1727 The English Baronets Being a Genealogy

“The English Baronets Being a Genealogical and Historical Account of Their Families…”, printed at London for Thomas Wotton, 1727. Volume II. Several engraved plates at front of volume, some hand

"The English Baronets being a Genealogical and Historical Account of Their Families..", London, printed for Thomas Wotton, 1727, 622 pages, numerous plates at beginning of volume with many hand colore

The English Baronets Being a Genealogical and Historical Account of their Families, Volume III only. Complete including the continuation of the plate section from 78-106 including a few with hand colo

“The Arms of the English Baronets and the Knights of Bath…”, printed at London for G. Kearsly, 1779. Engraved by Coby and Thompson. Frontis, title, 92 pages. Several plates of Arms. Modern Cloth

Thomas Gainsborough (English, 1727-1788) Attributed: Study for the Honourable Mrs. Graham,Oil on board, unsigned, framed. Perhaps one of Thomas Gainsborough's most intricate and recognizable compositi

Artist/ School: English School, late 18th century, circle of Thomas Gainsborough (English 1727-1788) Title: ''The Country Pathway''. A fine late 18th century English landscape scene, with travellers a

attributed to THOMAS GAINSBOROUGH (English 1727-1788) A PAINTING, "Portrait of a Young Gentleman," CIRCA 1778, oil on canvas, sitter thought to be the composer Thomas Linley the Younger; 29" x 24", fr

(After) Thomas Gainsborough (English, 1727-1788) 'The Cottage Girl' Oil on Canvas Undated, unsigned, depicting a young girl standing in a landscape with head turned to look towards left; holding a pit

After Thomas Gainsborough RA FRSA (English 1727–1788), 'The Honourable Mrs. Graham' (British/Scottish 1757 - 1792), undated, oil on canvas, full length portrait depicting a lady wearing pink and blu

A PAIR OF GEORGE III MAHOGANY HEPPLEWHITE PERIOD OVAL BACK OPEN ARMCHAIRS, CIRCA 1790, in the manner of George Hepplewhite (English 1727-1786), the curved crest rail centered by a ribbon-tied bow over

Thomas Gainsborough (manner), painting, Manner of Thomas Gainsborough (English, 1727-1788), Cows in Landscape, oil on canvas tondo, no signature observed, in a square frame, 30"h x 30"w (canvas), 39"h

After Thomas Gainsborough (English, 1727-1788) A Royal Vienna cabinet plate with hand painted portrait of Mrs. Robinson. Having blue ground with gold gilt decoration. Dia: 10.625"

After THOMAS GAINSBOROUGH (English 1727-1788) A PAINTING, "Pastoral Landscape," oil on board, signed verso. 15 1/4" x 20 1/2"

(lot of 2) Oval prints, centered in Rococo style giltwood frames with hanging ribbon, including: (1) "The Honourable Mrs Graham," after the original by Thomas Gainsborough (English, 1727-1788), (1) "A

Museum quality portrait painting of Adrienne Arscht After Thomas Gainsborough's (English 1727-1788) original oil painting of Mrs. Graham. Housed in an extravagant carved giltwood frame. Sight size: 47

George Hepplewhite (English, 1727-1786) Style Edwardian Paint-Decorated Satinwood Armchair, 19th century, shield-form back and cane paneled seat with custom sage green cushion on fluted legs. 38.25" H

Thomas Gainsborough ( english 1727 - 1788 ) " The Young Cottager " Boy holding puppy dog dimensions 24 inches Height by 21 Inches Lenght In Good Condition And Framed In Large Wood Ornate Frame Frame H

An antique hand painted oval miniature portrait print on paper, The Honourable Mrs Graham, after the original oil painting on canvas by Thomas Gainsborough, English, 1727 to 1788. Inscribed lower left

After Thomas Gainsborough (English, 1727-1788), 19th century engraving on paper of Elizabeth Ann Lindley, the wife of the playwright Richard Brinsley Sheridan, often referred to as a portrait of Mrs.

Sir John Everett Millais, 1st Baronet, (English, 1829-1896). The Princes in the ToweThe Princes in the Tower. Antique Engraving on wove paper after the original oil on canvas by masterAntique Engravin

Sir John Everett Millais, 1st Baronet, (English, 1829-1896). A Moorish Chief. Antique steel engraving on wove paper after the original by master engraver C. Goodeve. 1879. Signed in the plate. Excelle

Sir Edward John Poynter, 1st Baronet (English, 1836-1919). A Visit to Aesculapius. Antique engraving on wove paper after the original oil paint on canvas by a master engraver William Ridgway (British,

Sir John Everett Millais, 1st Baronet, (English, 1829-1896). Christ in the House of his Parents. Antique engraving on wove paper after the original oil painting on canvas by master engraver Thomas Bro

Sir John Everett Millais, 1st Baronet (English, 1829-1896). Portrait of J. C. Hook, R. A. (English Painter, 1819-1907). Antique Engraving on wove paper after the original by Master Engraver A. H. Palm