An unsigned late 18th century Dutch inlaid mahogany contra barometer The scales marked A.R.

English mahogany inlaid banjo barometer with broken arch and four glass panels, late 18th c. 40"h x 10.25"w x 1.25"d

18th c. Mahogany Stick Barometer, marked "London", with stepped molded edge top with three brass finials, hinged wooden cistern cover at base, 37" high, 6 3/4" x 1 3/4". Label/scale losses.

A German or Dutch late 18th century mahogany, purpleheart, ebony, plum, fruitwood and stained sycamore marquetry tric trac or games table 1775-1790 The detachable quarter veneered top with rounded ear

Western Europe, England, London, George III period, ca. late 18th to 19th century CE, inscribed "Nairne & Blunt London." A beautiful stick barometer of a tall, slender size with a body hand-carved fro

Dutch Rococo inlaid burr walnut tall clock, Late 18th c., Jan Bernink, Amsterdam, (Dutch, 1735-1795), moon phase, calendar apertures, waisted case with bombe base on paw feet, 106"h (incl. finial) x 2

George III walnut, mahogany and boxwood inlaid small occasional drum table, with 4 drawers, on casters. Late 18th century. One key (present) locks all drawers. [28 1/4" H x 18 3/4" Diam.].

Attributed to Charleston, South Carolina, late 18th century, mahogany with pine and yellow pine secondary. Tapered legs, three dovetailed drawers, and one bottle compartment with original brass pulls

Late 18th or early 19th century Continental oil on canvas, depicting a Bacchanalia themed scene, with putti celebrating the grape harvest, unsigned, a follower of Peter Paul Rubens, (Dutch-Flemish, 15

A good late 18th century mahogany table clock of excellent colour, with moonphase and alarm. Together with a matching wall bracket. Signed Yeldrae Notron, for Eardley Norton, London, number 2400 The b

Late 18th, early 19th Century Dutch Walnut longcase musical and striking clock

Late 18th c. American Mirror with figured mahogany frame, gilded eagle crest and scrolled top molding, carved and gilded side festoons, beveled edge mirror (not original), wooden back panel, with shee

Italian Neo-Classical Inlaid Fruitwood Commode, Late 18th C. (RFRAN359)(MS) Dimensions: Property from a New York collection

A Pair of George III Provincial Mahogany Corner Seats Late 18th Century Height 38 1/2 x width 39 x depth 28 1/2 inches. This lot is located in Chicago. Provenance: David Pettifer Ltd., London, no. 82/

A classical O/C Portrait of mother with child, probably Italian, late 18th to early 19th century. The canvas marked "N. 45" on reverse. Some crazing - has not been black lighted but appear to have som

Exceptional French vitrine, late 18th to early 19th century, in kingwood and mahogany with extensive dore' bronze ormolu mounts, the shaped cavetto top with egg and dart molding above the guilloche fr

Fine American Federal Carved Mahogany Three-Part Banquet Table, late 18th c., New England, top with reeded edge and demilune ends, blocked frieze, ring-turned reeded and tapered legs, brass cuffs, cas

attrib. John and Thomas Seymour, Boston, late 18th c. bellflower inlay to tapering legs ending in unusual spade feet; both back legs swing out to support the top when open; 29"h; 36"w; 17.75"d From th

A fine and highly decorated clock with tall case made from inlaid and ornately carved wood with burr walnut veneer, adorned with three gilded figures including depictions of Father Time and Mercury at

Fine Russian Neoclassical Mahogany Bureau Cylindre "Trois Corps" late 18th century, in the Jacob style, the galleried pediment with ormolu urn finials, above a triangular-patterned central frieze fla

A Pair of George III Giltwood and Polychrome Inlaid Marble-Top Pier Tables Manner of Thomas Chippendale, Late 18th Century Height 34 x width 35 1/4 x depth 15 3/8 inches. This lot is located in Chicag

A mahogany and rosewood crossbanded longcase clock, A mahogany and rosewood crossbanded longcase clock, by Justin Vuillamy, late 18th century, the 11.5in square silvered dial with subsidiary seconds d

Item/Description: Late 18th Century Italian School, Neoclassical painting of "Justicia", Lady Justice shown holding scales with ostrich by her side. After the last Raphael masterpieces discovered in t

English, late 17th/early 18th century, unsigned, the curved lateral sides of the cylinder barrel are decorated with gold scrolling acanthus fretwork, the flattened top surface is inscribed with seashe

Late 19th century French Louis XVI style bijouterie (display table), the inlaid mahogany base supporting a green velvet-lined glass case, all adorned in dore' bronze ormolu mounts, the slender taperin