Le Goût du Jour, full run from 1920, 41 plates

Heading: (Le Goût du Jour) Author: Title: Le Goût du Jour - complete run of fascicules for the year 1920 Place Published: [Paris] Publisher:[François Bernouard] Date Published: [1920]

Pochoir; Cover from "Le Bonheur du Jour pour 1920" (framed); Unmarked; 7" x 6 1/4" (sight)

Visez au coeur, belles dames!; Les Belles Sauvagesses de 1920, from the album Le Bonheur du jour or Les Graces à la Mode, 1924 Two etchings with pochoir on

French, 1882-1932..from: Le bonheur du jour; ou, Les graces a la mode..pub. by Henri Riedel, l.r. George Barbier 1924 in plate..toning, foxing, mat burn..plate 9.75H x 13.5W, frame 16H x 20W

Revue XXe siècle, 1956. Nouvelle Series XXe Siecle 6. LE PAPIER COLLE DU CUBISME A NOS JOURS. Cahiers d’Art, San Lazzaro, Paris, 1956. With full page pochoir in color by Braque, Laurens, Arp, Miro,

LE POINT DU FEU (Sonnet 166), 1973, color carborundum gravure with collage, signed and numbered 33/75 in pencil, plate 18 ½ x 26 ¼”, full margins, frame 27 ¼ x 34 ½&r

Lithographic reproductionsBook with lithographs dated on plate according to original drawings by the artist, copy 572. Presented in a box with a print run justification sheet. Edited by Carl Schüne

Hughes le Roux and Jules Garnier, "Les Jeux du Cirque", 1889 Paris: Libraire Plon, 15 November 1889, 4to, 250 pages, numerous large color illustrations and a full-page lithograph plate of "Cirque d&#8

Odilon Redon (1840-1916)Le Jour Enfin Paraît... et dans le disque même du soleil, rayonne la face de Jésus-Christ (Plate 24), from La Tentation de Saint-Antoine (Mellerio 157)Lithograph, 1896, from

Chemins de Fer d'Orléans et du Midi / Compagnie de Navigation Mixte 1920 artist's name printed in image; printed Devambez, Paris 41.5 x 29.5 in.

James Tissot (1836-1902)LA SOEUR AINEE; LE CAMPEMENT (WENTWORTH 41; 53)Two etchings and drypoints, 1871 and 1881, respectively, on laid paper, with full margins, unframed.Larger plate 11 1/2 x 6 1/8 i

Pablo Picasso (Spanish, 1881-1973), Le Repos Du Sculpteur IV, from La Suite Vollard 1933, pencil signed, from the edition of 250 (there was also an edition of 50 with wider margins), with full margins

(Spanish, 1881-1973) , "Le repos du sculpteur devant le jeune cavalier", pencil signed in margin and dated 1933 in the plate. Frame size: 16 5/8" high, 19 1/4" wide; image sight: 10" high, 12 5/8" wid

Pablo Picasso "The Sculptor's Rest IV (Le repos du Le repos du sculpteur)" etching on laid paper, from the Vollard Suite. Signed lower right, "Picasso". With Vollard watermark. Plate: 7.5"H x 10.25"W;

Pablo Picasso, Spanish (1881 - 1973) Etching on Paper "Danse du Ventre Dans le Désert, Avec Spectateur Bedonnant, 1968" (Series 347) Signed and Numbered 34 of 50. Dated 3.8.68 II in the plate. Gall

Monaco, Editions du Rocher, 1959. Pedro Antonio de Alarcon translate from Spanish by Michel Déon. The complete portfolio with 20 full page woodcuts in color by Dali, one of the 30 H.C. copies reser

Pablo Picasso (1881-1973) Le Repos de Sculpteur et la Sculpture Surrealiste. Plate 60 from 'La Suite Vollard', B. 169, etching, 1933 on Montval full sheet, signed in pencil Sheet: 13 3/8" x 17 5/8"

Miniature Imperial Prussian Garde du Corps parade helmet and cuirass, after the full size model worn by Kaiser Wilhelm II, circa 1900, the steel trimmed brass breast plate centering a star medal label

Full title: A Chinese Canton famille rose Scottish market Ormiston armorial 41-piece service, 19th C. Description: Dia.: 23,5 (the largest plates) Dia.: 14 cm (the larger saucers) L.: 12 cm – H.: 5,

A Louis XVI style gilt bronze mounted kingwood parquetry and Vernis Martin bonheur du jour Paul Sormani, Paris late 19th century The lockplate stamped P. SORMANI PARIS / 10 rue Charlet height 63in (16

Francois Flameng (1856-1923 French) ''Le Jour de Fete'' (The Day of Celebration) Oil on Panel 15''x23'' Image. Exceptionally detailed composition of French soldiers celebrating victory in a lavish cou

Exceptional 19th Century Ladies Writing Desk With Fine Tortoise Shell And Cut-Brass Inlays. The Central Scene Features A Horse-Drawn Chariot. The Top With A Partial Pierced Bronze Gallery Above Two Sh

An early Victorian gilt bronze and porcelain mounted tulipwood and kingwood bonheur du jour in the late Louis XV style 1850-1860, mounted with various Sevres style porcelain plaques, the superstructur

GUSTAVE SERRURIER-BOVY (1858-1910) Bureau - Bonheur du jour, 1898 Chêne, pentures et prises en fer noirci, ouvrant à une porte vitrée en partie haute, un tiroir en ceinture et amén