Willie Reed Rowe, "Mission Espiritu de Santo de Zuniga"

Willie Reed Rowe (Amer., 1914-1986), "Mission Espiritu de Santo de Zuniga", etching, plate created in 1950, this printing completed in 1979, Ed/100, with inscription "Print for Fred"

Willie Reed Rowe (Amer., 1914-1986), "The Alamo", printed in 1979 from plate produced in 1949, etching, with inscription "Print for Fred" (Gordon "Fred" Plank), ed/100 plate:

Willie Reed Rowe (Amer., 1914-1986), "La Bahia (Before Restoration)", printed in 1982 from plate produced earlier, etching, with inscription "Print for Fred" plate: 7 x 8 in., frame:

Willie Reed Rowe (1914-1986), titled "The Alamo", etching from an edition of 100, framed image: 7" x 8", frame: 12.5" x 14.5" Provenance: An Olmos Park, Texas collection Willie Lucille Reed Rowe wa

A Santo de Bulto with an Ivory Head27 1/2” x 9 1/2” x 8”(70 cm x 24 cm x 20 cm)

A Santo De Bulto With IvoryMask And Hands15 1/2” x 5” x 5”(39 cm x 13 cm x 13 cm)

Albertus Magnus (santo) [Pseudo], De secretis mulierum cum commento. Novissime: infinitis pene erroribus emendatus (Al colophon:) Venetiis: Petri Bergomatis solertia, 1508. In-4° (mm 206

Laureano Atlas (1743 - 1773) Nuestra Señora Del Santisimo Rosarioen la Yglesia de Santo Domingo signed and dated 1759 (lower right) copper engraving on finely–combed cottonBinondo, Manila 30

Heading: (Mexican Imprint) Author: Castro, José de Title: Directorio para Informaciones de los Pretendientes de el Santo Habito de N. Seraphico P.S. Francisco, en que hallaran los padres Commisarios.

Possibly Jose Rafael Aragon + Frank Applegate(1796 - 1862, 1881 - 1931)Santo Nino de Atocha Bulto en Nichowood, gesso, pigment, paper, fabricNicho possibly by Frank ApplegateSanto Nino de Atocha possi

** A portion of the proceeds from the sale of this lot will benefit The Fowler Museum at UCLA **Mexico, ca. 1900. Santo - El Santo Nino de Atocha en Nicho. Wooden nicho made from a recycled box, let

Jose Rafael Aragon(1795 - 1862)Santo Nino de Praga Bultocarved wood, gesso, pigments14 x 5 5/8 x 4 1/8 in. (35.6 x 14.3 x 10.5 cm.) The Paul Rhetts Collection, New Mexico

Spanish school; second half of the 17th century. "Saint Domingo de Guzmán". Oil on canvas. The original canvas is preserved. Frame from the second half of the 19th century, with damages. Measuremen

A De Vestir Santo with Ivory Head andHands19 1/4” x 5 1/2” x 5”(49 cm x 14 cm x 13 cm)

Fernando Bimonte(Uruguay/USA, 1955 - 2013)Santo Nino de Atochacarved wood, acrylic, stuccosigned verso: F. Bimonte33 1/2 x 22 1/2 x 1 in. (85.09 x 57.15 x 2.54 cm.) Private Collection, New Mexico

A De Vestir Santo with Ivory Head andHands15” x 5 1/2” x 5”(38 cm x 14 cm x 13 cm)

A Mexican retablo oil on tin painting depicting Santo Nino de Atocha (Holy Infant of Atocha). The icon is seated with a feather in her hat, staff in one hand and gold container in the other. It is pre

FOUR MEXICAN TIN RETABLOSMexican, 18th or 19th century, oil on tin. Laminas/votive paintings, each depicting the Santo Nino de Atocha in varying fashions, consistently wearing the characteristic feath

New World, Spanish Colonial, Mexico, ca. 19th century CE. A sweet wooden santo figure of St. Vincent de Paul. He stands holding the hand of a small child, both wearing robes of a creamy hues with gold

(Mexican, 1912-1998). Charcoal on paper, signed and dated "Zga, 1970" ll, sight size: 25 x 19 in., framed. Provenance: Galeria Tasende Contemporary Art label on verso.

FRANCISCO ZUNIGA, (MEXICAN 1912-1998) BRONZE SCULPTURE, C.1962 H 8 3/8" W 6 3/4" "GRUPO DE MUJERES" Signed "Zuniga" on base. Greenish /brown patina, mounted on an onyx base.

Pre-Columbian, North Coast Peru, Sican-Lambayeque, ca. 800 to 1000 CE. Three silver tweezers, two depicting a Lord with a tumi-like headdress sitting on a reed boat (caballitos de tortora) and drinkin

Carved and polychrome painted religious santo/ altar figure, La Virgen de Guadalupe (Our Lady of Guadalupe), standing on stepped base, approx 33"h, 16"w, 5.5"d, 6.5lbs Start Price: $150.00

"Grupo," 1982 Mixograph on handmade paper under plexiglas Edition: 47/100; signed, dated and numbered in pencil lower left: Zuniga; Taller de Grafica Mexicana, Mexico City, prntr; Mixografia Worksho