(Circle of) Carlo Maratta (1625-1713), portrait of a

Attributed to: Carlo Maratta (Italian, 1625-1713) Portrait of the Infant Jesus, Oil on Canvas, Unframed, Image Size: 15-1/2 x 19-1/2 inches Condition: Average for its age and type

Tapi after Carlo Maratta (1625-1713), oil on canvas, "Head of Christ", set in a very good carved and pierced gilt and gesso frame, "Alfredo Candida & Co. Florence" label on verso, painting is signed o

the first: Carlo Maratta (1625-1713), The Virgin and Child with the Young St. John the Baptist, on cream laid paper; the second: a nativity scene attributed to Bartolomeo Biscaino (1629-1657), sheet t

In the Manner of Carlo Maratta (Italian, 1625-1713) 'Visions of St. Anthony of Padua' Oil on Canvas Undated and unsigned depicting the saint holding the Christ Child as Mary looks on, in a gold-tone g

Carlo Maratta (Italianate) 1625-1713. Madonna and Child with the Young St. John. Etching, 1647. Bartsch XXI-92-9, ii/II. Signed in the plate, l.l. Dated and inscribed in the plate, "INV ET SCL", l.r.

After Carlo Maratta (Italian 1625-1713) Augustus Closing the Temple of Janus, engraved by Johann Jakob Frey (1813-1865) after the original painting dating to 1738, matted and framed under glass with r

An Italian school print on board after studio of Carlo Maratta (Italian, 1625-1713) charcoal and pencil painting on paper depicting Madonna with children. Framed. Dimensions: Frame size: 11 3/4 x 10 i

School of CARLO MARATTA (Camerano, 1625 - Rome, 1713), late 17th century. "Assumption of the Virgin with the Doctors of the Church". Period copy of the painting by Carlo Maratta in Santa Maria del Pop

An antique Italian oil painting relined with an 18 century stretcher canvas depicting Madonna with a sleeping child, after the original painting by Carlo Maratta, Italian, 1625 to 1713. Framed. Carlo

(Camerano, 1625 - Roma, 1713) Scena mitologica Olio su tavola tonda, diam. cm 13 Sul retro della tavola è posto un cartellino recante la scritta a matita: 'Opera del Pittore Carlo Maratta' e sotto

Attrib. Carlo Maratta- Baroque -1625-1213 St. Joseph/with Jesus Brown pencil 10.5/8 17 cent late Baroque manner drawing on brown woven paper. Very typical of Marratta style of drawings. Signed bottom.

Engraving, "The Judgment of Paris," by Giovanni Girolamo Frezza, 1708. After the painting by Carlo Maratti (1625-1713). 16 3/4 x 20 inches. Very good condition overall. Unframed.

After Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal rel

After Leonardo DaVinci The Last Supper print on fabric. After Carlo Maratta (Italian, 1625-1661) The Holy Night engraving. Printed by Roberto Hoesch. Retailed by David Ashley Inc. NYC. White metal rel

An engraving by Carlo Maratti (1625-1713). Italian. Features the tomb of Annibale Carracci, a 16th century Italian painter leading in the Baroque style. Plate measures approx 16 1/2" x 16 1/4&#34

In the manner of Carlo Maratti (Italian, 1625-1713) "Adoration of Magi" oil on canvas, plaque bearing the name of C. Maratti. Image size: 25.5" x 19.5" Provenance: Cathedral Village Retirement Communi

Attributed to Carlo Maratti(Italian, 1625-1713)Madonna and Childoil on canvasunsigned9 x 7 1/2 inches (sight)27 x 23 1/2 inches (frame)

L’Angelo mostra a San Filippo Neri un dipinto della Vergine con Bambino e San Giovannino olio su tela, senza cornice, cm 63 x 53Circle of Carlo Maratti (Camerano 1625 – Rome 1713)An angel appears

Circle of Allan Ramsay (Scottish, 1713-1784) "Portrait of a Lady in White", late 18th/early 19th century Oil on canvas Approx. 30" x 25" (framed)

Portrait of Madonna Oil on canvas Plaque on giltwood frame provides attribution H 44", W 37 1/2" (framed) H 35", W 28"

Measures approximately: 8 1/2" by 5 3/4". 1625 Rome.

Circle of Sofonisba Anguissola (Cremona circa 1532-1625 Palermo) Portrait of a lady, bust-length, in black jewelled costume with a white lace ruff oil on copper, oval 4.9 x 3.9cm (1 15/16 x 1 9/16in).

A pair of framed portraits on canvas. 18th century. Circle of Allan Ramsay (Scottish, 1713-1784). The paintings depict Alexander Grant of Tochichneal (Steward to Lord Findlater) and his wife May Chalm

Oil on canvas, 34x29. Framed