John Ferneley, Sr. (1782 - 1860 English)

Framed oil on canvas painting, Portrait of a Bay and Grey Hunter, signed lower right J. Ferneley, Melton Mowbray (John E. Ferneley, Senior, English, 1782-1860), dated 1823, sight: approx 35"h, 44"w, o

Oil on canvas equestrian portrait depicting a dapple-grey hunter in a hilly landscape set against a cloudy sunset or sunrise sky. Signed lower left, "John Ferneley," (British, 1782-1860). Handwriting

Attributed to John E. Ferneley Sr. (1782-1860), oil on canvas, Pheasant Shooting, unsigned, label on verso: Gimbel Brothers, 17" x 20" *No credit card payments will be accepted for silver, gold, or je

MANNER OF JOHN E. FERNELEY, SR. (BRITISH 1782-1860)Portrait of a Bay Horse and King Charles Spaniel, oil on canvas87 x 99 cm (34 1/4 x 39 in.)framed dimensions: 99 x 111 cm (39 x 43 3/4 in.)

John Ferneley the Elder English, 1782-1860 A Racehorse with his Groom Signed J. Ferneley, dated 1818 and inscribed Melton Mowbray (lr) Oil on canvas 28 1/8 x 36 inches (71.4 x 91.5 cm) Provenance: Kno

John Ferneley (British, 1782-1860) The horse 'Vagabond', owned by Henry Everard Esq, and the dog 'Nell', owned by his fiancé Miss Helen Stuart signed, dated and inscribed 'Ferneley/Melton Mowbray

John E. Ferneley, Junior English, 1815-1862 A Black Horse in a Landscape Signed John Ferneley Jr. and dated 1849 (ll) Oil on canvas 25 x 30 inches (63.5 x 76.2 cm) Provenance: Pawsey & Payne, Ltd., Lo

After John Frederick Herring Sr (English, 1795-1869) Oil on Canvas Ca. 1840, "The Doncaster Gold Cup", H 18.5" W 36.5" | Preparing to Start for the Doncaster Gold Cup is one of Herring's most famous c

After John Frederick Herring Sr. (English, 1795 - 1865) Queen of Trumps,  Winner of the Champagne Stakes 1834, and The Oaks and St. Leger 1835, with Jockey Lye  oil on canvas with hand-writt

Arthur John Elsley (1860 – 1952, English) Print Arthur John Elsley (1860 – 1952, English) Print of two young girls with three dogs. There is a plate signature on the lower left hand corner that sa

JOHN FREDERICK HERRING SR RABBITS OIL PAINTING, ENGLISH John Frederick Herring Sr English, 1795-1865 A Doe Rabbit and her kits in an interior Signed: J.F. Herring. Sen’ 1852. (lr) Oil on Panel 14.0

John Frederick Herring Sr. (English, 1795-1865) 2 oil on canvas equestrian paintings, interior barn scenes, one of "Lord George Bentinick's" horse "Crucifix" facing right, the other of "Mr. W. Orde's"

After John Frederick Herring Sr. (English, 1795-1865). A hand colored aquatint engraving of a horse titled Sir Tatton Sykes. Engraved by James R. Mackrell. Framed under glass. Mat opening: 17-1/4 in x

Framed lithograph on paper, "Pharaoh's Chariot Horses," after the original by John Frederick Herring Sr. (English, 1795-1865), sight: approx 14.5"diam, overall: approx 34"h, 34"w, 22lbs **Note: The or

After John Frederick Herring, Sr. (English, 1795-1865), large engraving depicting a festive crowd on their way back from the races, 20" x 41" sight, 36" x 56" framed.

Correggio. Christ praying in the garden. Antique steel engraving on wove paper after the original by master engraver John Taylor Wedgwood English, 1782- 1856). 1834. Signed in the plate. Image Size -

John Sell Cotman. (English, 1782 - 1842). St. Mary, Redcliffe. Antique Mezzotint on wove paper after the original by Master Engraver Frank Short ( Francis Job "Frank" Short) (British, 1857-1945). 1888

Count Sandor's Exploits in Leicestershire, plate VII, c. August 1, 1833, R. Ackerman Publisher. Engraving by E. Duncan, after J. (John E.) Ferneley. With A. Ackermann & Sons. Ltd. label on verso. 13 3

Group of four very fine detailed hand colored, drypoint English fox hunting scenes from the HERRINGS FOX-HUNTING SCENES series to include THE DEATH by J Harris, BREAKING COVER, FULL CRY and THE MEET.

1860 Captain John Smith POCAHONTAS Jamestown Colony INDIANS Virginia Discovery “The Life and Adventures of Captain John Smith” chronicles the extraordinary experiences of an English explorer a

London, all late 18th/early 19th century, assembled set all with reeded bases and bead borders, wooden handles and finials, including 12-1/2 in. coffee, marks for John Wakelin & William Taylor, 1782;

J. Cotman, either John Sell Cotman (British, 1782-1842) or John Joseph Cotman (British, 1814-1878). "The Path to the River", oil on canvas. Signed "J. Cotman" lower left; giltwood frame. Provenance: F

Fine American Renaissance Sterling Silver Compote , attr. John R. Wendt & Co., New York, act. 1860-1879, marked "256" over "ENGLISH STERLING", bowl retaining gilt wash and surmounted by doves, Classic

Engraved by Remigius Parr (English, fl. mid 18th century) and designed by John Swaine (British 1725-1782) after Peter Monamy (British, 1681-1749) "A Calme/Calmel" and "Fresh Gale/Vent Frais", hand col