C. E. WAGSTAFF 'MARY, DUCHESS OF DEVONSHIRE'

Description: Queen Victoria at the Opera by E.T. Parris/C.E. Wagstaff depicting Her Majesty the Queen at the Opera. Published 1897; originally published in 1839. Heavy stock paper; minor tear in corne

After Alfred Grimond d'Orsay (French, 1801-1852), late 19th century hand colored engraving of Napoleon Bonaparte by C.E. Wagstaff, 19.75"h x 16.25"w sheet, overall dimensions including frame 36"h x 32

Late 19th/early 20th C., signed "Mary E. Johnson, New Orleans, LA" l.r., the verso also inscribed and partially legible "The magnolias from grand...", unframed 28-1/4"h x 24-1/4"w Provenance: Property

Oil on board 28 x 22 in, 32 x 26 in (framed)

Watercolor, signed en verso "Mary E. Jones". Floral still life. 11"h x 14"w and 19.5"h x 23.5"w framed

C E Turner (1883-1965) Cunard LIne "Queen Mary" 81,237 tons, colour lithograph print c.1950 - 50 x 75 cm

Mary E. Marshall (American, 20th c) "Harbor Scene," oil on board, signed. Framed. Size: 14'' x 12'', 36 x 30 cm (board); 17.75'' x 15.75'', 45 x 40 cm (frame).

Europe, probably France, ca. 18th to 19th century CE. A beautiful embroidered depiction of Mary and Jesus surrounded by an embroidered frame with four pale, creamy yellow flowers and their vine-like s

Nineteenth century. Fanciest is mahogany with revolving spool tier with pincushion top and round base with brass ball and claw feet, noted on bottom "Made for Mary Ann Cox by Mr. E. C____ of New York

19th c. Continental print "Her Grace the Duchess of Devonshire....". Sight 14" x 16".

New World, Mexico, Spanish Colonial style, ca. 19th century CE. A beautiful representation of the Virgin Mary, referencing the Tilma Image of Our Lady of Guadalupe, who is depicted standing upon a cre

Western Europe, France, ca. 17th to early 18th century CE. A hand-carved wooden statue of Mary Magdalene dressed in cascading robes adorned in crimson pigment and layers of gilding. Mary stands atop a

**First Time At Auction** Native American, Southwest, New Mexico, Acoma, Mary Ann Hampton, ca. 1950 CE. A lovely polychrome wedding vessel created by Acoma potter Mary Ann Hampton with characteristic

New World, Spanish Colonial, Mexico, ca. 19th century CE. A truly striking wooden representation of the Virgin Mary with a Serpent and Crescent Moon - one of my favorite santos in our collection. The

South Asia, western India, Ceylon (modern-day Sri Lanka) or Goa, Indo-Portuguese culture, ca. 18th century CE. A beautiful ivory carving of the Virgin of the Immaculate Conception depicted draped in l

Philippines / Latin America, Spanish Colonial, ca. early 19th century CE. A hand-carved and hand-painted wooden Santo depicting the Virgin Mary dressed in voluminous robes, the folds of which are skil

New World, Spanish Colonial, Mexico, ca. 19th century CE. An incredible, glittering wood santo of the Virgin Mary, standing in an attitude of prayer, hands clasped before her, head tilted down. Her fa

**Originally Listed At $1700** Eastern Europe, Russia, ca. 19th century CE. Skillfully delineated in egg tempera and gold leaf on wood, an intriguing composite icon featuring Mary of Egypt, an extreme

New World, Spanish Colonial period, ca. 19th century CE. A tall wooden santo of a holy female figure, probably the Virgin Mary given her blue vestments, with haunting brown glass eyes and a large gold

New World, Spanish Colonial, Mexico, ca. 19th century CE. A beautifully-carved wood santo in browns, creams, and golds, depicting the Virgin Mary with her head upturned and her arms outstretched. She

Western Europe, Spain or Spanish Colonies, ca. 18th to early 19th century CE. A carved elephant ivory head from a Santo figure of the Virgin Mary or another saint, with downcast eyes and delicate nose

New World, Mexico, late 19th century CE. Four papier-mache high relief religious icons skillfully modeled and painted with bright, warm colors. Each one depicts the Virgin Mary in different ways in da

North America and Central America, Guatemala or Mexico, Spanish Colonial Period, ca. mid-19th century CE. A fine wood and glass nicho containing a representation of the Virgin Mary standing atop a bra

New World, Spanish Colonial period, ca. 19th century CE. A tall wooden santo of a holy female figure, probably the Virgin Mary given her blue vestments, with haunting brown glass eyes and a large gold