Karl Schmidt Rottluff - Gouache on paper - COA

Untitled, watercolor and gouache on paper laid on board, 11 7/16 x 9 1/8 in (28.2 x 23.2 cm), signed lower right

Karl Schmidt (1890 - 1962) Gouache and Watercolor on paper , Signed , measures 13" x 10"

Karl Schmidt (1890 - 1962) , Gouache and Watercolor on paper , Signed , measures 13" x 10"

Mountain with River California Landscape Painting, Framed, Signed Karl Schmidt. Karl Schmidt (American/California, 1890-1962) gouache on toned paper, depicting a landscape with river in foreground, or

(lot of 3) Karl Schmidt (American, 1890-1962), "Untitleds (Aircraft Carrier and Seaplanes)," gouache on paper (laid down on board), one signed lower right, Museum reference numbers: S13.1, S13.2, and

Karl Schmidt-Rottluff (1884-1976) German Expressionism. Rare woodcut in colors, printed in black and shades of blue. Titled Dünen und Mole (translated Dunes and Pier) created 1917. Signed in black cr

The piece is 30 inches high and 30inches wide. KARL SCHMIDT-ROTTLUFF OIL ON CANVAS V$44,000/SIGNED BY: Karl Schmidt Rottluff.

KARL SCHMIDT-ROTTLUFF Frauenkopf. Woodcut, 1916. 256x182 mm; 10¼x7⅛ inches, full margins. Signed and inscribed "166" in pencil, lower margin. A very good impression of this scarce woodcut.

Possibly Karl Schmidt-Rottluff,German Expressionist School "Komposition". Signes S. Rottluff Lower right. Measures 16" x 20", frame measures 18-3/4" x 22-34". Condition: Good condition. Estimate: $50.

Attr. Karl Schmidt-Rottluff (1884 - 1976) Watercolor. Image size: 13 x 15.5 inches. Initialed "SR" and dated "'22" LR. Ex-collection of art historian Dr. Hans Tietze (1880-1954) and Erica Tietze-Conra

Schmidt-Rottluff und Alfred Brust -Das Spiel Christa. Vom Schmerz der Schonheit des WeibesVerlag die Aktion, Berlin-Wilmersdorf, 1918.Published under the series "der Rote Hahn" (The Red Rooster). Incl

Karl Schmidt-Rottluff (German, 1884-1976), Cats, woodcut, artist identified on matting, overall (with frame): 15.5"h x 12"w

Karl Schmidt-Rottluff. 'Two yellow Houses' artist's postcard, 1911. Watercolour over ink on stamped postcard, addressed and dedicated to Dr. Elsa Hopf, Hamburg. Post stamp Dangast 3.6.1911. 9.2 x 14.3

Karl Schmidt-Rottluff. 'Two Poppy flowers' artist's postcard, 1910. Crayon on stamped postcard, addressed and dedicated to Dr. Elsa Hopf, Hamburg with change-of-address-order. Stamped at Dangast 10.6.

Karl Schmidt-Rottluff. Landscape with chestnut-lined-avenue', 1919. Woodcut (pine) on chamoix vellum. 39.0 x 49.0 cm (depiction), 55.7 x 70.0 cm (sheet). Signed: S Rottluff, work no. 1915 (pencil). Pr

Karl Schmidt-Rottluff. 'Tall Trees', 1920. Drypoint, grey, on vellum. 39.5 x 33.0 cm (depiction), 46.5 x 36.0 cm (sheet). Signed: S Rottluff, work no. 2029 St. Printed at Fritz Voigt, Berlin.

Karl Schmidt-Rottluff. 'Love Kiss', 1918. Woodcut (pine, handmade) on chamoix vellum. 50.0 x 38.5 cm (depiction), 70.5 x 53.0 cm (sheet). Signed: S Rottluff (pencil). Plate dated: 1918, work no. 184 (

Karl Schmidt-Rottluff. 'Title page for the portfolio of woodcuts at Kurt Wolff publishers', 1918. Woodcut (pine) on chamoix vellum. 50.0 x 40.0 cm (depiction), 71.0 x 53.0 cm (sheet). Signed: S Rottlu

Karl Schmidt-Rottluff. 'Page of a book. Poem by E. v. Sydow', 1919. Woodcut (pine) on chamoix vellum. 36.0 x 29.8 cm (depiction), 58.0 x 42.5 cm (sheet). Signed: S Rottluff, work no. 192 (pencil). Pri

Karl Schmidt-Rottluff (German,1884-1976) woodcut depicting a head of a woman. Measures 13" (33cm) x 9 1/2" (24cm).

Coffee table Art book based on the works of Karl Schmidt- Rottluff, written by Magdalena M. Moeller. Colorful illustrations of his paintings, titles and year. Book is written in German language, Horne

Vintage German Expressionism Exhibition Guggenheim Advertisement, Inscriptions in English describing the events of the exhibition, woodcut of an abstracted woman by Karl Schmidt Rottluff, measures 29

Frame: 20" x 18" Shipping in USA $ 90

Art: 11.5" x 15.2" Frame: 19" x 22" Shipping in USA $ 90 Donald Judd was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the