Parmigianino, Attrib. Rome Florence Bologna Blessed

Attributed to Parmigianino-1503-1540/Rome/Florence/Bologna Blessed Women black pen, color wash 11x9 Parmigianino was an Italian Mannerist painter and printmaker active in Rome, Florence, Bologna and P

by Dante Alighieri (Italian, 1265-1321), illustrated by Salvador Dalí (Spanish, 1904-1989), Roma/Firenze (Rome/Florence): Arti e Scienze Salani, 1963-1964, six volumes (complete), one of 2,900 from a

Italy.- Stereocards.- A collection of over 220 views of Italy including Rome, Venice, Florence, Naples and Pompeii, the photographers including Spithover, Sommer, Rive, Cuccioni, Mang, Brogi, Van Lint

Annibale Carracci Italian/Bologna/Rome 1560 yr 16th Cent. Man Singing. Sanguine drawing. 10.5x8. 15-16 cent. The name Annibale Carracci and dates 1506-1609 inscribed on bottom board. Period paper. Dea

Florence Knoll (attrib) coffee table, Mid 20th c., attributed to Florence Knoll, teak or rosewood on brass base, unmarked, 18.5"h x 44"l x 32"w

WORKSHOP OR SCHOOL OF ANNIBALE CARRACCI Before 3 November 1560 Bologna - 15 July 1609 Rome THE LAST COMMUNION OF SAINT JEROME Oil on canvas (relined). 87,5 x 54,5 cm (F. 109 x 76 cm). Part. old rest.,

(French, 1758-1823). "Napoleon Bonaparte and the King of Rome," oil on canvas, inscribed (possibly signed), "P.P. Prud'hon" on verso, most likely in its original frame. Frame stamped "R. Charpentier"

Book of Hours, Use of Rome, in Latin, illuminated manuscript on parchment [northern Italy (probably Florence), c. 1470] 153 leaves (plus a parchment endleaf at back), wanting a gathering or so from fr

Coppia di poltrone. Tubolare metallico verniciato, ottone, velluto imbottito. Produzione I.P.E Bologna anni '50. cm 82x80x85 A PAIR OF ARMCHAIRS ATTRIBUTED TO R. VALLA Ottime condizioni generali. Picc

Coppia di poltrone. Tubolare metallico verniciato, ottone, velluto imbottito. Produzione I.P.E Bologna anni '50. cm 82x80x85 A PAIR OF ARMCHAIRS ATTRIBUTED TO R. VALLA Ottime condizioni generali. Picc

Due poltrone. Legno, tessuto. Produzione Bega Bologna, anni '50. cm 81x63x73 TWO ARMCHAIRS ATTRIBUTED TO M. BEGA (2)

Rome, Salvioni, 1756. In 8th. Frontispiece in red and black ink with chalcographic vignette, secret compartment obtained from the body of the book, coeval binding in Moroccan, plates richly decorated

1st class relic of Blessed Pius X with authentication document. The relic is ex. carne (skin), and contained in a silver closable locket about 1" in diameter. The document is dated 1954, Rome. A wonde

Circle of Giuseppe Maria Crespi (Italian/Bologna, 1665-1747) "Amalthea and the Nymphs" oil on canvas unsigned. Framed. 26-3/8" x 22-1/2", framed 35" x 31" Provenance: Parenza Art Gallery, Rome, Italy;

Private Collection 14.50" x 11" With Attrib Certificate & Provenance Marino Marini 1901-1980) was an Italian sculptorHe attended the Accademia di Belle Arti in Florence in 1917. Although he never ab

Private Collection 14.25" x 11.25" (Attrib.) With Certificate & Provenance Marino Marini 1901-1980) was an Italian sculptorHe attended the Accademia di Belle Arti in Florence in 1917. Although he ne

Private Collection 14" x 11" Attrib. with Certificate. He attended the Accademia di Belle Arti in Florence in 1917. Although he never abandoned painting, Marini devoted himself primarily to sculpture

After one of the famous full-sized original pair displayed at the Villa Medici in Rome until 1789, when they were moved to the Loggia dei Lanzi in Florence. This lion, of carved, gray-veined Italian a

Depicting, The Nativity within shepherds. The original of the painting in the Galleria degli Uffizi, Florence, painted c. 1620, probably in the year of Honthorst's departure from Rome for Utrecht, is

Wooden palette painted by Molly Judd, FAA Alumni and Workshop Instructor.

Wooden palette painted by Jordan Sokol, FAA Alumni and Director of The Florence Academy of Art U.S. Branch.

Wooden palette painted by Amaya Gurpide, Principal Instructor at The Florence Academy of Art U.S. branch.

Bust of a Roman barbarian. Ancient Rome, circa 300 AD. Marble. Damaged, nose restored. There is a crack in the tunic and a hole in the back and support. Provenance: Ex collection C. Mercier, 1960 / Ba

GIUSEPPE CAPOGROSSI (Rome, 1900 - 1972) Superficie 673, 1968-69 Oil on canvas, 25 x 35 cm The artwork presents the classic symbol-pattern that has characterised the artist's production since the 1950s