR, comprising three cut overlay examples, including a white to ruby Moorish Windows, a white to colorless Washington, and a ruby to colorless floral ex

CUT-OVERLAY STARS, QUATREFOILS, AND PRISMS PRESENTATION KEROSENE STAND LAMP, opaque white to colorless, large pyriform font with a complex pattern including quatrefoils, ovals, prisms, and stars, rais

Antique oversized peg lamps with cut white glass over clear glass shades and marble bases. 14”H x 5”W x 5”D.

ASSORTED PATTERN KEROSENE STAND LAMPS, LOT OF FOUR, comprising a cut overlay ruby to colorless example, opaque white No. 1 base; a cut and engraved free-blown pyriform font with brass stem and single-

CUT OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, blue to colorless, inverted pyriform font with wafered peg, raised on a tall reeded brass standard and double-step marble base, No. 1 fine-line collar.

WITH ETCHED GLASS SHADE AND BRASS CORINTHIAN COLUMN STEM; 29 1/2" TOTAL HIEGHT