Julius Caeser Ibbetson (British, 1759-1817) View of

Julius Ceasar Ibbetson (English, 1759-1817). "Rest by the Wayside" - late 18th/ early 19th century, oil on canvas, apparently unsigned. Approx. 38" x 30.25" (canvas), 45.375" x 37.5" (frame).

Attr.Julius Caesar Ibbetson United Kingdom,1759-1817 Impressionistic depiction of a boy and girl along with their dog herding cows and goats across a stream. Ibbetson originally worked as a scene pain

ATTRIBUTED TO JULIUS CAESAR IBBETSON 29 December 1759 Farnley Moor, Leeds (Yorkshire) - 13 October 1817 Masham PAIR OF PAINTINGS: IDEAL LANDSCAPE WITH COWS AND SHEPHERDS AT THE WATER / LANDSCAPE WITH

Silk Needlework Picture of a Pheasant Shooting After J.C. Ibbetson (English, 1759-1817) With an eglomise mat and gilt frame. Sight height 11 1/2 inches, width 17 inches. Provenance: Arthur Ackerman, N

European (England), possibly 1806. Oil on canvas in a later frame. View of a country road with travelers. Signed and dated on lower right. Some craquelure, minor flaking. 18.75"h. 24.75"w. (sight). Fr

"View of Quebec, The Capital of British America" Copper Plate Published 1814-27, London for "A New Geographical Dictionary; Containing a Description of all the Empires, Kingdoms, States and Provinces.

George Heriot (c.1759-1839) British/Canadian. 'Caan', a Topographical View of the Town, Watercolour, Inscribed and Dated '20th April 1820', 5 x 8". "

Luigi Mayer. Important British view watercolor painting. "View of the Tower of Freston in Suffolk England". This painting is #41 from an album done in 1799. No. 35 "Church near Holbrook" is in the Chr

JOHN CALLCOTT HORSLEY, (BRITISH, 1817-1903), OIL, H 55", W 43", "THE POETS THEME":Signed lower left. Elaborate pierced gold leaf and gesso frame. For a high resolution photo

George Frederic Watts, OM, RA (British, 1817-1904) Design for a mural oil on panel 25 x 61cm (9 13/16 x 24in). Footnotes: Provenance Lilian Mackintosh (later Chapman), Watts's adopte

(British, 1759-1828) Four fox hunting scenes: Breaking Cover, 22-3/8 x 28-5/8 in.; Over the Fence, 22-1/4 x 28-1/2 in.; The Chase, 22-1/4 x 28-5/8 in.; The Kill, 22-1/4 x 28-5/8 in., some bearing sign

James Buttersworth (British,1817-1894): Sailboats at the Sandy Hook Lightship, oil on panel, signed and framed, reference number on back. The Sandy Hook Lightship was equipped with 2 lanterns, each wi

Philip John Ouless (British, 1817-1885) A French Steam Packet departing Granville, Normandy signed with monogram and dated '1858' (lower right) oil on canvas 49.2 x 76.2cm (19 3/8 x 30in). Footnotes

"Attributed to John Nost Sartorius (British, 1759–1828) Setting Out for the Meet Oil on canvas16 3/8 x 22 in. (41.6 x 55.9cm) Provenance Lane Fine Art Ltd., London, United Kingdom.Private

James E. Buttersworth (British, 1817-1894) Old Ironsides off Long Island oil on panel signed J E Buttersworth, lower right 8 1/2 x 12 1/4 inches.

Original "Coming Ashore" by Thomas Luny (British, 1759-1837) Signed and dated 'Luny 1829' (lower left) oil on panel. 8 3/4" x 11 3/4". Previously sold at Christies 2001. Information on back of paintin

William Charles Thomas Dobson (British, 1817-1898) "Reverie", 1864 oil on canvas signed with symbol monogram and dated "1864". Framed. 20" x 24", framed 30-1/2" x 34"

William J. Weaver (1759-1817), Portrait of Francis Joseph Uptonoil on panel, inscribed and signed at lower right "Painted in Three Hours by Weaver 1813," inscribed and retaining a hand-written letter

Property from a private collector St. Simons Island, GA Description: John Robert Dicksee (British, 1817-1905), Anticipation, Oil on Canvas, initial signed lower right, depicting a seated woman in

Framed oil on canvas painting, Canal with Lock, signed lower left T.J. Soper (Thomas James Soper, British, 1817-1893), sight: approx 37.5"h, 46.5"w, overall: 47"h, 56"w, 36lbs **Provenance: consignor

19th c. Oil on canvas signed J.C. Ibbetson "View of Harrow From Kilburn"

School Of John Constable (British, 1776-1837) View In Suffolk. Oil on panel Panel: 13.5" x 11.75" Frame: 16.5" x 14.5"

James Webb (British, 1825-1895) View of Khaub, with Gutenfels Castle in the Distance Signed and dated 'James Webb 1877' bottom left, also dated, monogrammed and with London preparer's stencil verso, o

BRITISH INDIA VIEW TRANSFER-PRINTED CERAMIC PLATTER, featuring blue transfer Chalees Satoon #1, depicting several exotic structures including a central domed example with numerous columns an