Attributed to Cornelis de BAELLIEUR (1607 - 1671) Crucifixion with the Magdalene at the foot of the

Dutch School 17th century oil on panel attributed to Cornelis Saftleven (Netherlands, 1607-1681), depicting river landscape with figures, bearing exhibition, gallery or other label on frame reverse. I

Attributed to Otto Van Veen The Crucifixion, with the Virgin Mary, Mary Magdalene and St. John the Evangelist Oil on copper 23 x 17 1/2 inches (58.4 x 44.4 cm) Provenance: [Sale] Christie's New York,

The large shaped oval form with mask handles either end and large genre scenes in panels on either side raised on scroll feet, marking underside of the base attributed to Albertus Kiell at the 'De Wit

Cornelis de Vos (1584 / 85-1651), Magnanimity of ScipioCornelis de Vos became master of the Guild of Luke in Antwerp in 1608, and its dean in 1620. He worked as a colleague of Rubens on the decoration

Flemish School, 17th century, Circle of Cornelis de Vos (1584-1651), octagonal portrait of a lady, presumably a noblewoman, attired in a black dress and large white lace collar. Heraldic device upper

Portrait of the Painter Cornelis de Vos and his wife Suzanna Cock and their two oldest children, Magdalena and John the Baptist. Oil on canvas, 136 x 120 cm

Chinese Export Porcelain 'Trumpeter' Coffee Cup, After a Design Attributed to Cornelis Pronk Unmarked. 2 1/2 x 3 3/4 x 2 3/4 in. Chinese Export Porcelain from the Tibor Collection

Attributed to Cornelis Jonson (193-1661): Portrait of a Lady said to be Henrietta Maria, Wife of Charles I Oil on canvas, unsigned, indistictly inscribed at top, lined. 29 1/2 x 24 1/2 in., 35 1/2 x 3

Pair upholstered wing chairs on turned feet attributed to Comte C 1945. Ht: 37.5" Wd: 30" Dpth: 32" Seat: 17"

Cream Upholstered Two Seat Sofa on White Painted Bun Feet, de Angelis 32 x 5 ft. 1 1/2 in. x 34 in., height of seat 18 1/2 in.

Brass, enamel. Height: 39", Length: 13", Depth: 7". Ornately decorated French brass wall clock attributed to De La Rue. Enameled face with Roman numerals marked "De La Rue Rue Vielle Paris". Clock wit

Pair of flip-top pedestal card tables, with cut brass panel mounts and brass hairy claw feet. Attributed to the Richmond, Virginia area. One table labeled underneath: "Data and Photographs of this Pie

Federal Duncan Phyfe Mahogany Sofa Having carved cornucopia and ribbon back Reeded arms on turned and carved supports, set on carved paw feet Attributed to Duncan Phyfe, New York, circa 1815, now in c

American Chippendale Mahogany Easy Chair with Marlborough Feetattributed to Philadelphia, circa 1780, oak secondary, scalloped crest rail, shaped wings, scrolled arms, slip seat, square straight legs

Seven piece walnut and burl walnut parlor set to include sofa, two armchairs, and four side chairs all with Jenny Lind face, carved lion arm supports, and paw feet, attributed to John Jelliff. sofa: h

Decorchemont pate de verre footed bowl has a band at the lip of inverted ribbing and is finished with three heavy pate de verre feet. The bowl is done in grayish/green color and is signed on the side

A SET OF SIX LOUIS XIV PAINTED SILK WALL PANELS Circa 1700, manufacture attributed to Royale de Gobelins Framed. height overall 65 5/8in (166.6cm); width of each 25 3/8in (64.4cm) Footnotes: The image

Attributed to Andries Cornelis Lens (Antwerp 1739-1822 Brussels) A priestess making an offering at an altar to Diana; and Herse(?) a pair, oil on canvas 92.2 x 73cm (36 5/16 x 28 3/4in). (2)

Attributed to José de Ibarra (Guadalajara, 1685 - Mexico City,1756)"The Madonna of Passau" Oil on copper. 28 x 22,5 cm. The painter was born in New Galicia, currently in Guadalajara, at the time of

Attributed to Niccolo De Simone (Italian 1636 - 1677) "Moses Bringing Water Back from the Rock" Oil on canvas Unsigned 30" x 40" Provenance: from a Beverly Hills, California collection Condition: reli

Oil on canvas.Relined and restored.105.5 x 80.5 cm; 120 x 95 cm (frame).

Attributed to Jan De Momper (Flemish, 1614-1688) Figures in Landscapes (two works) oil on canvas 38 1/8 x 52 5/8 inches. Property from a Private Collection, Southwest Florida

Ɵ Medical compendium with substantial parts of Egidius de Corbeil, De urinis, to which was added much of the Fasciculus medicinae attributed to 'Johannes de Ketham', with his diagrams of the huma

David De Coninck (c. 1636 Antwerps – after 1701, Brussels), A Cat and Dog Fighting for a Pheasant. The painting is attributed to David de Conick, an artist from Antwerp. Pupil of Pieter Boel, t