Francisco de Zurbarán (Spanish, 1598-1664), Studio or Follower

After Francisco de Zurbaran (Spanish, 1598-1664) Saint Francis oil on board unsigned 7 1/4 x 4 1/2 inches. Inscribed Bonington after Zurbaran to the reverse based on a previous attribution to Boningto

Circle of Francisco de Zurbaran (Spanish, 1598-1664), portrait of St Bartolome, oil on canvas, titled upper left, numbered 736 lower right, signed "F Zurbaran JP 95" on back. Appx 35" x 26", frame 43"

After Francisco de Zurbaran (Spanish, 1598-1664). Oil on copper painting depicting the biblical scene of the Immaculate Conception. Possibly painted for the Italian Noble Family Sanseverino, ca. 1630.

FRANCISCO DE ZURBARÁN 1598 Fuente de Cantos - 1664 Madrid (Umkreis) SIBILLA CUMANA Öl auf Leinwand (doubl.). 66 cm x 51 cm. Verso: Holztafel mit altem Wachssiegel, alter Aufkleber mit Zuschreibung a

IN THE MANNER OF FRANCISCO DE ZURBARÃN 1598 Fuente de Cantos - 1664 Madrid SANTA DOROTHEA Oil on wooden panel. 21,5 x 12,5 cm (f. 31,5 x 20 cm). Inscribed lower left: S. Dorothea. Min. old rest. Fram

Title: "Desparrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The rabble hamstring the bull with lances, sickles, banderillas and other arms)" plate 12 from "Tauromaquia", the

LOAISA [LOYASA], FRANCISCO CARDINAL GARCÍA DE Letter in Spanish, signed ("Frater] G[arci]a Card[ina]lis Hispal[en]sis"), and countersigned by Juan de Sámano, the royal secretary, to Antonio

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

Spanish impressionist school portrait, oil on canvas San Francisco 1919 Panama Pacific exposition painting by El Conte de Agular. "Natural Type of Seville". Provenance, original labels from the Exposi

"Spanish Home by a Pond" oil on canvas 10 x 18 inches. signed. framed

GOYA Y LUCIENTES (FRANCISCO DE) [Caprichos], ninth edition, 80 etched plates with aquatint, printed on wove paper, mounted on guards, some foxing to margins throughout (occasionally heavy or straying

Los Caprichos, 1799 [Madrid, this set printed later], edition unknown (likely one of the earlier editions of the 1850s-60s), bound set of 80 etchings with aquatint on heavy, unwatermarked, wove paper

Circle of FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, Zaragoza, 1746 - Bordeaux, France, 1828). "Portrait of Charles IV. Oil on canvas. Re-retouched. It presents repainting, old restorations and a Car

Francisco de Goya Y LucientesFuentetodos 1746 - 1828 Bordeaux, circleAchilles & HectorOil on canvas, relined30 x 47 cm (with frame 50 x 67 cm)The painting (30x47cm) in oil on canvas depicts an ambiguo

HEMINGWAY, ERNEST Autograph letter signed. San Francisco de Paula, Cuba: 11 April 1959. A 1 1/4 page autograph letter in blue ink signed "Ernie" on one sheet of Hemingway's Finca Vigia San Francisco d

Juan de Arellano (Spanish, 1614-1676) attributed Old Master fine oil painting on canvas depicting a still life scene with a bouquet of flowers including morning glories, an iris, a peony, and carnatio

FRANCISCO JOSÉ DE GOYA Los Proverbios. Complete set of 18 aquatints with etching, circa 1824. Each approximately 255x355 mm; 10x14 inches, narrow to thread margins. Second edition, with numbers a

Francisco Goya (Spanish, 1746-1828) Los Capricos, 1799, first edition, fourteen works etchings Plate: 8 5/8 x 6 inches. Estimate $3,000-5,000

After Giuseppe de Ribera (Spanish, 1591-1652) St. Jerome. Oil on canvas, unsigned Canvas: 24.5" x 19" Frame: 30" x 25"

Francisco Bores (Spanish, 1898–1972) Nature Morte à la Draperie VerteSigned and dated 48 bottom right, oil on canvas.21 1/4 x 25 3/8 in. (54 x 64.5cm)PROVENANCE: Private Collection.The Collection

[COOKING] MARTINEZ MONTINO, FRANCISCO. Arte de Cocina, Pasteleria, Vizcocheria, y Conserveria. Madrid: Joseph Fernandez de Buendia for Manuel Lopez, 1662. Later edition (first printed 1611). Contempor

After Pedro De Vargas, Spanish Colonial Virgin Mary, draped in blue and red robe standing on three angels, oil on canvas, 18th or 19th century, 31 x 22 3/4 inches, relined.

Tiffany Studios bronze desk set in the Spanish pattern consists of a paper rack, single inkwell, magnifying glass, utility box, pen tray, rocker blotter, and a pair of large blotter ends. Each piece i

Clement Pujol de Gustavino (Spanish / French, 1850-1905). An oil on cradled wood panel titled "The Dispatch Bearer", depicting an Orientalist genre scene. Signed lower left. Contained in a gilt frame.