1922 1ed ARTHUR RACKHAM Art Where Blue Begins Christopher Morley Dogs Moral Tale

1922 1ed ARTHUR RACKHAM Art Where Blue Begins Christopher Morley Dogs Moral Tale “Where the Blue Begins” by Christopher Darlington Morley, beautifully illustrated by Arthur Rackham, is an

Location: Kitchen Through his Pop and Abstract interest here artist George Rodrigue (1944-2013) shares his popular image Blue Dog based on the French-Cajun loup-garou legend. Blue dog is accompanied b

Constable & Company Limited, London, 1909, gilt decorated vellum binding, limited edition of 750 of which this is number 387, signed by Rackham, lacking silk ties

George Rodrigue (American / Louisiana, 1944-2013), "Space Chair", 1992, silkscreen, depicts Blue Dog seated in Pop-Art style red wingchair with the Earth partly blocked behind, graduated background in

[Children's & Illustrated] [Rackham, Arthur] Andersen, Hans (Christian) Fairy Tales London: George G. Harrap & Co. Ltd., (1932). First and limited edition, one of 525 numbered copies, signed by Ra

George Rodrigue (American 1944-2013) "A Chorus Line of Flowers" Limited Edition Silkscreen. With white background. Depicting two blue dogs with 8 flowers. Signed lower right "Rodrigue". Numbered - #10

Rodrigue, George (American, 1944-2013), large artist proof Blue Dog serigraph "Head over Heels", 2002, print measures 34"X45", frame measures 38"X49"

STAR SPANGLED BLUE DOG, color screenprint, signed and numbered 9/150 in gold marker, image 27 ¾ x 20 ¼”, sheet 29 ¾ x 22”.

RED, WHITE & BLUE DOG, color screenprint, signed in gold marker, numbered 9/150 in pencil, image 20 ½ x 33”, sheet 22 ½ x 35”.

Louisiana ArtWorks 2003 Silkscreen on paper 15 x 15 inches (artwork); 19 X 20 inches total Signed: Hand signed by George Rodrigue Bears the Louisiana Artworks logo in lower left corner Edition: 46/500

George Rodrigue Louisiana Art Works 2003 Silkscreen on paper 15 x 15 inches (artwork); 19 X 20 inches total Signed: Hand signed by George Rodrigue Bears the Louisiana Artworks logo in lower left

BLUE DOG/ RED MOON, color screenprint, signed in gold ink, numbered 17/90, image 28 x 22 ¼”, full margins, framed with glass, in apparently good condition.

George Rodrigue Blue Dogs Don't Like Bein' Blue 1993screenprint in colors sheet: 17.5 h × 25 w in (44 × 63 cm) image: 16 h × 23.125 w in (41 × 59 cm) Signed and numb

Artist: George Rodrigue Title: Purity of Soul Year: 2005 Dimensions: 15in. by 12in. Edition: From the rare limited edition of 190 Medium: Original silkscreen on

Artist: George Rodrigue Title: Purity of Soul Year: 2005 Dimensions: 15in. by 12in. Edition: From the rare limited edition of 190 Medium: Original silkscreen on paper Condition: Excellent Signature

[Children's & Illustrated] [Rackham, Arthur] Stephens, James (editor) Irish Fairy Tales London: Macmillan & Co. Ltd., 1920. First and limited edition, one of 520 unnumbered copies, signed by Rackh

A Chinese Celadon Ground Blue Foo Dogs Porcelain VaseH:18 inches (46cm)

[Children's & Illustrated] [Rackham, Arthur] Grimm, (Jacob and Wilhelm) The Fairy Tales of the Brothers Grimm London: Constable & Company Ltd., 1909. First and limited edition, #484/750 numbered c

[Children's & Illustrated] [Rackham, Arthur] Steel, Flora Annie (editor) English Fairy Tales London: Macmillan & Co. Ltd., 1918. First and limited edition, #199/500 numbered copies, signed by Rack

ARTHUR W. SIMPSON (1857-1922), KENDAL ARTS & CRAFTS TRAY ON STAND, CIRCA 1910  oak, inset maker’s label under base 61cm diameter, 65.5cm high 

Nellie Mae Rowe (1900-1982). Dog on Roof With Blue and Green Birds. 1981. Signed and dated. Paint, crayon, colored pencil and graphite on paper. Very strong vivid colors. Excellent condition. A Nellie

Chinese vintage blue and white porcelain jar painted with fairy tale scene. H: 15 1/2 in ,W: 13 in

Chinese vintage blue and white porcelain jar painted with fairy tale scene; H: 14 in W: 13 1/2 in

Arthur Fitzwilliam Tait (1819-1905) Retrieving a Mallard, 1863 signed and dated "A. F. Tait. N.Y. 1863." lower left oil on canvas, 16 by 26 in. Tait's register records this work as, "285 Dog & Duck."