KAHN, Wolf. Carborundum Etching and Drypoint.

"Southhampton Barn" 1999. Signed and dated lower right, numbered 50/60 lower left. Wolf Kahn (German, active in America, born 1927). From a Huntington, NY collection. - Dimensions: plate - 1

Wolf Kahn (American/German, 1927-2020) Stream Through the Trees 2014, pencil signed, dated, and annotated 'P.P. 1/4' (aside from the edition of 30). Etching, aquatint and drypoint on wove paper.image:

Wolf Kahn (American/German, 1927-2020) Farm on the Flood Plain 1988, pencil signed, dated, and annotated EP 2/2 (aside from the edition of 35), with full margins. Etching, aquatint, and drypoint on So

Christian Tisari: Le Signal. Signed Original. Edition 19 of 30. Publisher: Maeght Editeur, 1970. Dimensions 13x17 in. (33x43 cm). Engraving, collagraph, drypoint, carborundum etching and resin. Framed

Group signed etchings, ex Wolf Kahn collection, (10) pieces incl. 5 from the Vermont Studio Center Artist Angels, 4 additional etchings and 1 lithograph, 2 examples inscribed to Wolf Kahn and Emily Ma

David Shapiro Kala 7 1991spit-bite, etching, drypoint and carborundum on hand-made blue Indian paper sheet: 31.75 h × 23.25 w in (81 × 59 cm) image: 13 h × 9 w in (33 × 23

Jimmy Ernst UNTITLED, one color lithograph, signed in pencil, numbered 24/75, sheet 28 x 22”, David Shapiro KALA 7, 1991, color spit-bite, etching, drypoint and carborundum on blue Indian paper, sig

Shapiro, David (American, b. 1944), Kala 7, 1991, original spit-bite etching, drypoint and carborundum printed in blue and white on textured paper, pencil signed, dated, and titled on bottom, publishe

Artist: Joan Miro Title: La Couette et L'Escargot Year: 1964 Dimensions: 7.5in. by 10.5in. Edition: From the rare limited edition Medium: Original drypoint etch

NO RESERVE Kahn (Erich) Collection of 12 drypoint etchings, some initialed in pencil, on cream laid or wove paper, platemark 150 x 110 mm ( 6 x 4 1/2 in) or smaller, loose, some surface dirt and spott

Wolf Kahn (1927-2020) Academy Print, 1999 Collograph and drypoint in colors on Arches cover paper, signed in pencil and annotated 'AP' (an artist's proof, aside from the edition of 100), with the blin

etching and aquatint on paper 1978; pencil-signed and dated lower right, inscribed "For Mitchell" lower left Plate: 13 x 13 in. (33 x 33 cm.), Sheet: 29 1/2 x 22 in. (74.9 x 55.9 cm.), Frame: 32 x 24

Herman Rose, etching, 1997, Herman Rose (American, 1909-2007), Still Life, no signature observed, 4"h x 5"w (sight), 10.5"h x 11.5"w (frame) Provenance: The Private Collection of Wolf Kahn & Emily Mas

Joan Miro (Spanish, 1893-1983). Signed and numbered limited edition etching, aquatint and drypoint in colors with carborundum, 1969 on arches paper, "Dormir sous la Lune" (D.495). Artist signature in

Joan Miro (French / Spanish, 1893-1983). Color etching and aquatint with drypoint and carborundum on wove paper. Titled "Le Dandy," (1969). Hand signed in pencil "Miro" lower right. An artist's proof,

KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

ETCHING & DRYPOINT "TRIUMPH OF MORDECAI" IN VERSO REMBRANDT VAN RIJN , 1641 (6 1/2" X 8 1/4" SIGHT SIZE

This is a vintage signed etching and drypoint print from artist Bernard Buffet (French, 1928 - 1999). An exclusively figurative artist, his works can be seen in the collections of the world's leading

James Coignard (1925-2008) was a very prolific French artist who achieved his greatest success with his work in carborundum etching which allowed him to combine etching and painting, and to create lar

Prolific French artist James Coignard (1925-2008) achieved his greatest success with his work in carborundum etching, which allowed him to combine etching and painting and to create large pieces in th

Gene Kloss (American, 1903 - 1996), "Corn Husking - Taos Pueblo" c. 1960, etching / drypoint, edition 49/50, pencil signed along lower border, (Kloss, 481), framed and matted behind glass, wear consis

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

French, 1925-2008. Signed and editioned lower left, HC 7/10. Dimensions: H 38.75" x W 60" Condition: Small loss lower left. Light handling wear.